The Futon Critic has been dishing on the pilots that weren't picked up this year. He hasn't made his way to the big kahuna - Wonder Woman - yet, but here are the reviews of many other genre pilots, as well as the non-genre stuff, going all the way back to 2005.
Overall, Locke & Key is only one we should be sad we didn't get a chance to see. (And the pilot may be shown at ComicCon anyway, so it'll end up in our clutches one way or the other.) So don't diss the evil suits, they do good work sometimes helping us viewers dodge some pretty painful bullets.
Highlights (or lowlights):
Poe - Wow, that is some dreadful dialogue. You really can't afford to write badly when the character you're writing for is a writer. Apparently Mr. Poe scribbles very well, but his talent utterly deserts him when when the words are issuing from his mouth. How odd.
Very cool concept, but they were galumphing off in completely the wrong direction with that one.
Halleluljah - I had high hopes for this one, but if the characters were being written as cornpone hicks, I guess I can wait till next year for Terry O'Quinn's next pilot. Apparently the dialogue on this one was so bad, The Futon Critic didn't even want to quote it - you'd have to hear it to get the full effect. Yikes.
17th Precinct - I'd heard it was "a mess." This review provides a lot more details about the kind and scope of mess. I'm sure it would have been fascinating but shows like this don't last ten minutes on network TV. Might as well give the timeslot to something else.
But I can't help feeling cheated at not getting to see Esai Morales as Stockard Channing's ex-lesbian lover (or something like that...?)
There are also reviews of the pilots that were picked up, but no genre shows have popped up yet. Anyway, we'll find out about those in the fall.
Overall, Locke & Key is only one we should be sad we didn't get a chance to see. (And the pilot may be shown at ComicCon anyway, so it'll end up in our clutches one way or the other.) So don't diss the evil suits, they do good work sometimes helping us viewers dodge some pretty painful bullets.
Highlights (or lowlights):
Poe - Wow, that is some dreadful dialogue. You really can't afford to write badly when the character you're writing for is a writer. Apparently Mr. Poe scribbles very well, but his talent utterly deserts him when when the words are issuing from his mouth. How odd.

Very cool concept, but they were galumphing off in completely the wrong direction with that one.
Halleluljah - I had high hopes for this one, but if the characters were being written as cornpone hicks, I guess I can wait till next year for Terry O'Quinn's next pilot. Apparently the dialogue on this one was so bad, The Futon Critic didn't even want to quote it - you'd have to hear it to get the full effect. Yikes.
17th Precinct - I'd heard it was "a mess." This review provides a lot more details about the kind and scope of mess. I'm sure it would have been fascinating but shows like this don't last ten minutes on network TV. Might as well give the timeslot to something else.
But I can't help feeling cheated at not getting to see Esai Morales as Stockard Channing's ex-lesbian lover (or something like that...?)
There are also reviews of the pilots that were picked up, but no genre shows have popped up yet. Anyway, we'll find out about those in the fall.