Orci, Kurtzman and Lindelof should not Return.

Discussion in 'Star Trek Movies: Kelvin Universe' started by Cara007, Nov 1, 2013.

  1. BillJ

    BillJ The King of Kings Premium Member

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    By that standard every Star Trek movie needs to be seven hours long and every episode three.

    I'm just wondering when some Star Trek fans started needing everything spoon fed to them?

    Because once you get back to Earth, you actually have other factors to deal with like the Earth government, the media and so on. By destroying the Enterprise before she ever makes it to Earth, he can control the flow of information. He was going to destroy them near the Neutral Zone, but they took off before that could happen.
     
  2. Jeyl

    Jeyl Commodore Commodore

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    If it wasn't secret, why does Scotty, a character who happens to know about the Enterprise even before her first mission is so shocked at the sight of it? If the Vengeance isn't secret, why is it being built at a secret location around Jupiter? And if the ship was built years ago, why does Khan say he designed it and that it's designated as a Dreadnaught class as though it was the first time the ship was ever brought up? If it's not a secret ship, shouldn't someone be able to pull up the schematics of it like Spock Prime did with the NuEnterprise schematics onboard that torn up shuttle on Delta Vega?
     
  3. SeerSGB

    SeerSGB Admiral Admiral

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    Why did Leyton order the Defiant destroyed on the way to Earth just cause they had captured one his spies? He seem to have had plenty of support within Starfleet to stage his take over?

    Cause you don't let the truth get out--support or not. You don't want, and--if you can help it-- you don't allow people to ask questions--supporter or not. Plus, even his supporters might have balked at Marcus using Khan or trying to start a deliberate war with the Klingons. Build up for a possible war? Fine. Actually start the war? Different story. Use an Augment, the most diabolical and superior of the bunch? Hell no.

    - Scotty wasn't expecting to find a secret spacedock where he did, much less one with a Starfleet ship being built. As for why build it secret: Cause it's black ops. Officially: Hide it from the Klingons; unofficially keep it off the "official" record.

    - Vengeance could have started it's life as an off-the-shelf build and between Khan and Marcus the ship became something different than the official specs. The modifications probably aren't in the official record.

    - Khan probably revised and dialed in a lot of the changes. But most of what he did was probably get the ship to the specs he wanted.
     
    Last edited: Nov 13, 2013
  4. BillJ

    BillJ The King of Kings Premium Member

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    Whose to say Scotty didn't know about the Vengeance program prior to its subversion by Marcus? Seeing something on paper and up-close and in person are two distinct things. Plus, since the Vengeance wasn't yet in service, its schematics may require security clearances that our crew simply don't have.

    So much of this stuff is common sense I'm not sure why anyone would need it spelled out in the movie itself?
     
  5. Kemaiku

    Kemaiku Admiral Admiral

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    There is likely a USS Dreadnought looking rather more normal in terms of the hull colouring and with full legit markings being built with less weapons at the Utopia Plantia, or another facility.

    Vengeance, unmarked and stealth toned, with large blister weapon sets, was going to look very 'off' to Scotty when he saw it.

    The Dreadnought might even be further behind in construction with the Vengeance being given priority by Marcus. Everyone else would be expecting the class to role out months or even a year or more away.

    Heck, we could see Dreadnought in the next movie.
     
  6. SeerSGB

    SeerSGB Admiral Admiral

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    And we're forgetting: Carol knew the basics of what Marcus was developing, that he had been designing a super ship.
     
  7. MakeshiftPython

    MakeshiftPython Commodore Commodore

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    It wouldn't need to take seven hours just to explain why Starfleet didn't do anything when two ships were combating on their front lawn, especially when it became clear both the Enterprise and Vengeance had become crippled to the point of being pulled into the Earth's atmosphere.

    "Don't bother, Marcus obviously has everything under control. We'll just see how things play out."

    *Vengeance crashes into San Fransisco*

    "Oh."

    I think a simple "I informed Starfleet that you're a terrorist that needs to be taken out for blah blah blah" would have sufficed. Quick, simple, informative and puts aside any questions for those who are taken aback by the events. Heck, at least that would have been something. Resorting to "it's just common sense" comes off like saying "no no, there's nothing wrong with the film, there's something wrong with YOU for not figuring it out." I do agree with the sentiment of not wanting to be spoon fed every information, but that doesn't seem to apply here since there's little info to go by beyond "he's a top admiral, look over there, a rabbit!". Go ahead and buy what hacks like Orci, Kurtzman and Lindelof sell, I'm not.
     
  8. BillJ

    BillJ The King of Kings Premium Member

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    But he does explain exactly his reasoning for destroying the Enterprise. Does it really take that huge of a leap to think that he was already in contact with Starfleet?

    The writing of the film suffers in two areas for me: the transition from John Harrison to Khan and the explanation for the torpedoes is really rough and both could've used more time in the writers' room.
     
  9. SeerSGB

    SeerSGB Admiral Admiral

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    Then I guess every Trek writer that employed the same trope is a hack?

    Yeah, he's pretty formal and sounds on the record when he gives that order.

    John Harrison: I wouldn't have made him Khan. But, I don't know what the word from on high was in regards to what and who had to be in the movie storywise.

    Torpedoes: I would have kept the torps, but taken out Khan's people and loaded them onto the Vengeance in cryo, with Marcus using them as a human shield in case Khan got loose. Same disclaimer as above: If I had to have Khan, I would have moved the reveal to when he's captured the Vengance.
     
  10. MakeshiftPython

    MakeshiftPython Commodore Commodore

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    You could make that assumption, but that's all it would be, and having a throwaway line like the one I suggest wouldn't be time consuming and would at least temper the absurdity of the whole affair.

    It's too bad four years wasn't enough for these geniuses.

    Please, just because writers made mistakes in the past doesn't mean I'm gonna give them a pass. At least with Leyton it backfired because people started to see the holes in his scheme. Unless Starfleet was run exclusively by robots, it's hard to believe all of what happened in the climax would have happened without someone getting wise, especially once the Vengeance and Enterprise started falling towards Earth. That should have immediately called for some kind of response.

    Lindelof took credit for pushing his "Khan must be used, he's The Joker of the Star Trek franchise", so it's him deserves that credit (blame).
     
  11. Jeyl

    Jeyl Commodore Commodore

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    One could argue that by trying to justify everything that happens in a movie that doesn't make sense is the same as choosing to ignore the apparent flaws in the actual writing. I realize that some would prefer to go into movies with their brain turned off, and for movies that are made that way it's fine. But when a movie like STID literally gives you details about things and than subsequently shifts gears without any explanation or reason, I'm going to call your writing bad.
     
  12. BillJ

    BillJ The King of Kings Premium Member

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    That kind of works under the assumption they worked on the screenplay for four years (which they didn't since it was only four years between the two films) and that the studio and Abrams accepted the script exactly as they turned it in with no changes.

    I don't need to insult anyone involved in the production, either the movie works for me or it doesn't. If it doesn't I go on to something else I enjoy.
     
  13. Cara007

    Cara007 Lieutenant

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    Radom guy found this post from trekmovie:

    Roberto Orci . Filmography ( Abrams movies not included)

    As writer

    Legend of zorro. 26% in rottentomatoes
    The island 40%
    Transformers 57%
    Transformers 2 20%
    Cowboy and aliens 57%

    As producer

    Now you see me 50%
    Eagle eye 26%
    Ender 60%
    And right now, Orci is the main writer producer for ST 2016.

    So, a good anniversary trek movie is a fool dream, if trek has not a new producers and writers , and it has not.
    ===============================================

    I can not agree more with this random user. Now that JJ is gone. We all should be worried and like most people have pointed out . A trek film can not survive at the box office with poor ratings. It is not Star Wars or The Hobbit.
     
    Last edited: Nov 13, 2013
  14. Kemaiku

    Kemaiku Admiral Admiral

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    Which has nothing to actually do with the discussion, but then you never intended to have one.
     
  15. SeerSGB

    SeerSGB Admiral Admiral

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    Historically (in terms of the franchise's writing), Starfleet hasn't been the brightest bulbs in the box when it comes their Admirals turning out to be bastards. Nor seeming to care if they are. It always boils down to our hero being the lone voice of reason and dissent and standing up against the desk jockeys.

    The trope is the trope for a reason: Cause Trek has a habit of putting the needs of the plot and action over the need for a realistic outcome. Either's it's a problem every time Trek has done it, or it's just a problem this time cause you don't like the writing staff.

    At it's worse, STID is a very average, typical, by the numbers Star Trek movie. Its sins not greater or newer that what's come before.

    I'd actually be interested in seeing the screenplay evolution for this one. From 1st to shooting. From about the 3rd act on, it seems like two movies were written, and then blended together. Meaning, it feels like they had a sequel in mind or was developing, and then cored and compressed to make the final act of STID.
     
    Last edited: Nov 13, 2013
  16. BillJ

    BillJ The King of Kings Premium Member

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    What poor ratings? According to Rotten Tomatoes, 89% liked Star Trek 2009 and 90% liked Star Trek Into Darkness.

    Everyone acts like Orci and Kurtzman are responsible for every flaw in this film. But if they are responsible for every flaw then they also had a huge hand in its success.
     
  17. Sindatur

    Sindatur The Gray Owl Wizard Admiral

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    But...JarJar and The Binkses ;)

    Yea, funny how some folks will tell you you're apologist for stating that or say "just because every ST movie has done that, doesn't excuse Abrams/Orci/Kurtzman doing it, and then go right on droning on and on about stuff every single Trek movie has done, as if Abrams Trek is the first time.
     
  18. Cara007

    Cara007 Lieutenant

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    I always had this feeling in my heart that the main reason why the trek films scored so high with critics was because of JJ Abrams. Now that he is gone, I do think trouble is ahead.

    Bob and his friends films have never done well with critics whenever JJ is not the director of their films. I always knew this is my heart and now a trek follower has confirmed my long going suspicions. This is one of the main reasons why I do not want Bob and his friends to return if JJ is not retuning as the director.
     
  19. BillJ

    BillJ The King of Kings Premium Member

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    Those weren't critic scores, those were audience scores.

    Plus, Abrams will still be involved in the next film as he is already signed to produce and he isn't going to let a shitty Trek film get to the public from his Bad Robot production company.
     
  20. SeerSGB

    SeerSGB Admiral Admiral

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    My biggest complaint with both of the new movies is that once you strip away the visuals and acting, just get to the brass tacks of the scripts and stories: They're standard issue Trek movies. They're very typical for what Trek movies are. It's a good thing and bad thing.

    It's good cause they're staying true to the tone and feel of the franchise: these movies are Star Trek; just Star Trek made by a new generation with their own style and look driven by their pop-culture, their life experiences. In the way that TOS reflected the experiences and culture of the 1960s, the new Star Trek reflects the 21st century.

    Bad cause it would be nice for them to say "fuck you" (no pun) and really do a balls to the wall wholesale slaughter and reboot of the franchise.