It'll be interesting to see if it has legs or is it front loaded somewhat with people going to see it early. But you would think with an opening like that the execs might be looking for a US$2bn+ on the worldwide box office.
I think the box office will take a hit in subsequent weeks now that half of Earth's population has been wiped out, so there's a smaller potential audience pool!
Yes, I know in North America it got changed by a full week, but it was always going to be out the 26th or 27th outside of the States.
That's always bugged me with recent blockbusters. We work so hard to make tentpole franchises for the rest of the world and then let the furreners watch 'em first?!? How is that fair?!?!
Vulcan is (potentially) not the original homeworld. (TOS Return to Tomorrow.)
The Romulans were the only species on Vulcan before Surak had his epiphany. Even Surak was a Romulan until he wasn't (Jesus was a Jew). Unless the Romulans took a new name as a Species during their exile, looking for a new home, how likely is it that the homeworld of the Romulans was called Vulcan?
I seem to recall the "Rihannsu" novels going into a lot of detail about Vulcan & Romulan history and what precipitated the Romulans' decision to leave Vulcan. Unfortunately, it's been about 20 years since I've read any of them, so I don't really recall the details. (However, they do establish that "Rihannsu" is what the Romulans actually call themselves. "Romulan" is just the Anglicized version of that.)
Hasn't he been the Hulk for like 2 years straight? He is "burnt out" I would think. Something special will have to trigger him.
After 2 straight years as Hulk, when he turned back into Banner, he seemed to not have too much trouble turning back into the Hulk while battling Hela's forces at the end of
Thor: Ragnarok.
I suspect that Hulk is just scared of Thanos. Thanos is, after all, the only one to well & truly kick his ass. His fight with Thor in
Thor: Ragnarok was kind of a draw until Thor started summoning his lightning powers (and then the Grandmaster cheated by using the shock implant on Thor, allowing Hulk to "win" the fight). And while Iron Man kinda took him out using the Hulkbuster armor in
The Avengers: Age of Ultron, he only did it by sucker punching him while Hulk was distracted by all of the terrified civilians.
Iron Man at this point is still suffering from PTSD he got during the Battle of New York, causing him to do everything in his power to protect the Earth, his fellow heroes and taken it upon himself to help this smart young kid who might remind him a bit of himself.
Frankly, I think Iron Man has been suppressing a great bundle of neuroses ever since the first movie, starting with his survivor's guilt when he failed to save Yensin. It also seemed like he was the hardest hit by Coulson's death. While Tony keeps forcing himself into this fight, I kinda feel like he's one of the least qualified to be out on the front lines and the one who least wants to be there but just can't help himself.
I hope that Tony Stark survives the next movie and I hope that he gets a happy ending. I felt that he earned the happy ending that he got at the end of
Iron Man 3 and I kinda hate it when the sequels threaten to undermine that. But then, I think I'm unreasonably emotionally invested in the Tony/Pepper romance. I was really heartbroken when they broke up off screen in
Captain America: Civil War and I was ridiculously overjoyed when Pepper made her surprise cameo at the end of
Spider-Man: Homecoming.
The movie itself was dark in a way that the DCEU films wish they could be. It works because after all these years these characters have grown and formed emotional connections that mattered to the audience. When dark things happened, it actually meant something. It wasn't dark for the sake of being dark.
I think they're dark in different ways. With the DC movies, it's more of a stylistic darkness, which I like. A lot of my favorite SF/F movies have a dark, moody visual aspect to them (
Aliens, Batman Returns, Blade, Daredevil, Star Trek: First Contact, The Terminator, V for Vendetta, etc.). The Marvel Studios films have never been that, and
The Avengers: Infinity War is no exception. Visually, the movie is on par with most of the other Marvel films. It's not as colorful as
Guardians of the Galaxy but it's not as dark as 20th Century Fox's
X-Men movies either.
My description of the feeling of the end of the movie would be "funereal." The movie just kinda punches you in the back of the head and then runs away. From the abject failure of the heroes at the end to the lack of any sort of uplifting counterpoint in the final moments to the epic tragedy conveyed by the score to the stark minimalism of the closing credits, everything is meant to upset you and push your "sad" buttons. I felt like the movie missed a trick by giving us a post credits scene. I felt like the movie would have been even more unsettling if, after 16 straight movies, they decided to not give us a post credits scene. Then we could really look in Marvel's face and say, "I don't know who you are anymore!"
