I am having trouble keeping up with all of these Joneses.
Lucsly crossed something off on his padd. "So you're not contending that this was a pre-destination Paradox?"
Dulmer added, for any idiot present, "A time loop-- that you were meant to go back into the past?"
And they're part of a vast, Wold-Newtonesque clan that also includes Miranda Jones, Cleopatra Jones, Rick Jones, Jessica Jones, Davy Jones of the Monkees, and Rocky Jones, Space Ranger.
I don't see how that's damaging, though. If anything, the original DW was a series that generally had too little continuity or memory of its past. I'd say that acknowledging that history was a good thing overall.
But most tie-ins don't "count" as part of the core continuity. That's historically been the norm, not the exception. Heck, in past decades, tie-ins were frequently very unfaithful to the continuities they tied into or interpreted them in alternative ways, like Ashley McConnell's eccentric take on Quantum Leap (which was actually more interesting in some ways than the show itself) or the various incompatible tie-ins to The Prisoner.
And it's only in recent years, well after the Arnold era ended, that we've begun to see tie-ins that were treated as canonical or pseudo-canonical, like the Del Rey Babylon 5 novels, the Buffyverse and other Whedon comics, and the like.
I'll go this far: Arnold's attitude did help promote the false belief that canon is some sort of value judgment or stamp of approval, that being out of continuity makes a story "wrong" rather than just an alternative take on an imaginary concept. I'll grant that that may have hurt the perception of tie-ins that don't "fit" the continuity. But Arnold didn't create the idea of tie-ins being apart from canon; he just stigmatized it.
Sorry to be a bother, but would you mind telling about the differences in the QL books? Big fan of the show; Never read the books.
Well, it's been a long time since I've seen the show or read the books, but I'll see what I can remember.
Mainly, the McConnell books focused more heavily on the people back at Project Quantum Leap, developing characters we only got a glimpse of in the show, and sometimes reinterpreting them (for instance, the ditzy sexpot is developed into a really brilliant scientist who likes to put on the act of being a ditzy sexpot). There's also a lot more exploration of how the timeline is constantly in flux as Sam Beckett changes the past. Those are more elaborations than contradictions, though. The main inconsistency between the two is that the books operate on the assumption that only Sam's mind is leaping into other people's bodies -- which would explain how he can fit into their clothes, but it contradicts episodes where he retained his own physical abilities (like being able to walk when he leapt into a double amputee).
I thought the issue with the Star Trek IV novelization, since McIntyre talked about this in an interview a few years ago, was that midway through writing the novelization Paramount suddenly wanted an outline for the book, and that McIntyre's response was that she could either finish the book by the deadline or she could stop writing the manuscript and spend her time on an outline, but that she couldn't do both.
Also, I don't know where you're getting this idea that there's no additional material in the novelization after the trash collectors. I distinctly recall that there's a plotline with an FBI agent that goes right up until the end of the book. The reason I remember this is that I was disappointed when I saw the film and there was no FBI agent; I was looking forward to seeing that on screen.
If you want to begin reading Trek novels at one point or another and don't know where to start feel free to ask. The standard answer is Avatar Book One & Two, but it's always noce to see everyone agree on something and share their memories of how that duology changed their lives. It was in 2012 when...I don't read Trek books.
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