Batwoman
Season 2, Episode 18 - "Power" - Season Finale
Roman Sionis/Black Mask / NuKate / Safiyah: Black Mask hacks into all TV broadcasts, delivering his his manifesto, which attacks the GCPD, the "light" treatment of Jacob, and other matters of alleged corruption. He's left masks around Gotham for random citizens to take down the system through mindless rioting. Meanwhile Circe dons her modified bat-suit, joining Black Mask to watch Tavaroff being transformed into Dollar Store Bane; he explains how his grand plan is for his civilian side to eventually "kill" Black Mask, thus a grateful city will all but lift him up as an unquestioned king of sorts.
Luke Fox/Batwing: After searching through the deserted Batcave rooms, Luke discovers his own childhood sketches of what a "black Batman" would be among his father's possessions. Eventually, he finds a prototype costume based on those sketches.
At the clinic, Mary shows what a great "doctor" she is by crapping on the Hippocratic Oath to "do no harm" when she considers it a "waste of air" to use oxygen on a recently admitted Tavaroff--who seems larger than she remembered. Eventually, Dollar Store Bane awakens, breaking free, spots Mary and moves toward her. Mary's attempts to flee are not successful, and she's knocked off of a fire escape, only to be caught from what would have been her death by Luke in the "Batwing" suit. As Luke faces off with Tavaroff, Mary meets Wilder, giving her the gas version of Snake Bite, believing it will restore Kate's memory.
On the street, Batwing fights Dollar Store Bane, announcing himself as "justice" (SEE NOTES) as he kicks the former Crow...
Wilder/BW / Mary: Wilder still complaining about her place as Batwoman. Sophie tries to give her a pep talk that being Wilder is Batwoman, suit or no suit. Alice arrives, just as riots break out on the street, and the mayor is (seemingly) mortally wounded. Despite her misgivings, Wilder asks for Alice's help infiltrating Black Mask's lair in order to rescue Kate. As usual, Alice jokes around, but agrees to help. Alice mentions that Safiyah murdering Ocean was the criminal's guarantee that she would spend the "rest of my life in agonizing grief." but in no shock to anyone, Wilder is less than sympathetic. Alice plays her own bit of psychoanalysis on Wilder, accusing her of killing her birth mother, who died delivering Wilder...
Entering Black Mask's HQ, they are attacked by Circe, but she's allowed to escape by Roman's gunfire. Alice stays behind to stall Roman, sending Wilder after Circe with Mary's Snake Bite gas. Roman blabs his plans to Alice (instead of shooting her in the head at point blank range), allowing her to sprays the Joker's Acid Flower into Roman's face....
Wilder (in the Batmobile) chases Circe, and is nearly killed by Circe's motorcycle-mounted missiles. Eventually, Circe crashes, but still fights Wilder, who--in cringy fashion--demands Circe call her "Batwoman" (SEE NOTES). Wilder drops the Snake Bite cure, only for it to be retrieved by Alice (...and how did she find them with no tracking device or info on the direction of the chase?) who uses it, but it has no effect. Grappling with Circe, Alice and her sister fall over an overpass railing, and into the river.
Under the influence of Snake Bite (and somehow not drowning), Alice imagines she's talking to Ocean, who tells her he was killed while he tried to book a flight to the other side of the world to establish their new life together. Crying, she realizes this is a Snake Bite illusion, and has to say good-bye to Ocean. Kissing him, she continues to cry....
...Circe's hallucinations has her mind going back to the search for Beth in childhood, only this time, young Kate opens the door to the basement and is reunited with Beth. At that moment, both are pulled from the river, but Kate needs to be resuscitated. Kate finally recognizes Alice as her sister, just as the police arrive and after two seasons, do their job by arresting Alice on the spot. Go figure.
Jacob: Who?
Wrapping up--
With an Alice and the now insane, masked Roman committed to Arkham Asylum, and rioting ending on the streets, order seems to be restored. At her parole hearing, Wilder delivers a hollow self-empowerment speech, and is granted parole.
At the loft, Luke, Mary and Kate play catch-up and celebrate, with Luke talking about his father turning his childhood sketches into a real Batwing suit. Kate finally admits that until Alice actually desires to be Beth, she cannot help her. Luke and Mary bail once Wilder shows up; Wilder assumes Kate will resume the Batwoman identity, but she says Wilder is Batwoman (SEE NOTES). Later, Kate visits Sophie, announcing that she's leaving Gotham to not only see Jacob and "a friend" (SEE NOTES) in National City, but to find Wayne, who might be able to help Alice become Beth. Kate adds that she and Sophie are not meant to be together.
Because unrealistically feel good crap just happens on this show, Wilder suggests creating a teen community center above Mary's clinic, which Mary finds doable. As for Luke, even with a Bat-suit he is always going to be the equivalent of a day player on someone else's show, with Wilder referring to him as her "backup".
Wilder visits Alice at Arkham, telling her Alice's imprisonment is justice for her mother, adding that she hopes she never sees Alice again (as if that's going to happen). Alice twists the knife, informing Wilder that her birth mother did not die in childbirth, but is still alive...
At the river, as various Bat-villain objects float by, Poison Ivy's...ivy from a cracked container inches its way up the shore. (SEE NOTES).
NOTES:
The disaster that was Batwoman's second season.
1. Ruby Rose. After the actress was nearly paralyzed by an on-set stunt and ultimately walked away from the series, this was the prime opportunity to not only recast the character but continue building on the Kate-centric plots that were already in progress (specifically her spiraling relationship with Jacob). Instead, the showrunners' decisions, which stand as an acknowledgement of how they mishandled the entire Rose affair--ran with a hole-filled "Kate might be dead / brainwashed villain / will she return to her old life" plot, with the burned face matter an obvious and poor way of trying to justify why Wallis Day--who has an entirely different body type, voice and is taller than Rose--was cast as Kate, when the practice of characters re-cast with no explanation ever offered is more than common in TV history.
2. Black lives--as seen through the Batwoman showunners' lenses--are not a serious concern, but seeking "points" for being "relevant".
As we see in this episode, there would be no real continuation or conclusion (not that there's a conclusion to real world issues of this kind) of Luke Fox's Very Special Episode, which was an exercise in dismissive use of the plight of the American black male as nothing more than a tool to make the White Liberal showrunners feel relevant--a trait shared with many of their ilk on the political side of American life.
As noted before, the showrunners never had the will or sense to employ writers who can do what the 37 previous episodes would not introduce, build and seriously address.
This episode's "writer"--that failed series EP Caroline Dries--used Luke as a stand-in for real world events, but failed to live up to the obligation to go all of the way--at least touching on the realistic aftermath of Luke's plight, one which--as I predicted--should not have included this piss-poor, insta-"feel good" takedown of Tavaroff and yes, the expected, Berlanti Production-stamped, Very Special Episode-esque moment with Luke answering Tavaroff's question (about the identity of Batwing) with a would-be tough "Justice".
No, that was not justice, nor any sort of coda to Luke's recent arc; real black males do not--in the event they survive--overcome law enforcement abuses with magical super-suits that provide empty attempts at insta-"feel-good" resolutions. They do not go back to sipping champagne as if all is right in their world, when the very next time they do those seemingly normal things, such as step out on the street, or the law knocks on their door, it could be the beginning of their last moments on earth.
To reiterate, this was a rushed, quickie wrap-up of absolutely no consequences that--for a show that loves to stand on the soapbox--lacked the grinding turmoil, the sickening minute-by-minute outrage and hopelessness real black males feel after being harassed and/or assaulted by law enforcement. For all of their...hand-to-the-heart speeches about "caring", White Liberals of the kind running Berlanti Productions ignore what black voices say without end--does little to change deep-rooted societal, legal and philosophical racial decay that has black people--males above the rest--with their backs against the walls of a world, essentially waiting their turn.
This series' parting shot was a gargantuan, Luke Fox wrapping paper-covered middle finger to black males.
3. Knowing what's coming.
Dries' "script" (if it can be accurately classified as that) had characters repeatedly telling Wilder that she's The One Batwoman, beating viewers over the head with the fact that Wilder was not going to step aside for the restored Kate. We already knew the show was going in that direction, so there was no need for other characters to harp on that. Further, a script does not need to have characters constantly reinforce what Wilder should be demonstrating through her actions, which was not allowed to happen as she complained her way through most of this episode instead of reminding herself (and viewers) why she's earned the Batwoman identity.
Kate leaves to see a "friend" in National City. We know who that is, but it remains to be seen if the production schedules (including delays, the pandemic, etc.) ever lined up this meeting--assuming it was something meant to go before cameras.
Poison Ivy's plants are inching toward Gotham, so we can guess the villain will make her BW debut. You--sure as Hell--knew there would be no Joker or Penguin on this show.
Wilder will now spend most of season three searching for her birth mother, probably ending up paired with Alice in order to find her.
So, season two of Batwoman ends, and if anyone ever doubted the "sophomore jinx and/or slump" regarding sequels, second acts or TV seasons, this is the etched-in-granite proof of that jinx. What started off as a promising, occasionally strong TV series (in its first season), has gone where nearly every Berlanti show has gone before: a self-made pool of failure. I doubt there's a groundswell of enthusiasm for what season three promises.
GRADE: D-.