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box office

I don't think anyone will greenlight this project. Rachel Zegler should focus on her theater projects and focus entirely on becoming a TV star.
Gloria Estefan personally approves of her. That might be the influence she needs...but Snow White definitely hurt. We shall see

 
Nobody has made only hits. I never saw Snow White, but I've seen her in West Side Story and Shazam. She has the voice and the pipes for Gloria Estefan and she's not a bad actress.
 
The movie failed. That's not a reflection on the actress or how talented she is. Pretty much every actor in Hollywood has had a movie bomb on them.
Of course, every actor has had their own unsuccessful films. There are a few actors in Hollywood who have had bad luck. Rachel Zegler is one of them. Anyway, I agree that she has a good voice and is a good actor.

The movie failed. That's not a reflection on the actress or how talented she is. Pretty much every actor in Hollywood has had a movie bomb on them.
Besides, not only Snow White but all the other films either failed at the box office or made very little profit.
 

‘Black Phone 2’ Rings Up $42M Global Bow; ‘Tron: Ares’ Squeaks Past $100M & ‘One Battle After Another’ Tops Century Mark Overseas To Reach $163M WW – International Box Office

Updated: Blumhouse’s Black Phone 2 dialed up a $42M start globally, including $15.5M from the international box office – the latter above The Black Phone and Sinners in the same markets.

The Universal release of the Scott Derrickson-directed Ethan Hawke-starrer is playing in 71 offshore markets, led by Mexico at $4.3M. It was No. 1 for the weekend there with a 58% share. The launch is above the first film, as well as Weapons, and more than 3x Smile 2 and Sinners.

In the UK & Ireland, $1.48M placed it at No. 2 behind Uni’s other opener, Gabby’s Dollhouse: The Movie. The UK bow for Black Phone 2 is 19% above the first film.
Brazil was another highlight at $1.2M, and with Saturday over-indexing as cinemagoing was boosted by cool and rainy weather. Black Phone 2 ranked as the clear No.1 title in the market and came in above the first film, as well as topping Smile 2, Weapons and Sinners.

Australia and France round out the Top 5. In Oz, the sequel did $908K at No. 1 with business continuing to build throughout the frame. France captured $569K as Blumhouse’s first 16-rated film in the market.

Upcoming releases include Germany, Spain, Korea and Japan.

The sophomore session for Disney’s Tron: Ares was down 54% internationally with an additional $14.1M from 52 material markets. The overseas cume to date is $48.4M, lagging domestic’s $54.6M for a $103M global total through Sunday.

China was new this weekend, but, as expected, did not light up, giving the movie a $2.8M launch. Tron: Ares was the top non-local title, slightly edging the arrival of One Battle After Another ($2.5M).

It was No. 1 again in a handful of smaller markets, and No. 2 in Australia, Brazil and Mexico.

The Top 5 after two weekends are: Mexico ($4.9M), UK ($4.3M), France ($3.3M), China ($2.8M) and Germany ($2.7M).

The global Imax total so far is $17.6M including $7.1M from overseas.

Warner Bros’ Paul Thomas Anderson critical darling One Battle After Another continued to hold strongly with a 38% drop for another $11.8M from 78 overseas markets in release. The offshore cume has crossed the century mark with $100.6M through today. Global is now $162.5M.
The Top 5 international markets are: UK ($13M), France ($10.1M), Germany ($7.7M), Italy ($5.2M) and Australia ($4.6M).

Universal/DreamWorks Animation’s Gabby’s Dollhouse: The Movie notably added the UK and Spain this session, bringing the number of overseas markets in release to 60. The frame was $6.8M to reach an international cume through Sunday of $28.2M, above Captain Underpants on a like-for-like basis. Holdovers were down 46%.

UK & Ireland had a No. 1 start with $2.3M including Thursday’s strong “Purrsday” previews, and also the highest screen average in the market. There was especially strong performance in Scotland, where schools are at the back end of their early October half term, ahead of holidays rolling out across the rest of the UK. The weekend result is in line with the openings of both Bad Guys films, above Paw Patrol: The Mighty Movie, Captain Underpants and Paw Patrol.
pain also had a No. 1 start with $1M including last Saturday’s previews. The opening result excluding previews is in line with Captain Underpants, and above Sonic 3 and Paw Patrol.

Still to release is Japan in March next year.

MISC UPDATED CUMES/NOTABLE
The Conjuring: Last Rites
(WB): $3.7M intl weekend (77 markets); $306.6M intl cume/$482M global
Chainsaw Man – The Movie: Reze Arc (SNY): $2.7M intl weekend (13 SPRI markets); $68.3M intl cume (includes Japan)
Roofman (PAR/MIR): $2.5M intl weekend (21 markets); $3M intl cume/$18.5M global
Demon Slayer: Kimetsu no Yaiba Infinity Castle (SNY/CR): $2M intl weekend (62 markets); $527.8M intl cume/$659M global
The Bad Guys 2 (UNI): $1.5M intl weekend (80 markets); $148.5M intl cume/$230.6M global
Downton Abbey: The Grand Finale (UNI): $1.3M intl weekend (48 markets); $53.5M intl cume/$98.3M global

 
Of course, every actor has had their own unsuccessful films. There are a few actors in Hollywood who have had bad luck. Rachel Zegler is one of them. Anyway, I agree that she has a good voice and is a good actor.


Besides, not only Snow White but all the other films either failed at the box office or made very little profit.
Please remember reply to multiple posts in a single reply where possible. Otherwise it clutters the fourm when the same user has several posts in a row.
 

Box Office: As ‘Springsteen,’ ‘Chainsaw Man’ and ‘Regretting You’ Target $10 Million Debuts, Will Any Dethrone ‘Black Phone 2’?



A smattering of new releases will aim to dethrone “Black Phone 2” at the domestic box office.

Three films — Disney and 20th Century Studios’ musical biopic “Springsteen: Deliver Me From Nowhere,” Paramount’s romantic drama “Regretting You” and Sony’s R-rated anime title “Chainsaw Man” — are tracking debuts in the $10 million range. Meanwhile last weekend’s champ, Universal and Blumhouse’s scary sequel “Black Phone 2,” is similarly targeting a $10 million to $12 million haul in its second outing. So far, “Black Phone” has earned $27.3 million domestically and $42.8 million globally. Barring the arrival of a sleeper hit, it’s shaping up to be yet another dreary October weekend after the Warner Bros. sequel “Mortal Kombat II” was moved from Oct. 24 to May 2026.

“Chainsaw Man” could lead the pack with $11 million to $15 million, and box office watchers believe it has the best chance among newcomers of breaking through over the weekend. That’s because anime has been enjoying a theatrical hot streak with Sony’s own “Demon Slayer: Kimetsu no Yaiba Infinity Castle” debuting to a remarkable $70 million in September. Adapted from a popular TV series, “Demon Slayer” then became the highest-grossing anime film ever with $131 million domestically and $659 million worldwide.


“Deliver Me From Nowhere,” starring “The Bear” actor Jeremy Allen White as the Boss, is projecting a start between $8 million to $12 million from 3,400 North American theaters. The film is expected to collect another $8 million to $10 million in its international debut for a worldwide tally around $16 million to $22 million. Directed by Scott Cooper, the $55 million-budgeted musical drama centers on a less commercial chapter in Springsteen’s robust career, chronicling the writing of his 1982 album “Nebraska.” If estimates hold, initial ticket sales for “Springsteen” would be comparable to another recent musical biopic, Searchlight’s “A Complete Unknown,” featuring Timothee Chalamet as Bob Dylan. That film opened last December with $11.6 million over the three days and enjoyed staying power, eventually earning $75 million domestically and $140 million globally.


“Regretting You” looks to earn $8 million to $10 million from 3,300 venues. Based on the 2019 novel by Colleen Hoover, the PG-13 story follows a mother and daughter (Allison Williams and Mckenna Grace) who grapple with the aftermath of a devastating accident. The movie was produced by Constantin Films and carries a $30 million budget. “Regretting You” is Hoover’s second novel to get the big-screen treatment. Her first was “It Ends With Us,” starring Blake Lively and Justin Baldoni (who also directed), which ignited to $50 million and became a breakout hit with $344 million worldwide against a $25 million budget. (In addition to becoming hugely profitable for all parties, “It Ends With Us” has also been plagued by a series of never-ending lawsuits between Lively and Baldoni, who remain embroiled in a legal battle about allegations of a hostile work environment and a subsequent smear campaign.) Hoover’s books “Verity” and “Reminders of Him” are being adapted by other studios.

Overall domestic revenues are just 4% ahead of 2024 and more than 20% behind pre-pandemic times, according to Comscore. Moviegoing should get a boost next weekend when Netflix re-releases “Kpop Demon Hunters” for Halloween-themed sing-along screenings. But attendance won’t be consistent until later in the fall when Disney’s extraterrestrial adventure “Predator: Badlands,” Lionsgate’s heist threequel “Now You See Me: Now You Don’t,” Universal’s musical adaptation “Wicked: For Good” and Disney’s animated sequel “Zootopia 2” make their way to theaters.
 
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