As some of you might know I write for the media tie-in site Unreality SF, and late last year I contacted the authors of the "A Time to" series to take a look back on the series ten years after its publication, and all of them agreed (with Dayton representing both himself and Kevin Dilmore). Due to personal reasons the whole project was delayed on my end, but now the article is finally finished and ready.
The article is separated into three parts, with two of them already online and the third following tomorrow around noon GMT.
Part One
Part Two
Some excerpts:
When part three, which will investigate the series’ extraordinary legacy, is posted I will provide the link.
The article is separated into three parts, with two of them already online and the third following tomorrow around noon GMT.
Part One
Part Two
Some excerpts:
“The writers and editors of the Star Trek novels had begun collaborating and thinking about more long-term story arcs,” recalls writer David Mack. “Back in 2001, Marco Palmieri, at that time an editor working on the Star Trek novels, masterminded the ‘relaunch’ of Star Trek: Deep Space Nine. He and the authors he hired reconceived DS9 as a long-arc serial narrative that would explore many worlds and perspectives, and he introduced new characters into the DS9 setting to replace those the show had scattered to the ends of the galaxy. In many ways, Marco’s editorial vision for the DS9 novels was one that we emulated, to varying degrees, when we set the new direction of TNG fiction.”
The initial idea was for A Time to… to span 12 books, released monthly throughout 2004, forming six duologies. “With six duologies, different highlights were doled out with the writers challenged to come up with Enterprise-worthy mission that didn’t duplicate one another,” explains Robert. “Over time, the schedule and writing challenges led J. Steven [York] and Christina [F.] York to bow out, and as the outlines were coming together, marketing weighed in and asked that the line be trimmed from 12 to no more than nine books, so Keith was asked to tidy it all up [in a single volume].”
John was a natural choice for the Wesley-centred parts of the miniseries, having wanted to bring back Wesley long before his Nemesis cameo. “[John Ordover] knew I had tried several times to take up Wesley Crusher’s story as a Traveler,” he recalls, “but Paramount would never let me do a ‘Wesley as a Traveler’ book because the TNG movies and TV show had left that completely unexplored. They were worried that a TV show or movie might make a casual comment, such as ‘Too bad Wesley Crusher died last week’, which would have completely negated any story I came up with.
Much of the series’ direction was established prior to the conception of Sow and Harvest. “As I said, we were brought on relatively late in the game, at least so far as the hashing out of character arcs and plot threads being woven through the different books,” says Dayton. “I suspect John knew at least most of what he wanted to see tackled, and the authors who ended up taking on those character arcs (Bob Greenberger, David Mack, and Keith DeCandido) likely brought their own ideas to the table, and the plots developed outward from there in service to those characters. Our job was to start ‘aligning the stars’, so to speak, with respect to at least a few of those characters while telling our ‘bridging tale’.”
When part three, which will investigate the series’ extraordinary legacy, is posted I will provide the link.
