Oh wow...that's great news Greg! Maybe you can make Final Crisis less confusing in novel format lol.
Writing Final Crisis in novel format had to have been a bitch.
As far as books go I really, really enjoyed No Man's Land. I thought it was quite spectacular. I met Greg Rucka once and he agreed that it was one of his better books.
Writing Final Crisis in novel format had to have been a bitch.
I've never been to keen on the idea of the novelization of superheroes.
I don't know, I though that Roger Stern's 1993 novel adaption of the death of Superman was better than the comic version.
And the audio book version.
AND the 2007 animated movie version.
In short, I liked the novel better than any other adaption of that particular story.
Of course, that's just one example.
Writing Final Crisis in novel format had to have been a bitch.
As far as books go I really, really enjoyed No Man's Land. I thought it was quite spectacular. I met Greg Rucka once and he agreed that it was one of his better books.
Greg Rucka was very helpful when I was writing "52." He let me pick his brain for about an hour regarding the Batwoman subplot . . . .
As for FINAL CRISIS . . . as usual, I had to simplify and streamline the plot a bit to adapt it to book form. But talk about a fun bunch of characters to play with: Frankenstein, evil Mary Marvel, Darkseid, the Green Lantern Corps . . . .
Greg, don't know if you can answer this, but do you know of any nuTrek books on the horizon (other than the movie adaptation)?
I did enjoy The Last Days of Krypton, but I just don't feel a need to pick up Enemies and Allies. The first meeting of Superman and Batman in John Byrne's Man of Steel comic series was well done, and I'm not nostalgic for 1950's sci-fi.
I've never been to keen on the idea of the novelization of superheroes. It's not that they're crap, but superheroes have always worked, at least to me, best in the visual medium of comics. When Superman's cape flutters in the breeze, you don't want to read two or three sentences describing it. You want to see a top notch artist illustrate it.
That's always the challenge, but you can try to compensate by emphasizing the other senses, the ones that comic books can't convey. What does it feel like to flame on? Can Superman feel that breeze against his face? What does Darkseid's voice sound like? What does Gotham City smell like? Does heat-vision burn when it hits you?
Prose also gives you the opportunity to try to get into the characters' heads more. In theory, at least.
Funny you should ask. I've already written the novelizations for both COUNTDOWN and FINAL CRISIS. COUNTDOWN comes out in July (just in time for Shore Leave!). I don't think FINAL CRISIS has been scheduled yet.
Thanks for asking!
As for FINAL CRISIS . . . as usual, I had to simplify and streamline the plot a bit to adapt it to book form. But talk about a fun bunch of characters to play with: Frankenstein, evil Mary Marvel, Darkseid, the Green Lantern Corps . . . .
Funny you should ask. I've already written the novelizations for both COUNTDOWN and FINAL CRISIS. COUNTDOWN comes out in July (just in time for Shore Leave!). I don't think FINAL CRISIS has been scheduled yet.
Thanks for asking!
Really looking forward to reading both of those, Greg - I've enjoyed your other books a great deal.
One of the criticisms of COUNTDOWN was that it didn't do a very good job tying in to the event it was...well, counting down to (that being FINAL CRISIS itself). Were you able to rectify (or even address) any of that in the novel?
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I enjoyed the novel, but felt the writing was a bit too ready-made in terms of description and character insights, certainly not as refined as Tom DeHaven's prose in It's Superman. Moreover, I thought the endgame was too much of a riff and telegraphed so much that it was hardly a twist.
I just read The Last Days of Krypton (as I'm planning to read Batman/Superman Enemies and Allies). I thought it was surprisingly good, and it makes me interested in reading more novels by Kevin J. Anderson.
I could see a continuation featuring Zor-el. He could have saved Argo city using his energy bubble. That would have given him the years necessary to build the Jor-el-designed ark-ships.
I enjoyed the novel, but felt the writing was a bit too ready-made in terms of description and character insights, certainly not as refined as Tom DeHaven's prose in It's Superman. Moreover, I thought the endgame was too much of a riff and telegraphed so much that it was hardly a twist.
Interesting. I couldn't get all the way through It's Superman. It just seemed to drag on a bit too much, but that could have been because I was busy with so many things at the time. It's hard to get into a book when you're stopping and starting all the time.
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