I always found the herky-jerky camera movements of NYPD BLUE to be meaningless, not adding anything consistent to the plot of the show. It was as if they were trying to make it different than the HILL STREET look, but HILL STREET never had meaningless movement. NYPD BLUE just looked messier.
SAVING PRIVATE RYAN used the shakycam for excellent reasons, during its combat scenes as opposed to the quieter talkative moments. And because it was a success, virtually every action movie since GLADIATOR felt the need to borrow the effect......just as action movies stole THE MATRIX's bullet-time effects regardless of whether it even made sense to the plots. So those two films inadvertently spawned a host of cliches.
Still, wasn't LOST IN SPACE the first notable use of bullet-time,over a year before THE MATRIX?
SAVING PRIVATE RYAN used the shakycam for excellent reasons, during its combat scenes as opposed to the quieter talkative moments. And because it was a success, virtually every action movie since GLADIATOR felt the need to borrow the effect......just as action movies stole THE MATRIX's bullet-time effects regardless of whether it even made sense to the plots. So those two films inadvertently spawned a host of cliches.
Still, wasn't LOST IN SPACE the first notable use of bullet-time,over a year before THE MATRIX?
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