What do you think is the most dated Star Trek episode or movie?
Also what do you think is the most timeless Star Trek movie or episode?
Also what do you think is the most timeless Star Trek movie or episode?
THE VOYAGE HOME feels the most "dated," to me. It's completely forgettable. The humour is lame, the action is weak and to cap it all off, if that's the phrase, there is no tension in this movie. Nothing's really at stake, other than bussing a tank of whales in the invisible ship of makebelieve. It's not even that they visit the 80's that dates it, it's the script, the ad libs and Nimoy's direction. There's nothing pan-generational about this film. It's of it's day - that's it and all about it.
Can't argue with that.THE VOYAGE HOME feels the most "dated," to me. It's completely forgettable. The humour is lame, the action is weak and to cap it all off, if that's the phrase, there is no tension in this movie. Nothing's really at stake, other than bussing a tank of whales in the invisible ship of makebelieve. It's not even that they visit the 80's that dates it, it's the script, the ad libs and Nimoy's direction. There's nothing pan-generational about this film. It's of it's day - that's it and all about it.
THE VOYAGE HOME feels the most "dated," to me. It's completely forgettable. The humour is lame, the action is weak and to cap it all off, if that's the phrase, there is no tension in this movie. Nothing's really at stake, other than bussing a tank of whales in the invisible ship of makebelieve. It's not even that they visit the 80's that dates it, it's the script, the ad libs and Nimoy's direction. There's nothing pan-generational about this film. It's of it's day - that's it and all about it.
I was beginning to think I was the only one who thought IV was meh. The only scene I like at all is the one where Bones and Scotty are giving Nichols the formula for transparent aluminum. That's cool. The rest is a self-indulgent bore.
I think "Mudd's Women" is incredibly dated in its gender politics. Despite the token presence of Uhura, it's written under the assumption that the Enterprise crew is entirely male and hasn't seen a woman in ages. The women are pure commodities, mail-order brides who have no prospect for achievement in life beyond marrying a rich man. And the happy-ending moral is that if a woman really believes in herself, she can become a perfect wife, as beautiful and domestic as her husband needs her to be. Even by 1966 standards, it's backward.
And yet, I couldn't help thinking about "The Game" during the whole Flappy Bird Flap.
True, but when you look at Candy Crush....^What's even more dated about "The Game" is how totally lame the game actually is. Even Pong is more complicated.
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