sttngfan1701d said:
Question wasn't directed at me, but honestly I'd feel bad for the consumers that the publisher would be so rigid and only offer it as an ebook.
First, even if I wrote the book I would disagree with that tactic...I wouldn't want to force the reader to get a certain format just to read my book...
Umm... that happens all the time. If I sell a story to a magazine, it only gets published in the magazine, at least unless I manage to sell it to a reprint anthology sometime down the road. Short-story magazines aren't nearly as easy to find as paperback books these days, even though they've been around
longer. You generally have to subscribe directly or search for a bookstore that carries them or order them online.
News flash: we write stories to get paid for them. If you were a writer, you wouldn't refuse payment for a story just because of the market it was in. You'd sell it to whoever would buy it, because you need the money, the experience, and the name recognition. Sure, only a small number of people would read a story published as an e-book, but it wouldn't be too much smaller than the subscriber base of a semi-pro short-story magazine like
Interzone. Writers have been selling their work in limited-distribution formats for generations. You take what you can get. And if not a lot of people read it, you hope that eventually you can get it reprinted in an anthology or collection. This is just how the business works.
and to be blunt, that is NOT the attitude publishers should take if they really want the ebook format to grow.
It worked fine for print magazines for generations.
Basically, if you want to trumpet the electronic format as being just as good or "real" as print, then release books in both formats concurrently and give consumers a CHOICE.
Short stories generally don't come out in magazines and anthologies simultaneously -- they get published in magazines first, then maybe get anthologized years later. Does that mean that magazines are less "real" than squarebound books?
I don't want to be force-fed a certain format just because the publisher thinks that if something is only offered as an abook, people will have to buy it, thereby raising the ebook profile alongside print. But then, that's what it's all about isn't it? The fear that most people will just continue to buy print over ebooks unless you take print out of the equation sometimes.
No, it isn't. Any more than that's the reason why stories get published in magazines before they're reprinted in anthologies, or why comic books get published in single issues before they're re-released in squarebound collections. It's always been the nature of publishing that fiction is presented in multiple formats, and sometimes gets reprinted in a different format than the one it originated in.
And if I were an author whose first book is published ONLY as an ebook, I would be very disappointed because that would mean that some of my family would not be able to read my first published work because they are quite illiterate when it comes to computers and electronics.
Uhh... if you wrote the story, couldn't you just print off a copy of the manuscript from your own computer and give that to your family? Or you could wait until the editor sent you the galley pages in the mail (because the writing and editing process is exactly the same in both formats). Those pages let you see the book in the format in which it would appear in the final eBook, except printed out on unbound 8 1/2 x 11" paper. Just flip a rubber band around them or put a binder clip on them and hand the sheaf to your family members (once you've checked the pages and sent corrections to your editor). Just don't charge them for it.
So yeah....I'd be pissed at the publisher, not at the consumers who dislike the format.
Well, I'm an author whose first "book" (novella, actually) was published as an eBook, and I wasn't angry at the publisher. What mattered was that I got my foot in the door. I got paid, I got my name established, and it was a stepping stone to a career. Plus it was a valuable and enjoyable experience. Everything you write, you learn from. And you move onto the next project and build on the experience you've gained. You don't dwell on how many or how few people read your first project, because if you're any kind of professional writer, you've long since moved on to the next project and the one after that. If not many people read the last thing, you hope to get more with the next thing.