Hey guys,
For the last few weeks I have been meaning to get back here and respond to some of the comments on
Protectors. The outline for the final book in this trilogy, which I just finished, ended up kicking my ass, so I've been unable to do that.
But now that the outline is more or less done...
As for the comments about your daughter... it melted my heart. I had to read that to my wife and she just looked at me with misty eyes and say "that is SO true!"
We have a 14 month old boy sleeping in the next room, and it just gets me right in the heart when people talk about their kids like that. I love it.
Your 14 month old was sleeping? Well done.
(snip)... My only concern is that it is out of sync chronologically with the rest of the "current" book timelines.
Why? A fair number of readers have raised this point here and elsewhere, and the concern eludes me. The only rationale I can figure is that you worry
Voyager is going to get so far behind everyone else that we will be forced by another
Destiny-like event to jump forward and that current threads will be dropped.
The next two books in this trilogy will bring
Voyager roughly to the end of their first of three proposed years in the Delta Quadrant. Already, the rest of Trek-lit is beyond that three year mark. So in some ways, we are already too far behind for it to matter anymore.
I have chosen to tell this group of stories essentially never missing a beat. We always pick up more or less right where we left off. Some cover more time than others. The only thing that ever matters to me is how much time does the story I want to tell take? By separating the fleet from the Alpha Quadrant, I gave myself the ability to do that. Now it's like I have a crystal ball. I already know everything major that is going to happen while
Voyager is still out there and can decide what, if any, may be relevant to my stories.
Yes, there are downsides. Not participating in some of the bigger crossover stuff is a bummer sometimes. But for now, at least, this kind of storytelling feels right for
Voyager. It might not be for another series, but for this one, it works.
All I can suggest is that you try not to worry. Should something come up that requires adjustments due to the rest of Trek-lit, I can promise you that if I am the author handling it, every effort will be made to make sure it feels like an organic development.
One thing I didn't understand was why Vorik and Tuvok were withdrawn, almost bitter? Its been a while since I read the last books but is it because they thought she was dead and now she's back? and they don't know how to deal with it since they accepted her death?.
In Tuvok's case, it is a direct result of the events of
Destiny and
Over a Torrent Sea. In both of those books, we saw him seriously knocked off his pins and taking a long time to come to terms with the loss of his son and daughter-in-law. I discussed with Mike Martin the realities of where
Titan was at the time this story was set and although we agreed it would be possible to carve out some time to connect with Janeway, the more I looked at it, the more it felt appropriate to me for his character that he would need more time to process stuff before he was ready to speak with her. Even though I don't get to write much Tuvok anymore, I still think of him as very much a part of
Voyager and can assure you that eventually, he and Janeway will re-connect.
For Vorik, a similar dynamic was at play. His experiences during the Omega crisis, while only shown briefly in TET, were profound and horrible. It is possible I did not stress enough in the earlier books his devotion to Captain Itak and how that loss would have affected him. With my Vulcans in particular I am always conscious of the fact that there stoic presentation is not the result of a lack of feeling, but of a practiced mental discipline masking incredibly intense feelings. Also...Vorik always seemed kind of "young" to me. While he has aged along with everyone else, I don't think it's out of character to suggest that he, and probably several other officers who have been part of
Voyager from the beginning would have challenges accepting Janeway's return. You'll get more of his thoughts on that in
Acts of Contrition, and hopefully it will make more sense to you then.
Yes I was aware of that but I meant that you injected a reference to a flight accident in the Academy that he tried to cover up into his back history making the linkages more explicit.
Although some folks have rightly pointed out that the flight accident is mentioned in
Caretaker, I actually took my reference from the re-read I did of
Pathways, by Jeri Taylor before starting
Protectors. She spells out the whole story there.
FWIW, this is also where the inspiration for Julia's reaction to Tom's lie came from. Tom has had some serious lapses in judgment over the years. Through all of them, Julia was the one to stand by him and love him anyway (at least per Jeri Taylor). What occurred to me as I re-visited this material was that this time, he might have gone to far with regard to his mother. She has given him the benefit of the doubt too many times. She believed she knew who he was and who he had become during his time in the Delta Quadrant. And then he lied about something so huge. She was already grieving for her husband and then she is also asked to grieve for her granddaughter? Which is a special kind of awful hell, thinking about this baby who had her whole in front of her? But that was a lie?
I don' t know. Enough people have suggested that this plot felt contrived for it to be impossible to ignore. And it is likely that for most, Julia is a less well-developed character so this feels like it's coming out of the blue. For me, she's a whole person with her own story that we only get to see glimpses of, but this choice absolutely tracks with what I know of her. I'm not saying she is right, only that I understand why she would feel this way and act this way. After
Acts, you guys will tell me if I was right or not.
Going forward, its New York Times Bestselling Author, Kirsten Mother Fucking Beyer.
I kind of love the mental image of you introducing yourself this way at parties.
Two questions:
1) Have you thought of an explanation for some of the multiple appearance of several races threwout the Delta Quadrant, despite Voyager crossing many tens of thousands of lightyears between encounters with them?
Gosh...no...I should really get on that, right?
Ummmm....do you honestly think I would ever do something like that without knowing exactly how and why this was happening?
The only thing that has surprised me so far is that no one seems to even have a clue where I'm going with this. (Insert evil laugh.)
2) The end of the book states that it has been two months since Axum was discovered, which occurred at the beginning of the novel. However the Historian's Note says the book takes place from September to January. As I read I only see about two and half months of time passing. I know I've bothered you about timeline problems before, and hope I don't bring up something else that slipped through the cracks, but can you help me understand the chronology of events here?
As usual, I was intentionally vague, figuring travel time, time spent exploring, etc. I don't want to try and get more specific about it now. Suffice it to say that the first time we see Janeway before the memorial service we are in September and by the time we are about to return to the Confederacy it is early January.
But I read bits of it and I got sucked in anyway, even without reading the rest of the series! Darn you,
New York Times Bestselling Author Kirsten Mother Fucking Beyer! Darn you to Heck!
Seriously, great job! Lots of fun reading this one, and it remains a breath of fresh air to see these characters I know so well, finally written as three-dimensional people instead of the cardboard cutouts they so often were on TV!
How interesting. I'm glad it hooked you enough to keep you reading, and now I'm even more interested to know how you will react to the predecessors, knowing where we are now.
Anyway, if I'm going to be damned for something, making it hard for you to stop reading is a worthy sin in my mind.
The only minor quibble that I have is that early in the novel,Lasren is called a Bajoran,and not a Betazoid,like in the rest of the book.
Damn it. Damn it all. I try so frigging hard, you know? Between this and all the notes I'm seeing on typos, I almost don't know what to think. Obviously, sometimes I just get stuff wrong. But every time one of these things is published and someone else points it out, it makes me want to re-read everything ten more times and there is never enough time for that. The typo complaint I find most interesting now. I re-read the finished book not that long ago and while I saw a couple, not nearly enough for the ferocity with which this complaint is being leveled. Hmmm....
In general, I'm pleased that the book is working for most of the readers here. I have been particularly gratified to read praise of the Janeway/Picard scene as it was equal parts terrifying and insanely fun to write. Other things that gave me joy..."Monster", the scene with Naomi, Sharak's development, have been noted by a few as well, and that's nice for me.
A few people have also mentioned the memorial service...or overly-long memorial service in some cases...and I did want to shed a little light for you all there.
I had always planned to write that scene if I got the chance after TET. To my mind, we had lost too many ships and too many people for it to be glossed over in a few sentences.
What I had not planned was that a few weeks before I began writing that scene, Sandy Hook would happen. I always try as a writer to keep my stuff separate from my characters. You don't need to know or see my challenges unless they track directly with those I am exploring in my characters' lives. But Sandy Hook shook me to my core. I was taking my daughter to school as the first news reports were coming in and it was all I could do to leave her and I could not return to her soon enough. There is darkness in the world and then there are the demons I have to face daily. This one hurt me and changed me and I'm still not okay about it.
So if I took a little more time than I otherwise might have exploring everyone's feelings about their tragedy, that probably had something to do with it. I won't apologize for spending a few extra pages meditating on something so massively wrong and trying to make a little sense of it, if only for myself. I don't personally know any of the people involved. I didn't write anything publicly about it because a long string of curse words wasn't going to add much to the conversation and that was about all I could muster for a long time. Part of me wanted to dedicate the novel to the twenty-six victims and their families, but ultimately I decided to reach for the light of my god-daughter's life rather than back into the darkness.
But that scene is what it is because of Sandy Hook. And I'm okay with that. I guess every once in awhile, I'm going to have to ask for a little indulgence from my readers. This was one of them.
As always,
Kirsten