Watching this back, I've noticed something that I don't think has been mentioned in any of the threads on The Most Toys I've read and/or contributed to, and that leads me to agree somewhat with @Christopher that this is a flawed episode, a little lacking in the execution.
It has to do with the Varon-Ts. After Fajo kills Varria with his disruptor, and a second before Data emerges from the shuttle, Fajo throws it away, just chucks it off to the side of the bay, out of sight. He then walks away from it, and from the shuttle, completely ignoring the one Varria dropped earlier and had made a clumsy dive for, the same one Data then picks up to level at him.
Think about that. That's two weapons of such lethality and barbarity they're illegal just lying around the shuttle bay, and Fajo's ignoring them, seems to have forgotten they even exist. Why? Why make himself so very vulnerable, especially when dealing with a powerful, capable opponent who, through pure logic or some deep, rudimentary emotional drive, or both, has reason and motivation to take lethal action against him, or at the very least could use the threat of that weapon as a means of subduing or capturing him, as Data indeed tries to do at first? Yes, Fajo is complacent and arrogant, and is possibly shocked himself that he actually pulled the trigger, but it still seems a stupid, counter-productive thing to do.
Of course, in pure story terms, Fajo was required to be vulnerable for the final stand-off moment of the scene, but the contrived way he was made to be - one Varon-T inexplicably discarded and forgotten, the other conveniently ignored - undermines things more than a little. To be fair, such a confrontation is really hard to set up in a way that feels organic, a natural progression of events, especially with a character not normally given to killing; there's always some measure of forcing as a result, and thus, at least for me, always a sensation, even if only subsconcious, that something is off. In this case, a fair amount of this scene, including Varria's dive, feels a little off.
It's especially niggling here because of how good the rest of the episode is, not least Rubinek's layered performance, deep darkness glimpsed beneath facile, twitchy, somewhat flamboyant behaviour. That he managed such a performance when taking the role late, and in deeply unfortunate circumstances (of which I was unaware prior to reading this thread) is even more impressive.