I find the sheer number of people who are not involved in television production, and who are not experts in the differences between British and American production practices, armchair quarterbacking and pontificating on everything that's wrong with the system, and relying upon rumors to do so, fairly well amusing.
Yeah, I'm sure my 2:1 in Film and Media, as well as years working in video production obviosly mean I don't know shit about the media industry.![]()
Or that I did a National Diploma in Media Production while at college and then Broadcast Journalism while at University means I know bugger all about the state of the media here and abroad.
I find the sheer number of people who are not involved in television production, and who are not experts in the differences between British and American production practices, armchair quarterbacking and pontificating on everything that's wrong with the system, and relying upon rumors to do so, fairly well amusing.
Yeah, I'm sure my 2:1 in Film and Media, as well as years working in video production obviosly mean I don't know shit about the media industry.![]()
Don't worry, I'm going to keep that post handy for the next time Sci goes on about something he isn't an expert in![]()
But I thought he was an expert on everything, or to put it a better way, anything you can search for on the internet, which to be honest does mean everything!
On the subject in hand. I suspect there is something not right about the way Who is being treated by BBC One (the split seasons etc) and we're not all privy to it, but until something comes out for sure, I'm going to just give them a benefit of the doubt and put it down to Government interference with the Licence Fee and the like and the Governors of the BBC Trust don't want it having to great a percentage of the overall Dramatic budget for programme making.