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Debunking TOS exceptionalism

Indeed, Star Trek was taking its cues from shows like Twilight Zone and current adult dramas , not children's SF. One of Roddenberry's goals was to create an adult drama with a SF setting.



I'm sorry to go off topic but nerys Myk, your avatar is incredibly cool. Did you make it, and are there others like it?
I made it. I did a few others with Korax, Koloth, Mara and Kras, but Kang was the best so I made it an avatar. I also placed Arne Darvin in TOS make up. Tried to do Kor but was never satisfied with the results.

Those are great. Mind if I steal them? I might use them for my avatar one of these days.
 
There's no teleportation in Forbidden Planet, but there is a "D/C" platform aboard C-57D that looks a good deal like the Enterprise's transporter room. It does something to the crew that protects them during deceleration from FTL, but exactly what isn't explained - it looks like it's converting them to energy beams.

Yep looks like i really did your your feelings.

Its people like you that give trek fans the bad image that they sometimes get.

Pot meet kettle.

I always thought it was just wrapping them in a force field so they didn't get squished.
That's what it's always looked like to me also.
 
The question breaks down to a number of different interpretations.

Was it exceptional sci fi? Perhaps not.

Was it exceptional entertainment? Assuredly.

Is it exceptional in being the only radio or television series to inspire countless spin-offs across all media, including records, new series, books, movies, etc.?

You bet.

The original post is sort of a trolling note. None of us would be here 40 years after launch if it were not exceptional.
 
The original post is sort of a trolling note. None of us would be here 40 years after launch if it were not exceptional.
No, it's a fair question. I doubt anything will be really proved, but it's a good question to stimulate discussion.

One could say that Star Trek didn't originate any one idea within it, but the way it used those ideas in concert together was novel and unconventional.
 
I'm sorry to go off topic but nerys Myk, your avatar is incredibly cool. Did you make it, and are there others like it?
I made it. I did a few others with Korax, Koloth, Mara and Kras, but Kang was the best so I made it an avatar. I also placed Arne Darvin in TOS make up. Tried to do Kor but was never satisfied with the results.

Those are great. Mind if I steal them? I might use them for my avatar one of these days.
Take them with my blessing, RandyS.
 
I'm sorry to go off topic but nerys Myk, your avatar is incredibly cool. Did you make it, and are there others like it?
I made it. I did a few others with Korax, Koloth, Mara and Kras, but Kang was the best so I made it an avatar. I also placed Arne Darvin in TOS make up. Tried to do Kor but was never satisfied with the results.

Those are great. Mind if I steal them? I might use them for my avatar one of these days.

As a courtesy, you might want to credit Nerys Myk in your sig.
 
There's no teleportation in Forbidden Planet, but there is a "D/C" platform aboard C-57D that looks a good deal like the Enterprise's transporter room. It does something to the crew that protects them during deceleration from FTL, but exactly what isn't explained - it looks like it's converting them to energy beams.
I always thought it was just wrapping them in a force field so they didn't get squished.
That's what it's always looked like to me also.
Except that the crew disappear while in the beams. They visibly fade out (watch the shoulders which protrude beyond the beams).
 
I always thought it was just wrapping them in a force field so they didn't get squished.
That's what it's always looked like to me also.
Except that the crew disappear while in the beams. They visibly fade out (watch the shoulders which protrude beyond the beams).

I think that is just a limitation of the special effects process they used. They got in them when the ship decelerated. The intent seems kind of obvious. Making them turn into energy doesn't even make sense.
 
The original post is sort of a trolling note. None of us would be here 40 years after launch if it were not exceptional.


I don't think the OP was trolling. Nobody was saying that TOS isn't an outstanding show. The OP (as I understood him or her) was just pointing out the genuine tendency on the part of some fans to rewrite history to make Trek even more exceptional that it actually was!

"Before Star Trek, there had never been anything intelligent or thought-provoking on TV! Star Trek changed television as we know it! The first multi-racial cast and kiss!"

And that's not a straw man. Not long ago, on this very board, I did nine rounds with a poster who absolutely refused to concede that any show, movie, or series was comparable to Trek--and who seemed positively offended when anyone dared to compare Trek to Planet of the Apes or Battlestar Galactica or whatever.

To me, "Star Trek exceptionalism" is all about treating Trek as though it exists on some higher plane, apart and unique from any other series, as opposed to being part of an ongoing continuum of cool sci-fi/pop cultural stuff . . .

(Says the guy who has written for every series under the sun!)
 
e]There is no functional difference between an unelected rabidly Islamist theocracy and an elected one; they both are clear and present dangers to world peace and stability.
Turkey is many things, but it is a bit of a stretch to call it either of those (or even a 'rabidly Islamist theocracy', even with the current ruling party and its revisions to the constitution).

Your so-called "democratic" Egypt under the MB? Read this AP article about what was said at a recent campaign rally by and on behalf of the MB's presidential contender...then tell me with a straight face that there's no danger from this "elected" government...

http://news.yahoo.com/presidential-bid-egypts-muslim-brotherhood-moves-harder-line-205012603.html
You mean, if presidential contenders say dangerous, stupid things, we are to consider the country threatening? By this logic the United States could have been indicted for Rick Santorum, Rick Perry, etc (cf in particular as a comparison for arguing for reinforcing Islamic law: Christian dominionists).

Give me a sitting President who says these things in office and an actual instituting of Islamic law, the abolition of the democratic process, etc. and then you'd have a point - there's a difference between the possibility that Egypt will become like Iran (which, yes, is a real concern) and the assertion that Egypt is already Iran.
 
OK guys, political discussion belongs elsewhere. I get enough of that crap on the 'net as it is. Talk Kirk, Spock and McCoy, dammit!
 
That's what it's always looked like to me also.
Except that the crew disappear while in the beams. They visibly fade out (watch the shoulders which protrude beyond the beams).

I think that is just a limitation of the special effects process they used. They got in them when the ship decelerated. The intent seems kind of obvious. Making them turn into energy doesn't even make sense.
I'm sorry, but given that it's a simple matte on still figures— far less complicated than other animation effects in the film—the idea that it's a limitation in the effects process doesn't hold water. The could easily have made the beams completely cover the figures had they chosen to. I'm not saying WHAT the effect is intended to be, but it does show the actors fade away and back again.
 
Except that the crew disappear while in the beams. They visibly fade out (watch the shoulders which protrude beyond the beams).

I think that is just a limitation of the special effects process they used. They got in them when the ship decelerated. The intent seems kind of obvious. Making them turn into energy doesn't even make sense.
I'm sorry, but given that it's a simple matte on still figures— far less complicated than other animation effects in the film—the idea that it's a limitation in the effects process doesn't hold water. The could easily have made the beams completely cover the figures had they chosen to. I'm not saying WHAT the effect is intended to be, but it does show the actors fade away and back again.

I've been following this discussion, and fail to see the point. What's the point of analyzing a special effect of a technology that doesn't exist?
 
I think that is just a limitation of the special effects process they used. They got in them when the ship decelerated. The intent seems kind of obvious. Making them turn into energy doesn't even make sense.
I'm sorry, but given that it's a simple matte on still figures— far less complicated than other animation effects in the film—the idea that it's a limitation in the effects process doesn't hold water. The could easily have made the beams completely cover the figures had they chosen to. I'm not saying WHAT the effect is intended to be, but it does show the actors fade away and back again.

I've been following this discussion, and fail to see the point. What's the point of analyzing a special effect of a technology that doesn't exist?
We were discussing what the film was intending to portray in that scene, and the effect is one element of that. Not so difficult to follow, really.
 
I'm sorry, but given that it's a simple matte on still figures— far less complicated than other animation effects in the film—the idea that it's a limitation in the effects process doesn't hold water. The could easily have made the beams completely cover the figures had they chosen to. I'm not saying WHAT the effect is intended to be, but it does show the actors fade away and back again.

I've been following this discussion, and fail to see the point. What's the point of analyzing a special effect of a technology that doesn't exist?
We were discussing what the film was intending to portray in that scene, and the effect is one element of that. Not so difficult to follow, really.

Well considering what they were doing in that scene, what makes more sense? Holding them in a force field or beaming them nowhere. They got in the tubes right before deceleration and got out right after.
here is a picture and Atomic Rocket's take on it
dcstation2.jpg


An example from the movie Forbidden Planet are the DC stations where the crew members are protected from the deceleration from hyperspace to normal space by stasis beams
http://www.projectrho.com/rocket/fasterlight.php
 
You have to admit, the device overhead and the pad that they are standing on, does LOOK like a transporter.

Maybe that's where Roddenberry stole ... err, plagiarized ... err, tribute to the writers ... err, accidentally got the idea from.

:)
 
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Well, it is documented that he screened the movie while he was working on "The Cage."

(I pulled this out of the Roddenberry papers at UCLA, but it's also quoted in David Alexander's hagiography, er, biography of Roddenberry, Star Trek Creator).

Desilu Productions Inc.
Inter-Departmental Communication
To: Herb Solow
CC: P. Guzman
From: Gene Roddenberry
Date: August 10, 1964
Subject: FORBIDDEN PLANET

You may recall we saw MGM’s “FORBIDDEN PLANET” with Oscar Katz some weeks ago. I think it would be interesting for Pato Guzman to take another very hard look at the spaceship, its configurations, controls, instrumentations, etc. while we are still sketching and planning our own. Can you suggest the best way? Run the film again, or would it be ethical to get a print of the film and have our people make stills from some of the appropriate frames? This latter would be the most helpful. Please understand, we have no intention of copying either interior or exterior of that ship. But a detailed look at it again would do much to stimulate our own thinking.

Also, would much appreciate it if you could provide me with a credit list on that picture, specifically the director, art director, special effects men, etc. Thank you.

GENE RODDENBERRY
 
I've been following this discussion, and fail to see the point. What's the point of analyzing a special effect of a technology that doesn't exist?
We were discussing what the film was intending to portray in that scene, and the effect is one element of that. Not so difficult to follow, really.

Well considering what they were doing in that scene, what makes more sense? Holding them in a force field or beaming them nowhere. They got in the tubes right before deceleration and got out right after.
here is a picture and Atomic Rocket's take on it
dcstation2.jpg


An example from the movie Forbidden Planet are the DC stations where the crew members are protected from the deceleration from hyperspace to normal space by stasis beams
http://www.projectrho.com/rocket/fasterlight.php
Again, then why dissolve out the actors (you can see right right through Leslie Nielsen there) instead of overlaying a beam on top of them?
 
We were discussing what the film was intending to portray in that scene, and the effect is one element of that. Not so difficult to follow, really.

Well considering what they were doing in that scene, what makes more sense? Holding them in a force field or beaming them nowhere. They got in the tubes right before deceleration and got out right after.
here is a picture and Atomic Rocket's take on it
dcstation2.jpg


An example from the movie Forbidden Planet are the DC stations where the crew members are protected from the deceleration from hyperspace to normal space by stasis beams
http://www.projectrho.com/rocket/fasterlight.php
Again, then why dissolve out the actors (you can see right right through Leslie Nielsen there) instead of overlaying a beam on top of them?
I can't see through him
 
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