I appreciate your response. I felt the same way as you did about it. A New Hope looks great. In fact, all of the Star Wars films look great if for no other reason than they got rid of the garbage mattes and now they all really shine. There are some shots where you can kind of see them, but not many.
But what I'm thinking about is analogous to an audiophile who can detect the difference between an a CD and MP3, and, more to the point, the difference in depth between vinyl and CD. There is more "depth" in Vinyl, some say. If an old band recorded something in one room, you can almost "hear" how far away the drum-kit might be from the equipment, and the guitar player might be further away form the recorder and, if you listen to vinyl, you can actually "hear" that. That's because not everything was processed and re-integrated. It's all right there. For example, Rush's Moving Pictures sounds much better to me on vinyl than on anything else. (I haven't heard that new super remastered yet).
The same can be said for films. When many movies were made it was a chemical process.. the images and sound were being chemically pasted on film, and all of the lighting, staging, makeup, etc. was all done with that in mind. To pick apart each element separately, and then reintegrate it all together for high-definition takes something away. Maybe a spy thriller dependent on deep shadows for its effect would have a disservice done to it if you can see every wrinkle in a actor's face. Those films were meant to have a certain look.
When I popped in First Class and the very James Bond-esque end credits showed up, I liked the fact that I didn't have the blue-ray, and that the X's and the DNA strand graphics were not super-sharp and clear, as if I was watching it on the filmmaker's latest computer system. Instead, it looked more like I was watching Bond movie from the those days.
But what I'm thinking about is analogous to an audiophile who can detect the difference between an a CD and MP3, and, more to the point, the difference in depth between vinyl and CD. There is more "depth" in Vinyl, some say. If an old band recorded something in one room, you can almost "hear" how far away the drum-kit might be from the equipment, and the guitar player might be further away form the recorder and, if you listen to vinyl, you can actually "hear" that. That's because not everything was processed and re-integrated. It's all right there. For example, Rush's Moving Pictures sounds much better to me on vinyl than on anything else. (I haven't heard that new super remastered yet).
The same can be said for films. When many movies were made it was a chemical process.. the images and sound were being chemically pasted on film, and all of the lighting, staging, makeup, etc. was all done with that in mind. To pick apart each element separately, and then reintegrate it all together for high-definition takes something away. Maybe a spy thriller dependent on deep shadows for its effect would have a disservice done to it if you can see every wrinkle in a actor's face. Those films were meant to have a certain look.
When I popped in First Class and the very James Bond-esque end credits showed up, I liked the fact that I didn't have the blue-ray, and that the X's and the DNA strand graphics were not super-sharp and clear, as if I was watching it on the filmmaker's latest computer system. Instead, it looked more like I was watching Bond movie from the those days.