The plot thickens in Season 3.That was good. Looking forward to season 3. "Peace in our time", now that sounded familiar. Famous last words.
As I mentioned, there are shows from the time period and earlier with budgets lower than B5's (including the example I gave, Captain Power, which was also a live-action SF series with primitive CGI visual effects on which JMS worked) that still managed to shoot on location once in a while.I think people are underestimating just how little money this show had. Opening the stage doors and shooting in the car park for an afternoon was the absolute limit of their location shooting budget. Indeed, for the most part the low budget and the ability to stay on budget is what saved it from cancellation for the most part.
As I mentioned, there are shows from the time period and earlier with budgets lower than B5's (including the example I gave, Captain Power, which was also a live-action SF series with primitive CGI visual effects on which JMS worked) that still managed to shoot on location once in a while.
I always liked Londo. Maybe I'm just cruel, but I felt no sympathy for the Narn. G'kar was an exception, but just about every other Narn was a boorish thug and I did really care if they got wiped out or conquered.
Kail, I'm not sure you saw, or maybe don't remember, my post laying out the definitive viewing order. I've used it several times through and it has always made sense. See my post again here:I think one reason I hate him now, is because I liked him so much in season 1. Been researching the show a bit and heard about the pilot film. Do I need to watch "THE GATHERING"?
She left B5 because she wasn't satisfied with the size of her role, and was continually asking for more screen time. This was covered in one of the BABYLON 5 script books. Taila was going to play a larger role in later seasons, but Thompson wanted to have a bigger role sooner than later (as actors are wont to do.)
I'm sure Jan can add more.
From what I remember from the book (I don't have it handy), JMS said that Thompson left the show and not long after left Jerry Doyle, whom she'd married will they were working together.
<nitpicking a bit> Not 9-5 but far below the standard for many shows - probably around a 11-12 hour day. There are strict union rules for the number of hours in between shooting and all of the actors make a point of telling how there was never a 'forced call' (less than 12 hours between leaving and reporting back to work - for anything, even for makeups that would take 2-3 hours) and seldom any significant overtime. JMS said that they generally wrapped by 7:00 PM and sometimes as early as 6:00 PM.Related to that is the fact that for the most part, the producers were able to keep this show on a 9-5 shooting schedule. For a production like this, that's damn near unprecedented. Anyone who's seen/read interviews with the various Star Trek casts will be aware that those shoots typically ran late into the night and weekends. They barely had a home life. I think Shatner even credits it for the breakup of his first marriage, at least in part.
Don't now how true it is, but I seem to remember hearing/reading that the budget for an episode of B5 was about half of a ST episode, back in those days I think that would mean around US$1.2-1.5m for an episode of B5.
The only known example of Shatner's humility.I think Shatner even credits it for the breakup of his first marriage, at least in part.
All of this discussion of Londo reminded me how much I loved the character. He really had to most fascinating arc of the entire series IMO. You go from loving him to hating him to having some other reactions to him. Peter Jurrasic really did an amazing job, and I don't know how much I can say but pretty much any scene between him and Andreas Katsulas's G'Kar is golden. It's worth watching the whole show just for their combined arc.
The concentration was making sure that every cent went to what was on the screen. When you compare today's lists of producers for an hour-long show to B5, it's pretty amazing. JMS, Doug Netter, John Copeland and (for the first two seasons) Larry DiTillio as story editor was all there was. Compare that to the new BSG (another mostly-space-based show) where there were 14 producers of various sorts-and that's only counting ones with 20 or more episodes. Not to say that they all didn't have many and wonderful contributions, but that's definitely something that adds to the cost per episode.Given that funds were quite constrained, I think Babylon 5 did a remarkably good job of story telling.
^Let's not discuss season 3 episodes until Kail has seen them. Last he checked in he'd only just finished season 2.
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