Macfarlane is a true trek fan and thats what we need.
I'm pleased that you bolded that. This way, we know you mean business.
The True Trek Fan-ness of the creative team is less important to me than their having creative chops and a genuine understanding of how storytelling works, what makes Trek tick at its best, and of course of what makes movies tick. Being a True Trek Fan doesn't guarantee any of those things -- there are plenty of fans with encyclopedic knowledge of Trek trivia who don't have those ingredients -- from McFarlane or Orci or anyone else. What mostly matters is whether the effort goes in to understanding what makes Trek what it is and building on its strongest qualities. (I personally kind of do think McFarlane could pull off something interesting, the more I revisit the topic of this thread, but it's not because he's a True Trek Fan.)
As for this:
nightwind1 said:
You mean the STID that's rated 90% from the Audience and 87% from the Critics on Rotten Tomatoes?
Hey, did you know that
First Contact had a 92% critic score and an 89% audience score on Rotten Tomatoes? Does that necessarily make it an objectively better film than STID?
No. No it does not. Because RT scores are actually not all that meaningful as an indication of quality any more than box office is.
(Actually
First Contact kind of is a better film than STID in some key ways, but that's not to say I think it
really deserves a critical rating fifteen points higher than
The Wolf of Wall Street. Quoting these numbers at people like they're scientific proof of something is folly.)
You mean the STID that's rated 7.9 Stars on IMDB?
Whooo, 7.9 on IMDB. That means... nothing much, really.
You mean the STID whose gross of more than $467 million worldwide made it the highest-grossing entry in the Star Trek franchise?
Avatar out-grossed STID, didn't it. Is it objectively the better movie?
(I mean, I'd argue that it kind of is... but not because of its gross. Quoting box office numbers at people as proof of quality is also folly.)