What transitions?Things that didn't work for me were the transitions between scenes.
Which is why I'm still curious.
Let's hope "the house style" doesn't infect them too much. After BvS I'm finding it very hard to care about the DCCU. Amazingly, I now care even less about the Aquaman, Flash and Cyborg movies than I did before. And because of Snyder, I don't care about Justice League at all.
I don't just blame Snyder though. I've said this before and I'll say it again...Goyer has got to go.
What's the Warner Bros. philosophy in handling the DC cinematic universe?
DEB: Zack and [DC chief creative officer] Geoff Johns have outlined a timeline of where everybody is based off of, where our characters go in Justice League. So there's a framework. But it's filmmaker-driven, in that we want to hire directors who still have a point of view and that have latitude because we don't want all the movies to feel the same. David Ayer has a certain tone and feel to what he brought to Suicide Squad, as does Patty [Jenkins] to Wonder Woman. They have freedom to tell their story in the way that it needs to be told.
ZACK: Batman v. Superman was always a steppingstone for Justice League, and it was a way to bring the worlds together without being too jarring. Once you say Batman and Superman exist in the same universe, you're also saying that Wonder Woman can exist in that world and Flash and Cyborg and Aquaman. Our philosophy, though, is it's filmmaker-driven. A lot of it comes from the idea of "do unto others." How would I feel if I was told, "Listen, this is your movie, but shoot it like we say"? It's not fun and cool, and I don't think you get the best work from everybody. To understand that, there is a bigger storyline, and let's all support that and not blow up the entire universe because you have an idea that you think is awesome but doesn't make sense with the bigger thing.
From interviews it seems Synder's vision of Batman is very DKR-Batman. That may well be his model for who Batman is.
I sure hope that's true. I have no reason to think it isn't, just my bitterness over the DC printed universe having a house style for a good long while that I did not care for.There apparently isn't a "house style" for the DC films, at least according to Zack and Deborah Snyder in this interview:
Mmm. But is it the loose one that ends up dumping you in the river?ZACK: Batman v. Superman was always a steppingstone for Justice League
I'm still processing that.For those of you who've seen season 2 of Daredevil, he's like an angrier version of Jon Bernthal's Punisher with a bigger budget.
I like it because both Diane Lane and Annette O'Toole have technically played both Superman's mother and lover.Ok, so when Batman rescues Martha Kent, all I could think about is this image from Hollywoodland.
![]()
You know, the film where Ben Affleck plays George Reeve/Superman and Diana Lane plays his mistress?
My mind goes to weird places but this made me chuckle all the same.
^ I totally forgot about that.
I like it because both Diane Lane and Annette O'Toole have technically played both Superman's mother and lover.![]()
I know Superman 3 has a lot of problems and was basically a vehicle to prop up Richard Pryor after a string of unsuccessful movies, but the Clark and Lana parts of Superman 3 are some of the best there is. Lana has taken a big back seat in the comics due to the Lois and Clark marriage, and currently with the SM/WW pairing.I had Superman III on Syfy as background noise today which I haven't watched in years and it was odd seeing Annette O'Toole.
Agreed 100%I know Superman 3 has a lot of problems and was basically a vehicle to prop up Richard Pryor after a string of unsuccessful movies, but the Clark and Lana parts of Superman 3 are some of the best there is.
We've seen her already in MOS, she isn't. She and Lois switched hair in this universe.I wonder if the DCU Lana will also be a redhead.
We use essential cookies to make this site work, and optional cookies to enhance your experience.