Ward Fowler said:
I agree on both counts. TFF is my favorite score. Most of the music is beautiful. TWOK comes in a close second, but as you said it is derivative. Horner even stole from himself. Watch Krull to hear what I'm talking about.
I know what you're saying and agree for the most part. But have you seen Krull? To say that Horner is relying on his "tendencies" is being quite generous.OphaClyde said:
Saying a movie composer stole from himself is like saying water is wet. They all steal from each other, and from classical music genres. And all of them have "tendencies" that they know work and use whenever they can. Williams, Kamen, Rosenberg, Goldsmith, Eidelmann, et al, they ALL take from themselves...
You're right of course. I had forgotten about Battle Beyond the Stars. I loved that as a kid. Plus I was glad to see John Boy Walton get some work.trevanian said:
Forget about KRULL (except for the guy who went on and redeemed himself by playing Eddington), listen to BATTLE BEYOND THE STARS. It's largely a poor man's orchestration of TWOK (also very fun, damn it), done a couple years earlier. But with BATTLE, the lifts from other composers are more obnoxiously obvious, especially from Goldsmith's GREAT TRAIN ROBBERY (which was barely a year old at that point.)
Colonel Worf said:
First Contact. Amazing theme music.
Keith1701 said:
Colonel Worf said:
First Contact. Amazing theme music.
First Contact. Gets my vote as well. :thumbsup:![]()
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