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Star Trek: TMP questions and observations

But it's kind of an anticlimax for a story about searching for God. Although the original proposed version of seemingly angelic beings turning into demonic gargoyles could've had some merit.
 
But it's kind of an anticlimax for a story about searching for God. Although the original proposed version of seemingly angelic beings turning into demonic gargoyles could've had some merit.
None of the drafts of William Shatner's valentine to James T. Kirk had any merit.
 
So true. I used to go to my local mall and see this same square-standing-on-one-corner display shelf unit (seen here in The Wrath of Khan) decorated in the courtyard.



Stupid me, when the mall had closed down about ten years ago, I should have inquired into purchasing it... :brickwall:

I almost mentioned that. Later, it appears in Tasha's cabin ("The Naked Now").

While not high-end, we had a chain of Granny May stores in the 80s, in Australia, and they were selling those clear plastic beverage containers, with the spiral straws wrapped around the outside, which I finally noticed (in the VHS release) was on the waitress's drinks tray when McCoy was seeking a flight to Genesis in ST III.

The sticker around the top I added myself, cut down from freebie stickers handed out on premiere night.


Star Trek III glass by Therin of Andor, on Flickr

I think the wall unit showed up behind a native in the shopping mall part of Farpoint Station as well. Haven't seen the ep in at least 20 years, but I remember that as jumping out at me.

As for the straw's origins, the CFQ article on SFS (and I think this is in MAKING OF THE TREK FILMS as well) indicates that was practically the only thing they found already available and not needing to be made or rented from Modern Props. I think they bought it at a high end store, Nordstrom's maybe, if those were around back then.
Depends on where you were. They've been in the Seattle area since 1901.
 
However, many years later, the science fiction club I belonged to in college had a party where we used recipes from the Dragonlance book Leaves From the Inn of the Last Home (Dragonlance is one of the AD&D RPG settings). We tried everything from bread, stew, soup, other entrees, and desserts... and it all turned out surprisingly well (and tasty).
Or, perhaps ... you just got lucky! :barf:
Considering that the club included people experienced in putting on SCA feasts, it wasn't luck. It was knowing what would basically work and getting creative from there. The idea was to have a fun Christmas party, not make anyone sick.
 
Timewalker, I'm glad your Cooking Party was a Smashing Success. You know, I am, unreservedly, a fan of Billy Shakes, myself. I only have a mild interest in the SCA, but I did try E-mailing the Pennsylvania Chapter for information on joining. I got no response - nothing!!! Is this unusual, or is this just how they roll ... trying to find out how much shit I'll take?
 
Timewalker, I'm glad your Cooking Party was a Smashing Success. You know, I am, unreservedly, a fan of Billy Shakes, myself. I only have a mild interest in the SCA, but I did try E-mailing the Pennsylvania Chapter for information on joining. I got no response - nothing!!! Is this unusual, or is this just how they roll ... trying to find out how much shit I'll take?
I have no idea how they do things in that part of the Knowne World, but you certainly wouldn't have gotten that (non)response here in Avacal. And it's entirely possible that the contact information you used was outdated. Sometimes people leave their positions rather suddenly and the new person might not update the information in a timely way. It boggles my mind to think that record-keeping was generally more accurate before everything went online.

The people you need to contact are called Chatelaines. Those are the people responsible for helping new people who want to join and giving general information (or directing you to the person who has the specific information you want).

Since I don't know where you live, I can't advise you on where your nearest branch is.

You can try http://sca.org/geography/findsca.html, which has this to say if you have trouble:

When all else fails -- contact the Corporate Office

You can call or write to the central offices of the SCA Inc. and ask them for help contacting the nearest SCA group. If you are in the USA, include your 5-digit ZIP Code. If you send a letter, it would be helpful to supply a self-addressed stamped envelope.

Society for Creative Anachronism
P.O. Box 360789
Milpitas, CA 95036-0789

Phone: (800) 789-7486, (408) 263-9305
9:30 am - 4 pm Pacific Time, Monday-Thursday.
Fax: (408) 263-0641
available 24 hours/day, except after noon on the last working day of the month, for the month-end close.

E-mail: membership@sca.org
There's also a lookup tool to help you find your local branch (or as local as possible).
 
Taking the thread in a different direction, I've been wondering about a few things:

  • What's the rationale behind having the science station directly behind the captain's chair as opposed to having it to Kirk's right as it appeared during the TV series and would again appear in subsequent films (Nick Meyer changed it for TWOK because he liked the idea of shooting Kirk and Spock together up close and thought it would be easier if the science console were off to the side)?
  • Was it the intention of the writers/producers to give Scotty much less of a bridge presence in the films as a result of TMP? He appeared on the bridge frequently in TOS but was rarely there during the films. Was this done entirely for plot reasons or was there an in-universe reason that wasn't expanded upon?
--Sran
 
Was it the intention of the writers/producers to give Scotty much less of a bridge presence in the films as a result of TMP? He appeared on the bridge frequently in TOS but was rarely there during the films. Was this done entirely for plot reasons or was there an in-universe reason that wasn't expanded upon?

Well, Scotty's default location in TOS was engineering. With only, really, four movies set aboard the Enterprise when it had a full complement (I, II, V, and VI), there weren't that many opportunities to vary the pattern.

Besides, maybe part of the reason he was often on the bridge in TOS was because it was cheaper to shoot a dialogue exchange on one set than it would be to shoot both the bridge and engineering sets for a conversation over the intercom.
 
^I guess the other factor is that he wasn't really part of the chain of command during the films like he'd been during the TV series. He was second-officer during the five-year mission but didn't seem to have any responsibilities outside of engineering during the films.

There wasn't a need for Scotty to be in command during TMP, as Kirk, Decker, and Spock (and perhaps Sulu) would have commanded the ship before he would have. In TWOK and TSFS, Kirk defers to Saavik (for teaching purposes) and Sulu (in Spock's absence), so there's no reason for him to take the conn in either of those situations. By the time TUC rolled around, Chekov had risen to second-officer, so Scotty wasn't needed then, either.

--Sran
 
Thank you, Timewalker, for that most thorough and thoughtful answer. The small favour is greatly received.
You're welcome - hope it helps. :)


(just a note: Bjo Trimble was one of the original SCA members back in 1966, so this small derailment does have a little bit of a Trek connection ;))
 
The decision to rearrange the stations originates with Phase 2 and I'm not aware of any documents as to why this decision was made.
 
The decision to rearrange the stations originates with Phase 2 and I'm not aware of any documents as to why this decision was made.

I never realized that till now. The obvious one is that on a 4:3 frame it is hard to get a side station in view unless shooting the capt at an angle, so straight on (i.e., boring) views would always have your principals in frame, but you'd figure they'd happily abandon that for the feature with its 2.35:1 ratio.
 
This doesn't answer the question of why it was done, but one observation I have is that the station behind the captain's chair is the one closest to the captain, due to the way the captain's chair is off-center [linky].

Generally speaking, in TMP, I think that they made excellent use of that space behind Kirk, for the four principles (Kirk, Spock, McCoy, Decker) to confer [another].
 
Generally speaking, in TMP, I think that they made excellent use of that space behind Kirk, for the four principles (Kirk, Spock, McCoy, Decker) to confer [another].

That they did, but the film also showed the shortcomings of the science station's position: The viewscreen is at your back and during the everybody-is-in-awe-of-V'ger scene Spock joins the "stagazers", thus stops looking at his instruments and just gives them a passing glance once in a while. ;)

Maybe Nick Meyer noticed that and thus put it back to its "original" location in TWOK?

Bob
 
Maybe Nick Meyer noticed that and thus put it back to its "original" location in TWOK?

IIRC, Meyer wanted to be able to shoot Kirk and Spock together while on the bridge and thought having the science station to the right of the captain's chair was the easiest way to go about it. The in-universe explanation was actually provided by Christopher in Ex Machina as he included text where Kirk wonders about putting the science station in a position similar to what it occupied during the five-year mission.

--Sran
 
I suspect that the reason it was put behind the captain was special and gave the bridge balance. Remember, unlike the other stations, the science station had those two moving consoles on hydrolics. It was probably easier to keep the hydrolics mechanisms stored between the two turbolifts out of the way. For TWOK the hydrolics were removed and they were just on rollers so the station could just be placed anywhere.

Specially there is also more room behind the captains chair than there is on the sides due to the railings. I think when fully extended the two consoles are slightly in the way on the side. I think in TWOK and TSFS you only ever see one panel extended at a time instead of both.
 
Actually those spacesuited figures are all servo-activated with lots of joint motion built into them, kind of an electric version of the puppet stuff Apogee did later for LIFEFORCE.

Oops I stand corrected.
Either way though they aren't used to show walking, which is a motion that is very hard to get right with marionettes. So it still lends credence to the fact the saucer shot was done with the actors from way high up in the rafters of the soundstage, not puppets on a scale model.

The guy doing the backflip on the dock looks really good though, I've always thought that was probably live-action. Trumbull did have the suits for the live-action and a control arm pole that went into one of them set up so he could flip a person and control him like the performer was a mo-con miniature.
According to Doug Drexler, there was a very large puppet of a person (2 feet tall) in a space suit. That apparently was used for the flipping dude over Epsilon 9. It also had a Kirk head in the suite at one point, Andy Probert repainted it later on to look like himself for fun, as well as the color scheme of the suit itself (from orange to beige).
https://web.archive.org/web/2012101...press.com/2009/03/06/tmp-spacesuit-pictorial/


The backflip guy is a guy - he's on an enlarged "beam" from the Drydock. I've seen the pictures.

And he's really good, he keeps showing off in the next movie!
 
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