What's Abrams trying to say when the Japanese guy brings a sword to a laser gun fight?
That he was specifically ordered to?
What's Abrams trying to say when the Japanese guy brings a sword to a laser gun fight?
What's Abrams trying to say when the Japanese guy brings a sword to a laser gun fight?
That he was specifically ordered to?
What's Abrams trying to say when the Japanese guy brings a sword to a laser gun fight?
That he was specifically ordered to?
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
You're raising an interesting point here, because that's exactly how Abrams' mind works: everything in his movie is a platonic ideal. What Abrams really means is that all Japanese guys fight with ninja swords, all women are phone operators, all doctors are divorced and all people born in space have blue eyes.
Armor? He, Kirk and the redshirt were wearing the same thing.Asian guy whips out a sword and he's automatically a Samurai?
It's a folding sword similar to what Samurai used, and his armour seemed to be a bit Samurai inspired. To me anyway. Or maybe I'm seeing what I want to to support my argument, I am a Trek fan on the internet.
Also, did Prime Sulu have any actual fencing training? My understanding was The Naked Now made him act like the adventurer he always fantasized about being, not that he actually was trained in fencing or sword skills at all.
A call back to the very episode you're thinking of.So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
But they were.Although in Code of Honor's defense, the aliens were never originally supposed to be portrayed by only black actors.
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
You're raising an interesting point here, because that's exactly how Abrams' mind works: everything in his movie is a platonic ideal. What Abrams really means is that all Japanese guys fight with ninja swords, all women are phone operators, all doctors are divorced and all people born in space have blue eyes.
My point exactly. Abrams is a close-minded fool who only caters to sterotypes.
Hell, I don't know what's more offensive, catering to the sterotype that all green girls are sluts, or not getting an actual green girl for the part. Yeah, that's right, Uhura's roommmate was a white girl in greenface!
Let's have no name-calling aimed at other posters, please; there's a rule about that. It ought to be obvious that Wormhole isn't being completely serious anyway.You're raising an interesting point here, because that's exactly how Abrams' mind works: everything in his movie is a platonic ideal. What Abrams really means is that all Japanese guys fight with ninja swords, all women are phone operators, all doctors are divorced and all people born in space have blue eyes.
My point exactly. Abrams is a close-minded fool who only caters to sterotypes.
Hell, I don't know what's more offensive, catering to the sterotype that all green girls are sluts, or not getting an actual green girl for the part. Yeah, that's right, Uhura's roommmate was a white girl in greenface!
Hmm, seems more like you're the close-minded fool who believes that stereotyping exists where a large portion of this board, and I do mean a very large portion, believe otherwise.
It's interesting that these arguments are still happening after four years, kinda proves the effectiveness of Abrams Trek in reinvigorating the franchise!
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
You're raising an interesting point here, because that's exactly how Abrams' mind works: everything in his movie is a platonic ideal. What Abrams really means is that all Japanese guys fight with ninja swords, all women are phone operators, all doctors are divorced and all people born in space have blue eyes.
My point exactly. Abrams is a close-minded fool who only caters to sterotypes.
So what's Abrams trying to say when the Japanese guy is ordered to fight with a sword?
You're raising an interesting point here, because that's exactly how Abrams' mind works: everything in his movie is a platonic ideal. What Abrams really means is that all Japanese guys fight with ninja swords, all women are phone operators, all doctors are divorced and all people born in space have blue eyes.
My point exactly. Abrams is a close-minded fool who only caters to sterotypes.
Hell, I don't know what's more offensive, catering to the sterotype that all green girls are sluts, or not getting an actual green girl for the part. Yeah, that's right, Uhura's roommmate was a white girl in greenface!
At this point you're just randomly shuffling the same keywords, aren't you?The characters in Abrams Trek are very broad but that's just his approach. Everything is louder, including the characterisation.
I have a dream that one day Star Trek in film will be a science-fiction series about exploring the unknown or the human condition. Catering to the lowest common denominator with a vengeful villain in a fucking black trenchcoat going on a rampage is less my kinda thing. It's treating the audience like they're stupid. Which the target audience is, but I'd like Trek to aim higher.
The characters in Abrams Trek are very broad but that's just his approach. Everything is louder, including the characterisation.
I have a dream that one day Star Trek in film will be a science-fiction series about exploring the unknown or the human condition. Catering to the lowest common denominator with a vengeful villain in a fucking black trenchcoat going on a rampage is less my kinda thing. It's treating the audience like they're stupid. Which the target audience is, but I'd like Trek to aim higher.
The opening of the film sounds more like Star Trek than anything in the rest of the movie.
I hope so too. Sadly, I looked at the teaser trailer for Abrams Trek III and it looks like more of the same.
*Paramount Logo*
*Kirk is looking solemn while Pike conducts another boring, incomprehensible rant*
Pike: You have honour. But you lack disicipline. Your father was a great fighter, and in the field of battle.. the fence is always open.
*Shot of a ship exploding*
*Uhura is giving Spock a blowjob in the turbo-lift*
*Shot of a planet exploding*
*Shot of a building exploding*
*A woman screams in slow motion*
*Scotty pulls a face to humour the thick people in the audience*
Scotty: AH CANNAE TAKE EET ANY MORE CAPTAIN!
*Scotty proceeds to fall over*
*The Enterprise crashes in to a duck pond*
*One-dimensional Vengeful Villain appears in a room pitch-black yet full of lens-flare*
Vengeful Villain: BLOW THEM ALL OUT OF THE SKY!
*Title and release date*
That's the approach I prefer. Stories driven by ideas and not action. I'm in the minority but I refuse to be spat on for it.
DalekJim said:I have a dream that one day Star Trek in film will be a science-fiction series about exploring the unknown or the human condition. Catering to the lowest common denominator with a vengeful villain in a fucking black trenchcoat going on a rampage is less my kinda thing. It's treating the audience like they're stupid. Which the target audience is, but I'd like Trek to aim higher.
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