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No need to post the entire picture if its too big. Just post a link to it.

Sorry if its too big.![]()
I should have done that. I need sleep! Haha
When I saw that quick shot in the trailer, I thought they had located the original shot, but after comparing the two, it's still the CGI shot. Very well done.
The shot in Generations was the original model shot. Perhaps the footage was lost after it was used.
2:00 - I wonder if that's how the Part 1 to Part 2 transition will be accomplished. Either way, the greatest moment in TNG history is going to be truncated, so I'm only watching this once for novelty's sake, and then sticking with the separate versions.
If they want it to work as a movie, they're going to have to lose that big dramatic sting, and fade to black, after "Mr. Worf... fire." That moment worked great as a cliffhanger, but as a movie it will simply kill the pacing of the scene.Why would they have to truncate anything?
But unless they edit all of them, the telemovie will contain half a dozen fades or so throughout the 90 minutes. Thus, I'd prefer they retain the original part one ending.If they want it to work as a movie, they're going to have to lose that big dramatic sting, and fade to black, after "Mr. Worf... fire." That moment worked great as a cliffhanger, but as a movie it will simply kill the pacing of the scene.Why would they have to truncate anything?
Yeah I noticed it was CGI in EaF but it does look a lot better in BOBW. It was far too dark in EaF and too clean looking like a lot of CGI in general, the gain really helps to match it to the model shots. It's a shame the incompetent HTV couldn't do something similar with the CGI shot from "Where Silence Has Lease"I don't know if many noticed, but the saucer separation shot in EaF was replaced with CGI:
http://tng.trekcore.com/hd/albums/1x01/farpoint_hd_197.jpg
The same shot is used again in BOBW Part 2, but it looks much better. Look at how far they've come with the same CGI shot just a few months later:
http://tng.trekcore.com/hd/albums/bobwpreview/bobwtrailerhd_115.jpg
The deflector dish has much more detail, the edges appear smoother and not obvious CGI, the grain applied makes it look more real, and the lighting looks more realistic.
When I saw that quick shot in the trailer, I thought they had located the original shot, but after comparing the two, it's still the CGI shot. Very well done.
It's a shame the incompetent HTV couldn't do something similar with the CGI shot from "Where Silence Has Lease"
http://tng.trekcore.com/hd/albums/2x02/where_silence_has_lease_hd_096.jpg
It's a shame the incompetent HTV couldn't do something similar with the CGI shot from "Where Silence Has Lease"
http://tng.trekcore.com/hd/albums/2x02/where_silence_has_lease_hd_096.jpg
That shot will pop up again in season 4's Clues. Hopefully the effects team responsible for that season will do a better job.
That shot is really terrible.Yeah I noticed it was CGI in EaF but it does look a lot better in BOBW. It was far too dark in EaF and too clean looking like a lot of CGI in general, the gain really helps to match it to the model shots. It's a shame the incompetent HTV couldn't do something similar with the CGI shot from "Where Silence Has Lease"
http://tng.trekcore.com/hd/albums/2x02/where_silence_has_lease_hd_096.jpg
It's a shame the incompetent HTV couldn't do something similar with the CGI shot from "Where Silence Has Lease"
http://tng.trekcore.com/hd/albums/2x02/where_silence_has_lease_hd_096.jpg
That shot will pop up again in season 4's Clues. Hopefully the effects team responsible for that season will do a better job.
CBS Digital already had to redo it for S3's "The Enemy," so they'll probably just give it to [company name redacted] for "Clues."
This!I don't know why, but there were a number of season 1 shots that were perfectly reusable for season 2 and yet HTV redid them (and not for the better) instead of taking advantage for the work of CBS-D.
Agreed x1000!I really hope to god there is not one single shot HTV remastered that is used anywhere in this season.
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