Sorry. I really need to stop trying to be sarcastic on the internet.So I guess that just makes me dumb.
Why should you be the only one?
Sorry. I really need to stop trying to be sarcastic on the internet.So I guess that just makes me dumb.
Probably because it would cost lots of money and nobody would care. New Star Trek material is still being produced, particularly featuring the original characters, which means there is an audience for it.There's also a weird feeling about all of this. Hardly anyone would seriously consider going back and redoing the f/x for classic SF films like King King, Forbidden Planet, 2001, War Of The Worlds or any number of others...
People should enjoy things a certain way because you say so?But they felt compelled to do it to Star Trek because the newbies won't accept it otherwise. If you can watch and enjoy many classic SF, horror and other genre films then you should be able to enjoy Star Trek in its original form.
People should enjoy things a certain way because you say so?But they felt compelled to do it to Star Trek because the newbies won't accept it otherwise. If you can watch and enjoy many classic SF, horror and other genre films then you should be able to enjoy Star Trek in its original form.![]()
People should enjoy things a certain way because you say so?But they felt compelled to do it to Star Trek because the newbies won't accept it otherwise. If you can watch and enjoy many classic SF, horror and other genre films then you should be able to enjoy Star Trek in its original form.![]()
Way to misinterpret.
This argument is never going to come to a consensus. It really does come down to what an individual prefers. And no amount of "expert opinions" will sway anyone.
[LouCostello]That's what I'm saaaayin'!!![/LouCostello]
I just like the pretty pictures!
![]()
i do have a tiny problem with this one though... (runs and hides)![]()
I really like this shot even if it could use some sharpening up:
http://tos.trekcore.com/hd/albums/2x02hd/whomournsforadonaishd1374.jpg
I don't care for this one at all. It's just blah even if it's technically nice:
http://tos.trekcore.com/hd/albums/2x02hd/whomournsforadonaishd1381a.jpg
That much is certain.No there won't ever be a consensus, but only because purists in any form are oblivious to evidence.
RAMA
Your argument here is simply a dismissive one, lumping anyone who disagrees into a camp you're trying to discredit.but only because purists in any form are oblivious to evidence.
RAMA
You see the original shot and angle could have been redone with a new cgi model and properly lit and corrected with blue phaser beams instead of the incorrect red ones and it would have maintained the integrity of what was originally done.I really like this shot even if it could use some sharpening up:
http://tos.trekcore.com/hd/albums/2x02hd/whomournsforadonaishd1374.jpg
I don't care for this one at all. It's just blah even if it's technically nice:
http://tos.trekcore.com/hd/albums/2x02hd/whomournsforadonaishd1381a.jpg
I LOVVE this second shot, it looks 3D almost, like you could pass around it! Terrific work!
The first shot is a horrible matte...look how the back of the secondary hull and rear nacelle look like they were a 2D picture cut with an Xacto knife. Also very indistinct...one pass too many through a triple head printer methinks.
RAMA
I get plenty. And I get that you evidently don't give a damn for respecting original creativity nor do you display any artistic sense. There's absolutely nothing inconsistent with the original shot except the insistence to dismiss something you don't even understand.That shot illustrated two things that were still important to the story.
1. They're in orbit around the planet
and
2. Apollo still has a hold on the ship.
There's not only no loss of integrity, but a fixed continuity error.
The original shot still looks crappy.
But it's obvious you don't get that.
I can't be responsible for you drawing the wrong conclusion.I get plenty. And I get that you evidently don't give a damn for respecting original creativity nor do you display any artistic sense. There's absolutely nothing inconsistent with the original shot except the insistence to dismiss something you don't even understand.That shot illustrated two things that were still important to the story.
1. They're in orbit around the planet
and
2. Apollo still has a hold on the ship.
There's not only no loss of integrity, but a fixed continuity error.
The original shot still looks crappy.
But it's obvious you don't get that.
One (the TOS-R Shot) can be used as computer wallpaper the other I wouldn't bother..
RAMA
Hey, I just tried it and turns out that BOTH can be used as computer wallpaper! (TOS Enterprise screen shots are a regular part of my wallpaper rotation.)
I understand the imperfections of matting and compositing in TOS that you're talking about. But TOS beats TOS-R every time in terms of lighting.
You mentioned "object". To me the TOS shots look like objects, as in physically present (even if it's physically present as a model). The TOS-R shots look like CG. Nice, sometimes really good CG. But never like a really present object.
TOS-R gets a slight edge on the close-ups of the Fesarius. TOS for the win on the longer shots (where the detail doesn't matter).
TOS certainly has the handicap. TOS-R should have been superior. Match the lighting, smooth out the motion, fix the mistakes. The problem is that they didn't manage the lighting and almost all of their ship shot feel muddy, dark, and don't have any weight to them (IMHO).
Before you tag me as a "purist" (or other less flattering names) I'll take the most of the TOS-R shots from "Tomorrow is Yesterday" over TOS pretty much any time. I'm not anti-Remastered. I'm anti-not-good. (And I'm anti-not-making-the-originals-available which they haven't done.)
I can't be responsible for you drawing the wrong conclusion.I get plenty. And I get that you evidently don't give a damn for respecting original creativity nor do you display any artistic sense. There's absolutely nothing inconsistent with the original shot except the insistence to dismiss something you don't even understand.That shot illustrated two things that were still important to the story.
1. They're in orbit around the planet
and
2. Apollo still has a hold on the ship.
There's not only no loss of integrity, but a fixed continuity error.
The original shot still looks crappy.
But it's obvious you don't get that.
The team who did this approached the project with all due respect to the original creative team. Bob Justman himself praised this work done. Both versions are available for those who want to see the originals. They haven't been destroyed and in fact have been cleaned up as much as technology and time will allow.
You are dismissing it purely on principle, which is what you do, so I am not surprised at all that you not only need to disagree with me but also need to insult my intelligence by presuming to tell me what I know or don't know about "artistic sense."
All of which is unsurprising and yet entertaining in a train wreck going off a cliff sort of way. Keep 'em coming.
Some look great and some don't.. Growing up watching the show, it's easy to overlook the flaws of the original effects, mostly because there were few other shows that had space shots like that on TV and it fired the imagination...and the resolution of a 19" picture tube hides quite a bit!! There is no question that most of the remade shots look better.One (the TOS-R Shot) can be used as computer wallpaper the other I wouldn't bother..
RAMA
Hey, I just tried it and turns out that BOTH can be used as computer wallpaper! (TOS Enterprise screen shots are a regular part of my wallpaper rotation.)
I understand the imperfections of matting and compositing in TOS that you're talking about. But TOS beats TOS-R every time in terms of lighting.
You mentioned "object". To me the TOS shots look like objects, as in physically present (even if it's physically present as a model). The TOS-R shots look like CG. Nice, sometimes really good CG. But never like a really present object.
TOS-R gets a slight edge on the close-ups of the Fesarius. TOS for the win on the longer shots (where the detail doesn't matter).
TOS certainly has the handicap. TOS-R should have been superior. Match the lighting, smooth out the motion, fix the mistakes. The problem is that they didn't manage the lighting and almost all of their ship shot feel muddy, dark, and don't have any weight to them (IMHO).
Before you tag me as a "purist" (or other less flattering names) I'll take the most of the TOS-R shots from "Tomorrow is Yesterday" over TOS pretty much any time. I'm not anti-Remastered. I'm anti-not-good. (And I'm anti-not-making-the-originals-available which they haven't done.)
Well there we have an impasse...to me the CGI looks like objects, the originals look like toys, sometimes even like they are on strings (which I know they weren't). I can see shot after shot where the new CGI model is more brightly lit than reality or movies, but not the brightly lit, washed out look of the original. Too me the new shadowing looks real and makes the ship look more like an object, though yes, not to the extent of a movie ship or even ENT...and rightly so based on the stated objectives.
RAMA
No, I'm not dismissing it on principle, but because I don't agree with how they did it. And there was no initial continuity error because they shot the original sequence as viewing the ship from below and thus you wouldn't see the planet below in the same frame.I can't be responsible for you drawing the wrong conclusion.I get plenty. And I get that you evidently don't give a damn for respecting original creativity nor do you display any artistic sense. There's absolutely nothing inconsistent with the original shot except the insistence to dismiss something you don't even understand.
The team who did this approached the project with all due respect to the original creative team. Bob Justman himself praised this work done. Both versions are available for those who want to see the originals. They haven't been destroyed and in fact have been cleaned up as much as technology and time will allow.
You are dismissing it purely on principle, which is what you do, so I am not surprised at all that you not only need to disagree with me but also need to insult my intelligence by presuming to tell me what I know or don't know about "artistic sense."
All of which is unsurprising and yet entertaining in a train wreck going off a cliff sort of way. Keep 'em coming.
They correct a continuity error..you'd think that would make them happy...but noooo...
I might as well since you go out of your way to harp on me whenever you get the chance.so I am not surprised at all that you not only need to disagree with me but also need to insult my intelligence by presuming to tell me what I know or don't know about "artistic sense."
You are hopeless. Absolutely hopeless.Dismissing it because you disagree about how it was done is dismissing it on principle; that principle being that you disagree how it's done, which is your only MO when it comes to anything involving Star Trek as a whole.
I don't need to go out of my way to point that out. It is pretty obvious.
How so? By telling it like it is?
There are people who get it, people who don't and people who refuse to. You are the latter two. That's entirely your choice.
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