Well, we'll just have to agree to disagree. I think the production troubles this film faced showed glaringly (and sound design and soundtrack aren't the same thing) in the final product, but if you don't think so, you don't think so. I for one really like VOY and ENT, for example, even though I could list a million things deeply wrong with both shows off the top of my head. I think that the movie-making aspects of a production are important, but if a story entertains you despite technical flaws, then the film/show has done its job. TFF hasn't done that for me.
If you look at the J.J. Abrams films, you could make the opposite argument, as he is a very competent film-maker who knows all the tricks of the trade. Some people, however, dislike his movies on a purely emotional level because they couldn't connect with the story, which makes them more prone to see the mistakes in the films (and all movies make mistakes). I personally really like his style because he is an actor director and focusses much more on character and visceral emotional responses than plot. If that draws you in (and it does that to me), then the movie has done what it was supposed to. If it can't reach you on an emotional level, then all the film-making competence in the world (dynamic camera work, practical effects, hardly any shaky-cam in the action scenes, fast pacing, good cinematography and sound design, decent dialogue etc.) won't make you like it.
I guess that's why I don't forgive TFF's technical shortcomings, because it doesn't reach me on an emotional level. I could - from a film-making POV - tear the scene between the main three and Sybok apart, nitpick it to death and beyond, but that's not really the point (you can nitpick anything to death, even stuff you love). The point is that the issues the movie has matter to me because it doesn't affect my precious little feels, and therefore fails to entertain me. If a movie or show gives you any kind of entertainment value, then the little things it gets wrong don't matter as much. The effect they have on the final product are wholly dependent on your personal enjoyment as a viewer.
...and before someone accuses me of getting too off-topic: the Cracked article was stupid and the trailer for Beyond made me go all OH FUCK YEAH AWESOME SABOTAGE WOOOOOO! * clears throat *
If you look at the J.J. Abrams films, you could make the opposite argument, as he is a very competent film-maker who knows all the tricks of the trade. Some people, however, dislike his movies on a purely emotional level because they couldn't connect with the story, which makes them more prone to see the mistakes in the films (and all movies make mistakes). I personally really like his style because he is an actor director and focusses much more on character and visceral emotional responses than plot. If that draws you in (and it does that to me), then the movie has done what it was supposed to. If it can't reach you on an emotional level, then all the film-making competence in the world (dynamic camera work, practical effects, hardly any shaky-cam in the action scenes, fast pacing, good cinematography and sound design, decent dialogue etc.) won't make you like it.
I guess that's why I don't forgive TFF's technical shortcomings, because it doesn't reach me on an emotional level. I could - from a film-making POV - tear the scene between the main three and Sybok apart, nitpick it to death and beyond, but that's not really the point (you can nitpick anything to death, even stuff you love). The point is that the issues the movie has matter to me because it doesn't affect my precious little feels, and therefore fails to entertain me. If a movie or show gives you any kind of entertainment value, then the little things it gets wrong don't matter as much. The effect they have on the final product are wholly dependent on your personal enjoyment as a viewer.
...and before someone accuses me of getting too off-topic: the Cracked article was stupid and the trailer for Beyond made me go all OH FUCK YEAH AWESOME SABOTAGE WOOOOOO! * clears throat *
