That would have been a far more interesting tv show! But then Voyager always failed to handle more than a few characters well. Sadly I think it would have been, in the hands of the creative team it had, just as unimaginative a show as Voyager usually was with its premise and characters.
I don't blame the creative team. [...] The problem is that UPN kept imposing limits on them, pushing for a simpler, more episodic approach and discouraging them from telling stories with lasting consequences, [...]. Since VGR was the linchpin of Paramount's brand-new network, the network execs were reluctant to take any risks with it and so they insisted on a rather conservative approach, one that wouldn't alienate casual viewers with overly complicated or involved storylines.
Perhaps that is explanative enough of the creation situation of the show, but I was under the impression that the studio would have been less restrictive as the seasons went on. Though he is biased by his bad experiences on the show, RDM wrote about the studio:
VOYAGER is given carte blanche by Paramount. That’s one of the great things about Paramount. Paramount left us alone. They always left us alone. They let NEXT GEN do whatever it wanted. God knows it let DEEP SPACE NINE do whatever we wanted. It lets VOYAGER do whatever it wants. The studio is not the problem here. The studio is going to let you go wherever you want to go, as long as they believe that this is quality, as long as they believe it’s good work.
[Bottom of Part V of the interview]
And I think it does not let off the hook good television brains who let themselves be limited, be it in the very mundane depiction of the DQ, or the blandness of the main characters (though arguably TNG had a bland set of characters too). I seem to remember Robert Beltran's continual complaints to magazines in the late 1990s about the show's management and writing, which suggest that there was an awareness of the show's failings and a lack of energy on the part of the crew and studio to experiment (beyond adding the Borg and 7 to the mix in a larger manner). [Bottom of Part V of the interview]
But as I said Voyager just was introverted compared to what else was on the box then, and what was artistically capable of being made, designed and told on 1990s television.
Because it was a boxing episode and I loathe boxing. Anything where people are actually encouraged to inflict incurable, cumulative brain damage on one another at the risk of crippling neurological problems or death is an obscenity. If boxers were required to wear head protection or avoid hitting above the neck, to have the kind of safeguards that are mandatory in most other sports, that would be different; but as it is, I think it's an outrage that it's even legal.
[...]the BSG episode (by Michael Taylor, who wrote the story for "The Fight") wholeheartedly and unapologetically embraced the violence and brutality of boxing and used it to underline petty character conflicts that I didn't respect and found tedious. It exemplified everything that turned me off about the show. [...] I don't remember many specifics about that episode and I don't want to.
That's fine Christopher, it explains your dislike well, though I had and continue to have different reactions to both the said episode and the issue depicted. I guess I do not believe the state should prevent an event in which all parties have agreed to take part freely, as such a situation would impinge upon free will and also the treacherous concept of human rights. My wife has similar views on violence in general, though she liked that episode whilst tolerating the sport itself.