Okay, I been puzzling over the long established observation - shared by many fans and N.N. herself - concerning the paltry use of the character, UHURA.
I agree.
This character is presented -on the whole - as the famous complaint goes - as:
1) An inter-galactic switchboard operator.
2) The one-line voice of the scared and/or confused female identity.
3) On screen eye-candy for the viewing horn-dogs
4) Musically inclined and socially interactive,.. very entertaining and comely while doing so.
So, I began to think, How would I, as STAR TREK's producer, have made changes to the format to make better use of this character on a recurring basis, and yet, not throw off the established primary character balance?
I came up with two possible changes.
The first change was related to the character of Dr. McCoy.
Predominant In the earlier episodes, KIRK and McCOY shared a relationship wherein KIRK is able to voice - for the viewer - his inner doubts, concerns, reflections, insecurities, questions, etc., during these 'in two' conversations.
STAR TREK, slowly dropped these scenes from the format by-in-large, and developed the McCoy harassing SPOCK exchanges in its place,... which made for some of the best TREK moments.
But couldn't we have had both?
Would it have been plausible to use the character of UHURA to serve as the sounding-board for KIRK's inner conflicts?
What do you think?
After all, STAR TREK wasn't using the McCOY character in that way any longer,... by doing so, nothing would have been 'taken away' from McCOY and given to UHURA, as these types of scenes and character explorations had basically been dropped altogether.
Why? I don't know,... to give BELE more time to chase LOKI around the ships corridors? To make way for more in-your-face 'Social Indoctrination' speeches?
In Hollywood, you have to be ENTERTAINING, and sadly, most average people prefer Checkers to Chess; but I would have gone for a nice compromise of Backgammon,... yeah.
I think the "voicing the inner-conflict" scenes were critical to the important message of STAR TREK, and their removal from the format of the show - In my own opinion - weakened the quality of the show more than any instance of over-acting or
cheesey episode premise.
Okay,.. moving to the next idea.
First off, Mr. SCOTT is one of my favorite characters too, so hear me out,.... and remember my heredity is Scottish as well, so do not think I am being unfair here,... as I take so much personal pride every time SCOTT does,...hmmm,... basically anything.
SCOTT, who also suffered from perceived under-use, actually made out much better than the UHURA character.
As his character had:
1) Engineering, the entire set as his domain, and Laird of this Barony,... and later even gets his own special 'Scotty's Tree House',... if you count the upper-level which they added later. "On the Bonnie, Bonnie Banks of Loch Lomond"
2) Bridge Station, keeping him in the locust of the action when the Engine Room wasn't blowing up.
3) Transporter Room - First and Last guy the landing party sees and talks to,... when SCOTT himself is not in the part of the story taking place planet-side.
4) The 'Jefferies' Tubes,... wow, SCOTT even has a special
hidey-hole for very own 'in two' scenes.
So, my buddy made out really well!, and I am glad for it,... he is great!
BUT THEN,
He also gets made the Head Honcho of Security in some episodes,...
NOW, could not the producers made UHURA the on-going CHIEF-OF-SECURITY?
Why not?
1) SPOCK had two jobs.
2) SCOTTY had enough jobs, and sets.
3) They brought in various bit players to take the Security Chief job when SCOTTY wasn't playing it.
4) Ever watch an episode called, 'MIRROR, MIRROR'?,... she moved like a panther when she had a phaser in her hand.
5) What 220 lb Red Shirted lug isn't going to be love jumping to the authoritative directives of this Dynamic Sex Kitten?
6) If the producers of STAR TREK, really wanted to show not just gender equality and racial equality in their world, but moreover, bust through the long-standing barriers that 'only men fight can protect scared women',.. well, the perfect candidate was sitting right at the communications station.
So, those are my reasons.
HOWEVER, I also think that some writer MIGHT have thought to create a story wherein KIRK can ONLY save the day BY NOT:
A) Bonking the other guy on the head
B) Confusing the other guy, or
C) Reading him a speech
But instead, set up a scenario wherein a COMMUNICATIONS EXPERT is REQUIRED to:
1) Unravel a cryptic communications code which will over-ride the control mechanism of the ancient computer-driven killer menace, created by a long dead civiliaztion,.. etc, etc,..
2) Repair the heavily damaged remote communications relay station
3) Dutifully step aside so KIRK can push the button himself, which de-activates the giant mance,.. but wait,..
4) The ancient designers who were smart enough to design such a killer robot, also foresaw someone may try to plug its plug,.. and now it is an atomic powered ticking time bomb,. glowing red, as it becomes more critical,..
5) So,.. the Communications Officer must make one last ditch effort, under extreme tension, to 'hot-wire' the communications relay, and break through the massive sub-space interference - being created by the magnetic turbulance created by the glowing time bomb, of course - so SCOTTY can 'LOCK-ON' and BEAM-UP the landing party,.. seconds before the whole place blows up.
ANYWAY,... How would YOU, as STAR TREK's producer, have made changes to the format to make better use of the UHURA character on a recurring basis, and yet, not throw off the established primary character balance?
I agree.
This character is presented -on the whole - as the famous complaint goes - as:
1) An inter-galactic switchboard operator.
2) The one-line voice of the scared and/or confused female identity.
3) On screen eye-candy for the viewing horn-dogs

4) Musically inclined and socially interactive,.. very entertaining and comely while doing so.
So, I began to think, How would I, as STAR TREK's producer, have made changes to the format to make better use of this character on a recurring basis, and yet, not throw off the established primary character balance?
I came up with two possible changes.
The first change was related to the character of Dr. McCoy.
Predominant In the earlier episodes, KIRK and McCOY shared a relationship wherein KIRK is able to voice - for the viewer - his inner doubts, concerns, reflections, insecurities, questions, etc., during these 'in two' conversations.
STAR TREK, slowly dropped these scenes from the format by-in-large, and developed the McCoy harassing SPOCK exchanges in its place,... which made for some of the best TREK moments.
But couldn't we have had both?
Would it have been plausible to use the character of UHURA to serve as the sounding-board for KIRK's inner conflicts?
What do you think?
After all, STAR TREK wasn't using the McCOY character in that way any longer,... by doing so, nothing would have been 'taken away' from McCOY and given to UHURA, as these types of scenes and character explorations had basically been dropped altogether.
Why? I don't know,... to give BELE more time to chase LOKI around the ships corridors? To make way for more in-your-face 'Social Indoctrination' speeches?
In Hollywood, you have to be ENTERTAINING, and sadly, most average people prefer Checkers to Chess; but I would have gone for a nice compromise of Backgammon,... yeah.
I think the "voicing the inner-conflict" scenes were critical to the important message of STAR TREK, and their removal from the format of the show - In my own opinion - weakened the quality of the show more than any instance of over-acting or
cheesey episode premise.
Okay,.. moving to the next idea.
First off, Mr. SCOTT is one of my favorite characters too, so hear me out,.... and remember my heredity is Scottish as well, so do not think I am being unfair here,... as I take so much personal pride every time SCOTT does,...hmmm,... basically anything.
SCOTT, who also suffered from perceived under-use, actually made out much better than the UHURA character.
As his character had:
1) Engineering, the entire set as his domain, and Laird of this Barony,... and later even gets his own special 'Scotty's Tree House',... if you count the upper-level which they added later. "On the Bonnie, Bonnie Banks of Loch Lomond"
2) Bridge Station, keeping him in the locust of the action when the Engine Room wasn't blowing up.
3) Transporter Room - First and Last guy the landing party sees and talks to,... when SCOTT himself is not in the part of the story taking place planet-side.
4) The 'Jefferies' Tubes,... wow, SCOTT even has a special
hidey-hole for very own 'in two' scenes.
So, my buddy made out really well!, and I am glad for it,... he is great!
BUT THEN,
He also gets made the Head Honcho of Security in some episodes,...
NOW, could not the producers made UHURA the on-going CHIEF-OF-SECURITY?
Why not?
1) SPOCK had two jobs.
2) SCOTTY had enough jobs, and sets.
3) They brought in various bit players to take the Security Chief job when SCOTTY wasn't playing it.
4) Ever watch an episode called, 'MIRROR, MIRROR'?,... she moved like a panther when she had a phaser in her hand.
5) What 220 lb Red Shirted lug isn't going to be love jumping to the authoritative directives of this Dynamic Sex Kitten?
6) If the producers of STAR TREK, really wanted to show not just gender equality and racial equality in their world, but moreover, bust through the long-standing barriers that 'only men fight can protect scared women',.. well, the perfect candidate was sitting right at the communications station.
So, those are my reasons.
HOWEVER, I also think that some writer MIGHT have thought to create a story wherein KIRK can ONLY save the day BY NOT:
A) Bonking the other guy on the head
B) Confusing the other guy, or
C) Reading him a speech
But instead, set up a scenario wherein a COMMUNICATIONS EXPERT is REQUIRED to:
1) Unravel a cryptic communications code which will over-ride the control mechanism of the ancient computer-driven killer menace, created by a long dead civiliaztion,.. etc, etc,..
2) Repair the heavily damaged remote communications relay station
3) Dutifully step aside so KIRK can push the button himself, which de-activates the giant mance,.. but wait,..
4) The ancient designers who were smart enough to design such a killer robot, also foresaw someone may try to plug its plug,.. and now it is an atomic powered ticking time bomb,. glowing red, as it becomes more critical,..
5) So,.. the Communications Officer must make one last ditch effort, under extreme tension, to 'hot-wire' the communications relay, and break through the massive sub-space interference - being created by the magnetic turbulance created by the glowing time bomb, of course - so SCOTTY can 'LOCK-ON' and BEAM-UP the landing party,.. seconds before the whole place blows up.
ANYWAY,... How would YOU, as STAR TREK's producer, have made changes to the format to make better use of the UHURA character on a recurring basis, and yet, not throw off the established primary character balance?