The opening with George and Winona Kirk is one of the best written, performed and filmed sequences in Trek history.
Hm... I don't consider having George Kirk die because the autopilot fails good writing. That's on par with Nemesis "Auto destruct offline", "transporters offline" and "only one single fucking personal transporter thingy left" just so you have to
force Data to die.
Spock's death in TWOK on the other hand, that was well done. The Enterprise's warp drive was destroyed during Khan's first attack, and Scotty never got around repairing it in the short time they had.
It's a common trope/cliche in storytelling, especially in Trek. "OMG! The (fill in tech) has failed!!!! I'll have to go manual". Still, it was well scripted, performed and filmed.
Funny, I find Spock's death to be humorous because of the direction and Nimoy's performance. The dialog isn't bad though and Shatner did better the Nimoy in the scene. The Enterprise death scene in III had a bigger impact on me.
As a composer, The music was the best thing about the film to me, but I found that it wasn't too good either. The main theme basically fell apart upon relistening to it. The story fell apart as soon as I saw it though. I'm sure the acting was great for 150 million but I wasn't looking for that. Concept is king in Hollywood. they know that. They're just delusional is all. All of a sudden they think they are great sci fi writers. All of those bad Robot Lost people keystone cops sons of suits. You can have it. I'm guessing you like glitz and glamour then. If they out sourced the story, they might have a better shot at it but that'll never happen because of the name of the game - $$$$$$$$.
So you did see the whole film?
So how did the story "fall apart"?
So you don't look at acting in a film???? Good acting and direction can save a film with a weak script.
"Keystone cops sons of suit"? Once again I gotta ask, what does that even mean? Random phrases mashed together to sound deep, philosophical and writerly isn't working for you.
I like lots of things. Narrow minded thinking is too limiting. Some glitz and glamour here. Some mind blowing concept there. A little stark dialog driven film making here. Some SFX mind candy there. Some I can them all in one film.
Why would they "outsource" the story when they were hired specifically to
write a Star Trek film??? I doubt they think they are "great SciFi writers". I've never heard them make such a claim. Of course, even though some greats have written some Trek, being a SciFi writer, let alone a great one, has never been required to to write a good Trek film or episode.
I hope your music is better composed than your posts. Somehow the idea of a xortex score makes me think of cans tied to a dog's tail.
