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The OFFICIAL STNG-R general discussion thread!

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Well, for me, that shot from "Datalore" changes my understanding of Federation shields. I always thought that starships were protected within one shield 'bubble'; now, it appears that starships were protected by two shield 'bubbles'.
 
Law & Order is another TV show that now appears on TV in HD and a "true" 16:9 ratio, right back as far as the first season as far as I can tell, which is pretty surprising as it started in what, 1990?
The DVDs are only in 16x9 going back to season five (1994-95). I'd assumed they simply hadn't protected for widescreen before that point, though I guess it's possible that they did & Universal Home Video didn't bother making new transfers.

Looks great in the couple of episodes I've seen, not sure if it suffers from the same issues as the Friends screencaps above though.
Not that I've noticed. Interestingly enough, even though the captions are constrained to the 4x3 frame, the action isn't. I think it looks better in widescreen.
 
Almost certainly alone on this one, but its something that, once you notice, you can't "un-notice" sadly.

You aren't! While I'm not angry about it or anything, I too tend to notice the absence of the charge pulse because I always loved - it certainly greatly increases the "cool factor" of seeing the phasers in action.
 
What's the charge pulse? The *wheeee* thing on the phaser strip before the beam was fired? Was that ever missing when the Enteprise fired her phasers, it really belongs there, I can't imagine the phasers without it.
 
What's the charge pulse? The *wheeee* thing on the phaser strip before the beam was fired? Was that ever missing when the Enteprise fired her phasers, it really belongs there, I can't imagine the phasers without it.

The phaser energy runs "orange" along the length of the array, from either end, and then meets at the point where the beam is fired from.

*Dick Valentine and Sho are definitely not alone in liking that effect.
 
I can only speculate that sometimes they left it out because having it tends to increase the shot length and sometimes that might interfere with the editing dynamics of a sequence.
 
cut negative TV series and Trek 16:9

Law & Order is another TV show that now appears on TV in HD and a "true" 16:9 ratio, right back as far as the first season as far as I can tell, which is pretty surprising as it started in what, 1990?
The DVDs are only in 16x9 going back to season five (1994-95). I'd assumed they simply hadn't protected for widescreen before that point, though I guess it's possible that they did & Universal Home Video didn't bother making new transfers.
"NYPD Blue" always had a cut negative for that show just like "ER" did. "ER" retelecined to HD before they put out 16:9 DVDs of "ER" in 2003. Just like Trek's TOS was an easy telecine to HD (with the original Visual effects).
"ER" started in 1994 and "NYPD Blue" started in 1994. They never put out widescreen DVDs of the first 4 seasons of NYPD Blue. No other seasons were released.

"ER" aired on TNTHD in reruns after 2003 and it's all in 16:9 HD (not zoomed in). They protected for 16:9 during production.
 
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some actual info on the telecine of the original camera negatives
The project's film transfer technician, Wade Felker, sifted through countless cans of film negative to follow the original intent of the cinematographers and meet their vision. The episodes are finished at a resolution of 1080i.

Season 2 special feature!
Season Two will be released in 2013, featuring an entirely new seventy-five minute roundtable interview with the TNG cast.


source
http://io9.com/5925477/a-behind+the+scenes-look-at-star-trek-the-next-generation-on-blu+ray
 
2013...I was hoping for Christmas

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I'm not sure how reliable that article is. It seems to be a write-up of the SDCC panel, but this quote specifically is definitely wrong:

The remastering process featured zero CGI edits to special effects shots.
 
Has it ever been mentioned what they are doing with the audio? I mean, are they laying everything down from scratch again, dialogue, effects, music, etc, or just remixing the existing final tracks (probably the same ones originally remixed into 5.1 for the DVDs)?

I suspect the latter given the effort it would take to track down every sound effect, looped ADR, etc, but haven't really seen the audio mentioned much.
 
I seriously doubt that's right. CBS won't want to miss the opportunity to release the second season before the holidays. Furthermore, we know they're halfway through season 2 in the remastering process so they are on track for a 2012 release.
 
Regarding the audio, they've stated it's being mixed for 7.1 surround, but I haven't heard how exactly they're doing it. I would imagine that if they're completely recompositing the sound they'd have made a bigger deal about it. My guess is they're using the 5.1, remixing it and tweaking it as needed
 
Has it ever been mentioned what they are doing with the audio? I mean, are they laying everything down from scratch again, dialogue, effects, music, etc, or just remixing the existing final tracks (probably the same ones originally remixed into 5.1 for the DVDs)?

I suspect the latter given the effort it would take to track down every sound effect, looped ADR, etc, but haven't really seen the audio mentioned much.
I think they are rebuilding from scratch for the 7.1 surround sound mix, but I'm not sure about the stereo mix.
 
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