Sure, he expresses himself with tons of slo-mo shots, very artful compositions, disturbing dream sequences, and extended sequences of violence that mainly revolve focus on people punching and throwing each other, with some monsters thrown in for good measure. BvS is a more recognizably Zack Snyder movie than any MCU movie is for its directors, partly because Snyder, along with Bay, is one of the most distinctive tentpole action directors working. All this is fairly indisputable.Snyder not only takes what he does seriously - as do many of the Marvel directors - he's generally permitted to express himself by the people who hire him. Possibly even encouraged. For the most part, not true at Marvel.
Documentaries.Define a real movie.
"Grimdark" was a notable period in superhero comics, and I'd argue it's legitimate to bring that kind of story to the big screen for at least a couple of movies.I do like the Cavill version of Superman, but I wonder if TPTB (including JMS) kind of took the easy way out in following the trend of making the character darker like just about all the other heroes these days, instead of deliberately keeping him old-fashioned.
Which is true of every time Superman has taken life.The writers purposely wrote the story so that Superman would be a murderer. They wanted him to do it, ... It was 100% a conscious effort on their part to do it.
Evidence that Snyder has actually considered Superman's moral position. Does the "real" Superman stop every one of the thousands of murders that happen every day?Zack Snyder said:I kind of like the idea that he’s taught himself not to look because if he looks it’s just neverending, right? You have to know when, as Superman, when to intervene and when not to. Or not when not to, you can’t be everywhere at once, literally you can’t be everywhere at once, so he has to be really selective in a weird way about where he chooses to interfere.
Yup.The only "ideal" that seems to actually be violated in the MoS story is "the story wasn't written to allow Superman to win a completely straightforward victory that has no down-sides or moral complication." Nobody can explain why what Superman does is actually wrong except to tell me that the writers were wrong and should have written the story so that he didn't have to face that choice, which seems to me to be a complete cop-out.
I wonder if you could explain that. I think X-Men is the best superhero movie I've seen. It's the most involving and believable in terms of human emotion (Wolverine/Rogue, Magneto to a lesser extent).I loved Xmen when it first came out, but looking at it now, its a bad movie.
Fat Pratt is best Pratt.I just remembered that Disney owns Indiana Jones now. Captain America and Indiana Jones can have an adventure together!
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For all we know, Battfleck could very well work despite Snyder, not because of him.To the people who say BvS is bad but Battfleck is good, remember that Battfleck is Affleck PLUS Snyder plus whoever wrote the script (Terrio?). Team effort.
You mean yetFor all we know, Battfleck could very well work despite Snyder, not because of him.
There's really no way of knowing.
Snyder who shot the actual footage, directed the actual actor, picked the costume and set designs, and oversaw the edit (if he didn't do it himself, not sure)? Nothing to do with the end result, I'm sure.For all we know, Battfleck could very well work despite Snyder, not because of him.
There's really no way of knowing.
Now you know what George Lucas had to put up with.^^
Snyder is the equivalent of Satan to some people so he can't be responsible for anything good.
Except for one thing. Snyder is using this as an excuse for why Superman can't just go find Martha himself...even though he does keep tabs on these things at other times, otherwise Lois would be dead three times over. So it's good enough for Lois, but not Martha.Evidence that Snyder has actually considered Superman's moral position. Does the "real" Superman stop every one of the thousands of murders that happen every day?
The quality of the movies has progressively gone down, while the profits went up, big time.In the talk about how the DCCU needs to change its style, I look to the Transformers franchise:
TF1 $710M. TF2 $836M. TF3 $1.12B. TF4 $1.10B.
TF1 57% RT. TF2 19%. TF3 35%. TF4 18%.
Now, TF2 was critically and internet-ally reviled. Did they change anything for 3? Not really. And look how much more it made. TF4 was even more reviled than 2, but it did just a smidge less than its predecessor. And they're not changing #$%. They're actually doubling down with an entire new franchise of movies and spin-offs. Money talks.![]()
Profitability IS the quality they seek in their products, therefore Transformers movies are definitely improving.Ah, but quality is subjective.The studios make these movies to make money. Therefore, the quality of the Transformers movies, for the studios, is only increasing
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Yep, and usually when they do (certainly when it's happened anytime in the last 30 or so years), it's always been for actual, compelling reasons which affect him for a long, long time. Not utterly ignored thirty seconds after it happens because the writers didn't understand the characters at all, as they've shown time and time again just in the these two movies.Which is true of every time Superman has taken life.
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