


"The High Ground" represents Melinda Snodgrass' fourth and final venture in writing for Star Trek: The Next Generation, and for someone who brought us "The Measure of a Man", it's a very unfortunate departure to say the least. According to Melinda, this episode was conceived to be an "American Revolution" like story with Picard, trying to keep a planet within the Federation, realizes that his actions are more in line with an oppressor that this planet wants to get away from. Unfortunately the show's producers thought that TNG needed more action oriented episodes so they told Melinda to drop her premise and come up with an action story involving terrorists. I think you can tell how this was going to be problematic. For one thing, if you look at Melinda's Star Trek resumé, action is clearly not her area of expertise and this episode is clearly not something she wanted to write.
Our episode opens with Beverly, Data and Worf enjoying the sights on Rutia Four when a bomb explodes in their immediate area, and it doesn't take long till we see first hand how problematic this episode is going to get. Beverly, jumping into her "I'm so tough!" mode, decides to treat the bomb victims despite protests from both Worf, Data, AND Picard. To make this matter even more ridiculous, Crusher says that she is trying to treat the injured with little to no medical supplies or medical assistance. Now if the situation didn't have the Enterprise in orbit and the away team were on their own, I would understand Crusher's motivation to stay and treat the injured. The problem here is that the Enterprise is in orbit and is fully capable of beaming the away team up and no one thinks to just beam everyone, including the injured, onboard the Enterprise where there are medical supplies and other physicians! Now remember, beaming the injured up to the Enterprise wouldn't be violating anything that the Enterprise isn't already doing with Rutia Four, since Picard clearly stated in his log, "The Enterprise has put in at Rutia Four to deliver medical supplies following an outbreak of violent protests." So if there was some Prime Directive issue about not getting involved with a culture's political problems that are turning violent, they shouldn't be there delivering medical supplies to begin with. Oh, a teleporting terrorists appears, kills a cop, and teleports away with a kidnapped Beverly. Things are already off to a horrible start.
I think now would be a good time to talk about TNG action stories in general. Action episodes in TNG are usually hit and miss at best, with one of the big issues being that they're usually confined to the Enterprise sets. This is problematic since if your going to place the action on the Enterprise, you have to depict your bad guys as being capable of fighting onboard a Starship that should technically be capable of dealing with them all on it's own. "Heart of Glory" showed two Klingons managing to escape their cell with one of them making it all the way to engineering, and last week's episode "The Hunted" showed an alien soldier who, despite not knowing ANYTHING about the Enterprise, managed to pretty much turn the entire ship inside out, cripple it's systems, set booby traps with phasers he's unfamiliar with, defeat every person he came across and still somehow managing to escape. If this sort of thing happens too often, you'll end up with a ship that is so capable of being taken over that it makes the whole crew look like incompetent imbeciles for even thinking that their ship can protect them from anything. And we're not even at the episode where everyone gets taken out by an unarmed Ferengi.
So we have our action scene taking place on the Enterprise where the terrorists outright murder unarmed officers in the freaking hallways. Their plan is to actually blow up the Enterprise by planting a bomb on the warp core. Thankfully Geordi is successful at removing it, but Finn on the other hand teleports onto the bridge and we get a moment that is so mind-bogglingly "WTF?" that there was no way not to use it as this episode's Stinger. Picard literally turns towards Finn, punches him so hard that Finn falls down, and Picard leaps on top of him to continue the struggle. I... I'm at a loss for words. Now I'm not saying this is out of character, but the way he just goes at Finn is totally not something you'd expect to see from someone who takes delight in not getting involved in hostile conflicts.
So Picard is now captured, he rightfully berates Beverly for disobeying his orders and a fight ensues. Finn, with his disruptor pointed at Picard, is shot by one of the planet's security guards and Finn is now a certified Martyr. There's also some bit where a boy could have killed the guard who killed Finn, but he decides not to so we get out "violence ends blah blah blah" schtick so that this episode doesn't leave without some moral conclusion.
Conclusion:
Nothing works in this episode. Our heroes needlessly put themselves in danger, the villains are murderous psychos that the episode tries in vein to paint as sympathetic and the resolution feels forced and uninvolved. While this is Melinda Snodgrass last episode where she's credited as a writer, I don't think it's the episode that caused her to leave the series.
Stinger:
