Quark once said to Leeta something along the lines of, "Of course you have brains. That's why I hired you. Now take your brains back to the dabo table where the customers can see them." 



Peter wasn't interested in her until he met her. It wasn't that he fell in love with her looks he fell in love with HER. Just because she happened to be gorgeous doesn't make him shallow.
Lol. Yeah I'm sure that's what every guy says who's dating a sexy supermodel. He fell in love with her brain.![]()
Chris Cooper has signed on to play Noman Osborn in Marc Webb's The Amazing Spider-Man 2 for Columbia Pictures.
So I have no trouble believing that Peter fell for MJ for her personality rather than her looks. Especially since we literally saw that on the page. At first, Peter was attracted to MJ but only loved Gwen, and found MJ too flighty and shallow to be really worth his while. But after Gwen died, MJ revealed unexpected depth and kindness when she stayed to comfort him, and it was that emotional connection that was the real beginning of their relationship.
Why is Ginny Weasley in Amazing Spiderman?
Chris Cooper has signed on to play Noman Osborn in Marc Webb's The Amazing Spider-Man 2 for Columbia Pictures.
I might be able to buy that if the character in the comics didn't seem to spend most of her time lounging around in Peter's apartment, in nothing but her underwear.
She's certainly never been portrayed as a ditz, but I don't see her being all that deep or complex either.
Well Chris - I think you kinda missed the point some of us were on - if they're going for a 616ish style MJ, they kinda dropped it - her whole thing is this vivacious "Face it Tiger, you hit the jackpot!" kind of girl.
Although if they were really going for an Ultimate Spider-Man inspired movie - then Gwen should have been far more "punk" than the classier Gwen we've got in Emma Stone.
But that's not what I'm talking about. I'm saying that we can see right there in the actual comics that Peter Parker fell in love with her because of her kindness, her willingness to stick with him through hardship, and the like. It's not about rating her looks or her IQ on a numerical scale, it's about the bonds that form between two people through their shared experience and emotional ties. Of course she looked hot and sexy; most characters in visually oriented fiction do, so it doesn't really mean that much in context, especially when the writers surround Peter with lots of other gorgeous love interests like Gwen and the Black Cat and Glory Grant, not to mention all the gorgeous, scantily clad superheroines he works alongside. What matters is the stories, the interaction between the characters. The stories clearly show that Peter and MJ's relationship is about shared experience and commitment and trust, about their mutual support for one another. Which is not to say it hasn't been a turbulent relationship; there were a couple of times when she left him. And the fact that they were able to work through that and reunite (up until the idiocy of "One More Day") shows how much substance their was to their relationship, beyond the superficial factor of how she looked.
I said this elsewhere, but there have actually been very few instances in adapted, non-literature media where MJ has been portrayed as the 'hot model chick'.
In fact, the only instance I can think of off the top of my head is the 1994 FOX cartoon.
And we have a new Norman Osborn
Chris Cooper has signed on to play Noman Osborn in Marc Webb's The Amazing Spider-Man 2 for Columbia Pictures.
http://www.hollywoodreporter.com/heat-vision/amazing-spider-man-chris-cooper-424874
Why would they draw everything from a single source? We've had decades' worth of comics adaptations on TV and film that have drawn from multiple sources. The previous Marvel movies have often drawn on a mix of 616 and Ultimate antecedents -- like the Raimi movies using a genetic-engineering origin for Spidey's powers but recreating Lee and Ditko's J. Jonah Jameson almost perfectly. Batman: The Animated Series drew on both pre-Crisis and post-Crisis elements and storylines. And so on. By now it should be perfectly clear that adaptations can draw on anything from the source material. It's not about copying any pre-existing continuity, it's about creating a new interpretation of the characters and their world. So anything that came before, regardless of what continuity it came from, is fair game.
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