Das Glasperlenspiel by Hermann Hesse. I forced myself to finish it. I still have no idea what it was about. I guess it might make more sense under the influence of LSD.
I love all three HDM books, but it was definitely a shock to go from the lyrical fantasy of Northern Lights (The Golden Compass) to Lyra marveling about how awesome movies are, and then Will's wound that won't stop bleeding despite the witches' spell was pretty freaking grim/scary. It was almost as if the reader was being chastised for having enjoyed the magical and wondrous aspects of NL a bit too much. That said, what was there was pretty brilliant, and one can hardly be too much Lyra (even if the very short "Lyra's Oxford" story was pointless and lame as all heck).I loved the Golden Compass and its concept, but I was disappointed in the direction the 2nd book took, and even more disappointed in the 3rd book [...] overall, I feel all three each had a different tone that didn't quite mesh with each other.
That just goes with Hardy. A background of German history helped give context for appreciation of Buddenbrooks. I have almost nil about South America and Colombia, so the allusions 'Solitude' was concerned with were lost on me.One Hundred Years of Solitude, felt like a century getting to the end. What, in God's name, is the fascination?
See, I loved that book. I think it works well if you look at it as an epic instead of a novel.
The Return of the Native was the dullest slog I've ever had to endure, though.
You mean The Book Of The New Sun series?Also, as much as I love Gene Wolfe, sometimes I wish over the course of four books his plots would go somewhere and stay there for more than five minutes.
You mean The Book Of The New Sun series?Also, as much as I love Gene Wolfe, sometimes I wish over the course of four books his plots would go somewhere and stay there for more than five minutes.
I finished the first book but gave up after reading half of the second. The world is interesting, but the characters were boring and plot (whatever it was) got just too weird and random for me to care about anything in those books.
'The Subtle Knife.' I loved 'The Golden Comapass' so much I immediately jumped into this one, it took me a few months to finish it because I put it down for a while. I never did pick up the third book in the series do to my disappointment with the second.
Dune. I finished it but it was a major effort.
MOBY DICK just did not work for me.
No argument from me on that last point, but I imagine that Pullman very deliberately frustrated reader expectations with the grimmer and less magical Subtle Knife to give readers a similar sense of disillusionment and disorientation to what Lyra herself was experiencing, and of course the fact that Will is from our world helps us understanding him without having to read a whole book about his background.Just so much a change in mood between the books. I was actually pretty frustrated at times while reading the second book. I think it's one of those trilogies that would really be hard to film.
Actually, in the books "anbaric power" is just plain electricity, and Lyra's world is still in Victorian-era technological times due to the suffocation of science by the Church; the movie's glowing power balls and sh*t was likely a ploy to sell toys and make the previews look more whimsical and Harry Potter-like than the story actually is. So I'm afraid that if one of your main takeaways from the books is "we didn't get enough of the magic-tech from Lyra's world", you may just have missed the point of the trilogy entirely.I would've loved to see more of the technology available in Lara's world, because what it had presented in the first book and what was seen on screen had lots of potential which was never really used.
You might like the short novel/long short story Once Upon a Time in the North, then; it tells of Scoresby first meeting Iorek.I also think the first book had the best characters. Hell, you could make a great spinoff featuring Lee Scoresby.
There is a section of 'Consider Phlebas' that is shockingly violent (the bit with the cannibals, you know the one), but aside from that. I quite liked it, and most of the others in the series. The ending is moving. The last one, 'The Hydrogen Sonata' is pretty good too. I would suggest 'Excession' might be more your speed, or 'Look to Windward' (sequel to 'CP'). But don't go to 'Use of Weapons', while it's very well written, there's a section I find downright horriifc, same with 'Surface Detail'.I knew there was another one, I had just repressed the memory.
Consider Phlebas, the first Culture novel.
I had read a lot of good things about the Culture series and the concept seemed like it would be something I would really enjoy. Wow was I wrong. There is a good chunk in the middle that I outright skipped because it was just downright foul and with no purpose, but continued reading after that particular situation was over with... it dodn't get any better. The worst part is I had bough almost all of the books in the series before I got to reading Phlebas... what a waste of money that was!
No argument from me on that last point, but I imagine that Pullman very deliberately frustrated reader expectations with the grimmer and less magical Subtle Knife to give readers a similar sense of disillusionment and disorientation to what Lyra herself was experiencing, and of course the fact that Will is from our world helps us understanding him without having to read a whole book about his background.
Actually, in the books "anbaric power" is just plain electricity, and Lyra's world is still in Victorian-era technological times due to the suffocation of science by the Church; the movie's glowing power balls and sh*t was likely a ploy to sell toys and make the previews look more whimsical and Harry Potter-like than the story actually is. So I'm afraid that if one of your main takeaways from the books is "we didn't get enough of the magic-tech from Lyra's world", you may just have missed the point of the trilogy entirely.
Thanks. Yeah, I saw that upon looking something up, though at this point I'm not sure I really want to venture more into his writing.You might like the short novel/long short story Once Upon a Time in the North, then; it tells of Scoresby first meeting Iorek.
There is a section of 'Consider Phlebas' that is shockingly violent (the bit with the cannibals, you know the one), but aside from that. I quite liked it, and most of the others in the series. The ending is moving. The last one, 'The Hydrogen Sonata' is pretty good too. I would suggest 'Excession' might be more your speed, or 'Look to Windward' (sequel to 'CP'). But don't go to 'Use of Weapons', while it's very well written, there's a section I find downright horriifc, same with 'Surface Detail'.
But if I had to choose between living in the Culture or the Federation, the Culture would win every time.
We use essential cookies to make this site work, and optional cookies to enhance your experience.