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Blink: Is it all that?

So the idea that she'd be able to undertake a major life decision like opening and running a business, but not another major life decision like dating a guy, all because of being preoccupied with the Angels business, seems, at best, like an arbitrary characterization choice to me.

So in real life if you can make one major life decision, you should be able to handle any other major life decision? That's not reality.
 
So the idea that she'd be able to undertake a major life decision like opening and running a business, but not another major life decision like dating a guy, all because of being preoccupied with the Angels business, seems, at best, like an arbitrary characterization choice to me.
So in real life if you can make one major life decision, you should be able to handle any other major life decision?

No. It just seems arbitrary to say, "Well, she was ready to open a business with him but not to date him," especially since, once again, there's no indication whatsoever that she was "unready" to date him. The entire "unready" concept is just something people are reading into the text to justify the arbitrary choice of having the character go from, "I've told you before, I'm not interested" to "I'm holding your hand and we're together now" in about 0.5 seconds. It's a function of Steven Moffat's desire to give the hot girl to the geeky boy, irrelevant of actual personality.
 
Sally knew she'd give the Doctor the infomation he'd later need for the DVDs after that she was free to life her life and that meant being with Larry. Blink is vastly overrated in my mind, it wasn't as good as the Human Nature/Family Of Blood two parter.
 
I think the two parter, along with Blink and then Utopia possibly counts as the best run of episodes Who's had since it's return (though if it hadn't been for the lousy Night Terrors the run from A Good Man Goes to War through to God Complex would come close imo)

I doubt there's a single episode that everyone would agree is brilliant. I'm not a huge fan of The Girl in the Fireplace for instance.
 
Neither am I. Anyway, I prefer the Weeping Angels in Blink to the two parter in s5 or to the library two-parter which is sadly overated with too much River Song in her dramatic original appearance. Ugh. Blink and Utopia are the best from s3 IMHO.
 
I think the two parter, along with Blink and then Utopia possibly counts as the best run of episodes Who's had since it's return

Agreed. That entire half of the season, really -- but especially the string of "Human Nature," "The Family of Blood," "Blink," and "Utopia" -- represent a high point in nuWho's quality so far.

I doubt there's a single episode that everyone would agree is brilliant. I'm not a huge fan of The Girl in the Fireplace for instance.

I love "The Girl in the Fireplace," but it has its definite weaknesses. It relies more on the charisma of Sophia Myles and her onscreen chemistry with David Tennant to sell the Doctor/Reinette love story than can actually be seen in the writing, and it has a major plot hole -- if Reinette moved her childhood fireplace and it was disconnected from the rest of the time tunnels from the S.S. Madame de Pompadour, how could its functional clock side have shifted to the broken clock side as Reinette claimed it did in the teaser before calling for the Doctor?
 
Utopia's good. A five star story even. Russell's best (however minor an accolade that is coming from me).
Without a doubt, Utopia was a superb story which sadly was let down in parts by the rest of the Mr Saxon storyline.
I disagree. "Utopia" is an excellent standalone episode, through and through, and has absolutely nothing to do with the Mr. Saxon storyline. However, "The Sound of Drums" is a superb story that is sadly let down by the rest of the Mr. Saxon storyline.
 
The Sound of Drums was not that great, whether you are talking about it as a single episode or as part of the overall Saxon story arc.
 
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I doubt there's a single episode that everyone would agree is brilliant. I'm not a huge fan of The Girl in the Fireplace for instance.

This is quite true. I'm personally not a huge fan of "Blink" and one of my good friends hates "The Doctor's Wife". Those three seem to be otherwise near-universally popular, so I think you're right.
 
The Doctor's Wife is good though messy towards the end with all the telepathic communications. I like it though and wish we could have seen other Tardis backdrops in the story.
 
That was part of the original script, but that pesky budget thing killed it. Moffat kept the RTD control room intact and in storage because he knew about Gaiman's script and wanted to at least get some of the previous Doctors' TARDISes in the episode.
 
Imagine....just imagine how cool it would have been for older fans like me had we seen the 80s console room or one of the earlier ones even just for a few precious moments.
 
I doubt there's a single episode that everyone would agree is brilliant. I'm not a huge fan of The Girl in the Fireplace for instance.

This is quite true. I'm personally not a huge fan of "Blink" and one of my good friends hates "The Doctor's Wife". Those three seem to be otherwise near-universally popular, so I think you're right.
And let's not forget the love Midnight gets, though it bores some to tears.
 
What is there to get your head around? There's practically no plot to it at all. It's basically a bunch of people in a room for an hour.

.
 
I don't love it but I thought it was ok. At that point in the series it was just a relief to have a break from Moffat's arc nonsense.
 
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