Huh. Looks like, as of the latest issue of GREEN LANTERN, we can add one more character to the list of ones who don't do secret identities anymore.
![]()
It is self-serving and psychologically abusive to tell a civilian you're a superhero, and in some upside down way, expect them to just take it all in without being stressed to no end when the hero is facing superpowered threats every day. Or, if the civilian cannot take it, they might try to involve themselves, or shoot their mouth off to anyone else in a period of high stress and/or weakness.
The Amazing Spider-Man films Gwen Stacy is a fine example of a love interest underestimating the dangers and getting involved and showing the positives and negatives that can arise.
Frankly I think it does the movies' Gwen a grave disservice to dismiss her merely as "a love interest underestimating the dangers." She wasn't just a "love interest," she was a protagonist and partner in her own right. And she wasn't ignorant of the danger; she knew the risks but was courageous enough to face them anyway, the same as Spider-Man was.
The problem with using fictional stories as "examples" for anything is that the stories are designed to have the outcome the writer prefers, no matter how much the deck has to be stacked to force that outcome. It turns out badly if the writer wants it to turn out badly, and well if the writer wants it to turn out well.
I think it does the movies' Gwen a grave disservice to dismiss her merely as "a love interest underestimating the dangers." She wasn't just a "love interest," she was a protagonist and partner in her own right. And she wasn't ignorant of the danger; she knew the risks but was courageous enough to face them anyway, the same as Spider-Man was.
Green Lantern always was playing with that. I mean, Guy Gardner and John Stewart just didn't bother with it at all, and the movie pointed out how that tiny Domino Mask wasn't going to fool anyone Hal actually knew if he ran into them.
Of course the outcome reflects the preference of the writer(s), I thought it was still a good specific example of what was mentioned instance of, that a civilian knowing and choosing to get involve can expose them to a lot of danger.
Further, to me, the idea that it's forced for a civilian to die from getting into the action, the alternate idea that a civilian can often participate in and survive, succeed in battles the hero is involved in is more unbelievable and/or takes away from the hero being unique and the missions dangerous, certainly of the powers being necessary.
Except that stories are about people getting in danger. No matter what the circumstance is, the characters will still be placed in danger.
Heck, the ur-example is Superman keeping his identity secret from Lois and Jimmy to "protect" them -- yet Lois and Jimmy still got placed in constant danger anyway, because Superman needed someone to rescue.
It did ok. I think Daredevil, the Incredibles and Batman 66 did it better, IMO.This is why i loved the comic book event Civil War (and the movie of course) because it exactly tackled this issue and added the whole vigilante vs sanctioned government operative angle.
Alan Kistler just published an interesting article about the history of the secret identity trope, why it can be problematical, and why it's increasingly falling by the wayside:
https://www.polygon.com/comics/2020...pider-man-civil-war-superhero-secret-identity
Even the big companies began deconstructing or toying with the notion of the Secret Identity as far back as the 80s with the Post-Crisis Captain Atom series, IIRC.
Captain Atom bounced up time 20 years, and reconnected with his family without explaining to his children who he really was, which is how his adult daughter made out with him a little.
Watching The Flash last night I got thinking about this thread. One thing that has bugged me lately is how quick they have been start telling people who they are. Telling people like Joe and Iris is one thing, but I does seem to be going a bit to far when they telling people like Kamilla, Alegra, and Chester who they barely even know at that point. There really was no reason for any of them to know at that point, they weren't part of the team, and really weren't involved enough with the team's heroics to need to know at the point where they told them. Chester and Allegra weren't as bad since they were metas involved in the plot, but there really is no need for Kamilla to know when her only connection is being Cisco's girlfriend, and they haven't been going out that long yet.
When you start telling people, it really should just be limited to those closest to you, not every random person who you've know for a couple of days.
Watching The Flash last night I got thinking about this thread. One thing that has bugged me lately is how quick they have been start telling people who they are. Telling people like Joe and Iris is one thing, but I does seem to be going a bit to far when they telling people like Kamilla, Alegra, and Chester who they barely even know at that point. There really was no reason for any of them to know at that point, they weren't part of the team, and really weren't involved enough with the team's heroics to need to know at the point where they told them. Chester and Allegra weren't as bad since they were metas involved in the plot, but there really is no need for Kamilla to know when her only connection is being Cisco's girlfriend, and they haven't been going out that long yet.
When you start telling people, it really should just be limited to those closest to you, not every random person who you've know for a couple of days.
Alan Kistler just published an interesting article about the history of the secret identity trope, why it can be problematical, and why it's increasingly falling by the wayside:
https://www.polygon.com/comics/2020...pider-man-civil-war-superhero-secret-identity
Even Superman’s identity has been revealed to the entire world twice in the last decade.
other caped cinema stars, like Supergirl, are perfectly willing to trust close allies with their name.
Personal privacy has proven benefits, but trusting no one is harmful.
Iron Man set the tone for the Marvel Cinematic Universe that followed, and 12 years later even Aunt May wound up learning Spider-Man’s secret at the end of his first MCU film.
[Iron Man and Captain America] were also free to focus the debate on the weightier topics of oversight and personal independence versus public accountability.
This all has helped make the heroes seem more grounded and capable of supporting mature narratives — professionals living extraordinary lives, rather than big kids shunning those who don’t know the password.
We use essential cookies to make this site work, and optional cookies to enhance your experience.