“…on Thursday the script arrived,” explained Siddig. “We started shooting on Friday. I was so shocked. You know you get the impression that maybe the producers sit down and talk about strategies and character arcs with actors but this thing came out of the blue and pissed me off so royally. It was a reaction to the fact that the character was genuinely unpopular in the early days. Because he was not fancy; I mean this is a time where 90210 was at the top of the charts in American TV and this guy was so not the hunk, he was the anti-hunk. “He was a man of science; he was like half good looking, rubbish at pulling girls. I mean it was all the wrong kind of archetypes. And so they kept trying to do things to make it happen. Eventually they did the Bond thing (Our Man Bashir) – they did the Bond thing before that actually. And that kicked it off. I have to say that I’m still pretty angry. Well, not angry…”
Siddig turned his anger to action. “I did it the only way that an actor can,” he said. “I completely destroyed the lines that they gave me regarding the situation. Every time something came up that was to do with being kind of Data-esque – I mean, I couldn’t get away from the fact – I thought I was being a Data, which is what they wanted to do, they wanted to switch the characters from all the shows, which they ended up doing with Voyager.
“Well, it was a bit cynical at the end of the day. But I just fluffed the lines; well I didn’t fluff them completely I literally pinned the lines on the back of someone’s shoulder once, reading them. I wasn’t bothered even to learn them. I just pinned them around the office as if they were lines needed for daily modification. And they got the message and dropped it kind of.”