• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Babylon 5

Yeah, there's some differences, but it's still the same universe. These things are to be expected from a pilot episode. Look at Star Trek's The Cage: Different captain, emotional Spock, different uniforms, different pistols, etc.
 
The Shadows put Morden into C&C, he's there as a Honey pot to seduce Sinclair, and bring him home to meet the parents on Za'Ha'dum.

Of course, Morden really falls for Jeff, he switches sides at the last minute and goodiness prevails.
 
This article really captures my love for Babylon 5 in spite of its manifest deficiencies:

"Babylon 5 Is the Greatest, Most Terrible SF Series" by Jennifer Giesbrecht

But what Babylon 5 lacks in wisdom it gains back in boldness and specificity. The reason I can respect this narrative, as outdated and self-defeating it is at points, is because B5 is never afraid—or embarrassed, even when it should be—to state its positions and their proximity to the world outside its narrative confines.

This specificity of framing is in sharp contrast to Star Trek, which presents a vibrant playground in which to pose infinite number of philosophical moral quandaries but has shockingly little to say about the political architecture of that playground. We all know that the Federation is a glorious Fully Automated Luxury Space Communism paradise, right? I mean, it is—there’s nothing else it could be, but no writer has ever told us this directly. Starfleet Officers are awfully self righteous about a way of life that the franchise seems averse to actual spelling out in explicit terms. And if you don’t say something out loud, it turns out you don’t actually have a whole lot to say about it in the end after all. I find specificity more valuable the older I get. I can have a conversation with Babylon 5, all the parts I find illuminating as well as the ones I find odious. I can interact with its ideas about capitalism and extremism and religion and western interventionism without getting lost in the weeds of polite innuendo post-Cold War Star Trek often malingered in. (NOTE: I also love Star Trek.)

Babylon 5’s willingness to engage heavily with the material conditions of the world it depicts is the reason I get nerd snobby about classifying the show as a Space Opera, not! a science fiction show, despite its many fascinating hard sci-fi elements. B5 has some very obvious fantasy trappings—ripped directly from Tolkien here, quoting Arthurian legends there—but what makes it capital-F Fantasy in my opinion is its preoccupation with communicating story and theme through the evocation of historical verisimilitude in its world-building. Babylon 5 uses its world to tell a mythic tale with contemporary tools rather than to posit questions about our future. With the philosophical and allegorical framework of the “primary world” removed, the story gets a whole lot easier to swallow.

<SNIP>

Babylon 5 has a very particular kind of tonal variety that makes the world inviting—an appealing balance of drama and playfulness. A lot has been said about the show’s occasionally regrettable sense of humour, and there are certainly some epic clunkers in almost every script (the less said about a certain Season 3 episode that effectuates a kooky, sitcom-esque tone while discussing ethnic cleansing the better), but I find myself laughing along with Babylon 5 more often than not. A lot of the humour is character derived, and I love the characters. I really do—I love the contrast between their realistic flaws and depressing personal lives and the cheesy, stage-play poeticism of the dialogue. I know more about the lives of Babylon 5’s senior staff than I know about any Starfleet Officer. They’re all a mess of workaholism, addictions, failed relationships, PTSD, broken paternal bonds—except for shining paragon of All-American Gee Whiz’ism, John Sheridan, who is broken down piece by piece during a war that reveals him to be a ruthless, “means justify the ends”-style General. He grows a beard while being tortured by his own government and never shaves it off. No one’s arc is static. No character ends where they begin. Most characters shed their comfortable roles for new directions on a season by season basis. B5 is a show that flourishes upon rewatch, largely because it’s very satisfying to start over again with all these characters knowing that most of them end up so, so far away from where they begin, in both edifying and tragic ways.

Babylon 5 is a station full of weirdos and failures. It attracts alien ambassadors with lists of sins ten miles long, disgraced nobles that no one else wants, military officers desperate to either escape their demons or build their careers on their own terms, rejecting the path laid out for them by mentors and patriarchs. It’s the staging point of a successful rebellion, the nucleus of several catastrophically failed peace treaties. It bears witness to the extinction of an entire species and the destruction of the key to immortality. Some dark shit goes down in this show, yet the unflagging ’90s-style optimism and local-theater-esque presentation keeps it from dipping into the kind of “gritty” grim-ness that defined TV spec fiction in the post 9/11 era. And oh, don’t get me wrong. I am a big fan of grimdarkness. I don’t inherently reject it the way a lot of people (understandably) have in the last few years, but I do reject the idea that it’s embarrassing for fantasy to be, well… fanciful. Babylon 5 is shamelessly fanciful.
 
The first truly great episode is Signs and Portents, S1 E13. S1 has some dumb episodes, but once things get going in season 2 there is no going back. There are so many "Oh, man!" moments going forward. Just wait until you get to "Comes the Inquisitor."

You speak truth
 
He saved that kid’s life. He should’ve had Sinclair call Alien Child Protective Services to get the kid away from his nutjob parents! I’m fine if people are strongly religious but if it inflicts harm on someone than I am not fine.

Also yes, Signs and Portents is a great episode!
 
When it comes to Babylon 5, "In the Beginning" is probably the best starting place for new viewers in spite of it being super-spoilery, but it and the other TV movies - including The Gathering - are hard to find.

It's also kind of a pain to watch the entire series in the most optimal order* using the DVDs because there are several deviations from how the episodes are presented.

* Lurker's Guide to Babylon 5
 
He saved that kid’s life. He should’ve had Sinclair call Alien Child Protective Services to get the kid away from his nutjob parents! I’m fine if people are strongly religious but if it inflicts harm on someone than I am not fine.
In Sinclair's words "you better check the temperature in hell first." Franklyn was already on VERY thin ice after having performed surgery on a minor against explicit orders from his CO, without the consent of his legal guardians, or even his own informed consent. He's lucky he wasn't stripped of his medical licence, court martialed and sent home on the next transport. Indeed, had he pulled something like that with a race with actual political clout like the Narn, Centauri or heavens forbid the Minbari; that's exactly what would have happened (also, probably: gunfire.) So no way would Sinclair have reversed direction and backed Franklyn's play.

While the execution of the episode left something to be desired, the moral quandary presented is a valid one. Where does humanitarianism (a weirdly racist term in this context) end and moral imperialism begin? Who has the right to judge another species religion and culture as "wrong"? What's the point of saving a child's life if in the process, you make him a non-person in the eyes of his family any his entire species?

This is one of those situations where there's no clear answer and no right thing to do. Typically, Kosh was the only one that recognised this and tried to tell them; one way or another, the kid is already doomed.
 
The Children of Time, is probably one of those mistakes Lyta mentioned in Thirdspace, so Kosh was embarrassed, to be reminded of the good old days.
 
Last edited:
It’s wrong to let anyone suffer just because their religion demands it. It’s complete negligence and even abuse. If a God values suffering and death over living and happiness then that God is not worth following. It just bothers me, especially because this type of situation is currently happening.

End of rant.
 
He saved that kid’s life. He should’ve had Sinclair call Alien Child Protective Services to get the kid away from his nutjob parents! I’m fine if people are strongly religious but if it inflicts harm on someone than I am not fine.

Also yes, Signs and Portents is a great episode!

What about when humans make contact with alien life and they determine that we're the nutjobs? For instance, by determining that our population growth is unsustainable, so they decide to "help" us?
 
It’s wrong to let anyone suffer just because their religion demands it. It’s complete negligence and even abuse. If a God values suffering and death over living and happiness then that God is not worth following. It just bothers me, especially because this type of situation is currently happening.

End of rant.

By their standards, suffering would have been performing the procedure and destroying the child's soul, and they weren't interested in having their beliefs questioned...including the kid himself.

Given that Minbari also believe in souls, perhaps there's some legitimacy to their concerns about the state of one's soul.

Who would you have judge when suffering is occurring in this case?
 
I was thinking it's about surgical telepathic augmentation.

Yokel goes to sleep, then wakes up with a scar on the side of their skull and weird super powers.

Of course their friends and family will need to kill them.
 
It’s wrong to let anyone suffer just because their religion demands it. It’s complete negligence and even abuse. If a God values suffering and death over living and happiness then that God is not worth following. It just bothers me, especially because this type of situation is currently happening.

End of rant.
I don't disagree, but the question here is what right does an outsider have to judge and interfere? When does this stray into moral absolutism? Negligence and even abuse aren't objective concepts when applied to different species. For some species depending on their biology, evolutionary history and environmental pressures, it would be negligent NOT to eat the weaker of their progeny; it would be abusive NOT to beat and scar an adolescent until they are indifferent to pain.

Things that would be horrifying and intolerable in human society would be perfectly natural to others, and visa-versa. The Minbari for instance think humans are tempting death every time they go to sleep on a horizontal surface. The Centauri think the way we celebrate marriages and perform funerary rites are both in insanely poor taste.

There's a long history in a certain type of sci-fi (and Star Trek in particular) of humans un-ironically judging the morality of other cultures and "fixing their backward superstitions". I hope I don't need to draw a diagram to illustrate the real world allegory to this kind of high-handed, condescending behaviour. Down that road leads all kinds of horrors and abuses that history would often like us to forget about.

I LOVE Believers, because I totally hate religion.
I'm generally fine with religion. People will generally believe what then want to believe, and to try and reason with a zealot is futile. My problem is usually when religion gets to be organised religion. Then it typically becomes metastasised, parasitic, and unworthy of respect, cultural differences or no....but that's a whole other discussion.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top