An anthology series could work too. A lot of story possibilities could be opened up that way.
I think it could be very interesting to see what's going on elsewhere in the world, in different environments and maybe with characters who're in an area with a better flow of information. I just wonder if such a series will start in the "present" or at least show us more of how this all started and how society collapsed, and apparently collapsed quickly since it all happened while Rick was in a coma.
They were already miking TWD when they decided to do The Talking Dead. A drama getting its own talk show? I mean what the hell?![]()
I find it funny they want two shows when the network is too cheap to even give their massive hit enough money and that's why all the showrunners leave.
Well, Breaking Bad is over this season, so hopefully AMC recognizes how important TWD is to their network and give it a bigger budget.![]()
So there's this guy named Lee and this girl named Clementine....
I find it funny they want two shows when the network is too cheap to even give their massive hit enough money and that's why all the showrunners leave.
Well, Breaking Bad is over this season, so hopefully AMC recognizes how important TWD is to their network and give it a bigger budget.![]()
My understanding is that AMC seems to regard Mad Men as its prestige programme and it also is coming to an end soon (I think there are one or two seasons left).
AMC continues to make headlines as the fallout from expensive “Mad Men” re-negotiations takes a toll on its other programming, particularly the zombie thriller “The Walking Dead” and intense drug drama “Breaking Bad.”
Darabont became upset over cost cutting measures like moving scenes indoors or using far fewer undead shots. AMC reduced the budget from $3.4 million to $2.75 million — more than $250,000 an episode – constricting the financials of a show that relies heavily on special effects (both practical make-up and CGI) to create its zombie apocalypse. (By comparison, “Mad Men” episodes cost roughly $2.5 million each.) In an interview with Deadline, AMC President Charlie Collier chocked the “Walking Dead” decision up to amortization and a typical reduction from the pilot (which he considers episodes 1-6).
Widespread belief is the cuts were a result of Weiner and Hamm’s hefty contracts.
Two teens fall in love while attending high school during the zombie apocalypse. Daryl Dixon will guest star during sweeps!![]()
Clearly, the zombies will be main the characters of the spin-off. We'll become emotionally involved with a pack of zombies as they struggle to get find enough humans to eat and as they cope with their own limited intelligence. Their could even be a narrator a la "March of the Penguins".
Another idea that I think would be cool ; jump ahead 25 years and give us a show starring the baby Judith . Might not really work, didn't think this out much, just popped in my head.,
Kytee
If you get a great new set of characters, you could do a rehash of the rural nomadic TWD setting and still have an interesting show with it's own unique "charm," but I'd still like to see this universe explored from a new perspective.
A couple of the ideas that popped into my head where you could change the dynamic significantly from TWD:
- Show the zombie apocalypse from the perspective of the President's administration as it slowly gets whittled down from a position of strength to barely surviving day by day like everyone else. Actually gives a big picture of how things are going around the country and the world instead of just the micro view of the survivors, so it adds to TWD's universe. Maybe they wind up in some fortified military base surrounded by zombies (missions outside would be carried out by helicopter or plane so we get some variety) and face challenges from other nations, militia groups, criminals, etc. but on a much bigger scale then we're used to (might be budgetary issues for AMC though).
- Alternatively, you could show things from the perspective of the mayor of a big city like New York, LA, or Chicago if you wanted to keep the same basic dynamic as above but give them reason to remain in an urban setting looking after their constituents as long as possible.
- Have a large group of survivors in their personal pleasure craft hook on to a big barge headed down the Mississippi River and form a sort of mini society of their own there. It would give greater opportunity for rotation of characters with a larger cast, and when not doing bottle episodes the same adventures of visiting cities and towns could be had as they take excursions to gather supplies and check for other survivors. The eventual goal would be to sail out onto the Caribbean and try and find an island they could live on where the plague hasn't reached yet (hopefully).
- Perhaps secure joint financing with the BBC/BBC America (for a bigger budget) and do a show located in Britain with excursions to mainland Europe in search of supplies or survivors (either by boat or with a harrowing car drive through the Chunnel).
My understanding is that AMC seems to regard Mad Men as its prestige programme and it also is coming to an end soon (I think there are one or two seasons left).
If AMC considered Man Men their prestige brand, they certainly had a funny way of showing it in 2011. To be fair, neither side handled the negotiations over the show's future very well, but AMC was certainly ready to kill the goose the laid the golden eggs.
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