Ian McKellan confirmed finally today as well...and rumors are that Christopher Lee and Ian Holm may follow after all.
No, he can't. The movie rights to The Silmarillion haven't been sold.Jackson could probably parachute in backstory from The Silmarillion to fill time, too.
Much as I loved Annie Lennox's "Into the West," I really wanted to hear "Frodo of the Nine Fingers" in Jackson's Return of the King.I wonder if Eminem has taken up the offer to record a new version of Glenn Yarborough's "The Greatest Adventure is What Lies Ahead"? (Kidding!)
Including Frodo makes sense. Not every moviegoer has a prior familiarity with the books; all they know is the movies. So if you're going to toss a prequel at them, it helps to include a framing sequence that features the characters they know and presents the story as a flashback. Without that clear indication of the story being set earlier, they might be confused by the differences. It's kind of the same reason (well, part of the reason) Gene Roddenberry put a "present-day" framing story around the original Trek pilot and told it in flashback rather than just showing it without explanation.
Also it's just a matter of familiarity. Many moviegoers don't come to sequels out of loyalty to the storyline or the universe; they come for the actors. Elijah Wood was the star of the previous three films in this series, so bringing him back for the next two is a good idea. Just as expanding the story to incorporate elements that tie more clearly into LotR is a good idea. Purity to the source doesn't help give a film broad appeal. The LotR films were a proven success, so it's simply good business to connect the Hobbit films to them as closely as possible.
And yet audiences coped without any framing for the Star Wars prequels, Enterprise, Wolverine, Star Trek09 or any of the other various prequels we've had over the last decade or so. I'm pretty sure that the promotional materials for The Hobbit will emphasise that it's the prequel/ predecessor to LOTR. I think it will be hard for anyone to manage to get into a cinema showing the movie without being aware of that.
I have no big problem with departing from the source material; IMHO, virtually all of the changes to the LOTR movies were for the better. I just question whether the whole connection needs spelt out quite this explicitly; audiences aren't so stupid that they need things hammered into their heads (well, not all audiences anyway).
Presenting the Hobbit within a storytelling/flashback type of framework actually makes a lot of sense, I think, given the Hobbit's identity as a childrens' story (moreso than the LotR), and its link to folktales.
And there is really no reason to resist the temptation to show some of the Dol Guldur material that is only alluded to in the book. That should produce some cool visuals, and that allows you to work more of the LotR characters in. So basically these choices strike me as pretty natural and predictable ones.
Not to mention the fact that it actually exists as a book (There and Back Again) within the reality of LotR.
Hmm... There and Back Again? Talk about your spoiler titles...![]()
Indeed. All of the extend material we'll see in the films will be coming from the Return of the King appendices.No, he can't. The movie rights to The Silmarillion haven't been sold.Jackson could probably parachute in backstory from The Silmarillion to fill time, too.
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