Drago-Kazov
Fleet Captain
How is MILF categorised these days? At first i tought it was completely unofensive.
I dunno, I always thought people that have to drop a curse word in every sentence, sometimes more than one in a sentence just lacked basic imagination. You can zing someone or express displeasure without said words.
The most important question is: will an author on the board get a warning or an infraction if he mistreats a character that has the same name as a TrekBBS member in one of the novels? Flaming, mocking, killing, that sort of stuff.![]()
How is MILF categorised these days? At first i tought it was completely unofensive.
I dunno, I always thought people that have to drop a curse word in every sentence, sometimes more than one in a sentence just lacked basic imagination. You can zing someone or express displeasure without said words.
How is MILF categorised these days? At first i tought it was completely unofensive.
I dunno, I always thought people that have to drop a curse word in every sentence, sometimes more than one in a sentence just lacked basic imagination. You can zing someone or express displeasure without said words.
But as we've been discussing, different cultures and generations differ on whether those words even are emotionally loaded profanities or just neutral verbal pauses like "y'know" or "like." Profanities have a way of losing their impact over time and becoming harmless. I already mentioned how "golly" was once a serious profanity.
If anything, I feel kind of sorry for people who use formerly serious swear words so casually and routinely that they've lost all their impact. I mean, it leaves those people with a deficiency in their vocabulary, because if they want to convey strong emotion or powerfully grab the attention or really, seriously insult someone or whatever, they don't have any verbal tools left to do it with. They've defused all the available words through constant use.
Personally I'm enjoying the mainstreaming of cunt.
I find it amusing how in England, for example, calling someone a cunt is the most serious of serious insults. My friends and I use it against each other all the time, almost as a term of affection.
In fact, if we haven't been in contact for a while, we may text each other just to say 'Cunt' to remind each other that we're alive and we remember that the othera are alive.
That must be a Celtic thing, as we Scots do that as well
Profanity does have its place in the culture and in writing; I will concede that. But if/when it gets gratuitous, that's when I just wish the speaker/writer would get a thesaurus and use it. As Shakespeare showed, there are many ways to be an unpleasant person while using pleasant words.
But people disagree on when it's gratuitous and when it's colorful. Sometimes the point of the word choice is to cross a boundary. Pleasant words won't have the same oomph.
Profanity does have its place in the culture and in writing; I will concede that. But if/when it gets gratuitous, that's when I just wish the speaker/writer would get a thesaurus and use it. As Shakespeare showed, there are many ways to be an unpleasant person while using pleasant words.
But people disagree on when it's gratuitous and when it's colorful. Sometimes the point of the word choice is to cross a boundary. Pleasant words won't have the same oomph.
On a fictional level, it also depends on what kind of character you're writing. If you're writing a Brooklyn mobster or Marine drill sergeant, a witty Shakespearean riposte might not be all that realistic . . ..
And, of course, you have to consider the intended audience. Throwing f-bombs into a NANCY DREW novel is probably inappropriate. But an R-rated TERMINATOR novel . . . .
I find it amusing how in England, for example, calling someone a cunt is the most serious of serious insults.
Clearly, it's how they talk. To them it's nothing, they wrote for their limited audience. It's a bit strange to complain about language on the script which was only intended for the writers, director, actors and producers.Reminds me of the script of Star Trek 2009, where Orci & Kurtzman drop the F-bomb constantly in the descriptions. Just why? The intended audience of the script is the director, producer and actors. Where's the need?
Reminds me of the script of Star Trek 2009, where Orci & Kurtzman drop the F-bomb constantly in the descriptions. Just why? The intended audience of the script is the director, producer and actors. Where's the need?
Where's the harm?
Scripts, being unintended for public consumption, are often written rather informally--and meant to convey the feel of the scene so readers can imagine how it will play out on screen. "Suddenly, the biggest fucking monster ever SMASHES through the wall!"
I recall a fight description from one of the UNDERWORLD scripts that basically consisted of: "She kicks their sexy butts!"
I find it amusing how in England, for example, calling someone a cunt is the most serious of serious insults.
?
It's certainly not in london.
But people disagree on when it's gratuitous and when it's colorful. Sometimes the point of the word choice is to cross a boundary. Pleasant words won't have the same oomph.
On a fictional level, it also depends on what kind of character you're writing. If you're writing a Brooklyn mobster or Marine drill sergeant, a witty Shakespearean riposte might not be all that realistic . . ..
And, of course, you have to consider the intended audience. Throwing f-bombs into a NANCY DREW novel is probably inappropriate. But an R-rated TERMINATOR novel . . . .
Reminds me of the script of Star Trek 2009, where Orci & Kurtzman drop the F-bomb constantly in the descriptions. Just why? The intended audience of the script is the director, producer and actors. Where's the need?
I find it amusing how in England, for example, calling someone a cunt is the most serious of serious insults.
?
It's certainly not in london.
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