if anybody gets the chance to think of the answer, everything is lost, because the answer must be "They had an inside man or woman". Valeris' best shot here, literally, is to start shooting at things!
Exactly. Deflect!
if anybody gets the chance to think of the answer, everything is lost, because the answer must be "They had an inside man or woman". Valeris' best shot here, literally, is to start shooting at things!
How did she not trigger the alarm then?
Phasers on stun, close range. McCoy even wonders why they weren't simply vaporized, and Chekov says "It would have set off the alarm."
Actually, thinking about it there is nothing in that dialogue that says they didn't do that to each other. Afterall, it would be quite difficult for Valaris to shoot them both at close range on stun. The only way we learn of Valaris' involvement in the plot is after Spock lays the trap for her and she comes to sickbay to finish the job they "could not finish" by themselves.
Afterall, it would be quite difficult for Valaris to shoot them both at close range on stun.
He probably did.Why wouldn't Chekov know what Valeris did about weapons?
Which would then explain this line:
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It maybe "lazy" screenwriting to those already familiar with the ST world but to everyone else? It explains a valuable piece of information -- even if it was taken up a notch to display it.
This is one of many things that make this movie suck. Thanks, Nick. The only good thing is we didn't have sit through the whole "alien with glowing hand in flying car" thing.
It maybe "lazy" screenwriting to those already familiar with the ST world but to everyone else? It explains a valuable piece of information -- even if it was taken up a notch to display it.
Then they could and should have found a better to present the information. Proper exposition lets the audience members know what they need to know without ruining plausibility or making an allegedly smart character look dumb.
Having said that, I love most of this fun, exciting movie. It's just that a few scenes here and there needed a rewrite.
It maybe "lazy" screenwriting to those already familiar with the ST world but to everyone else? It explains a valuable piece of information -- even if it was taken up a notch to display it.
Then they could and should have found a better to present the information. Proper exposition lets the audience members know what they need to know without ruining plausibility or making an allegedly smart character look dumb.
Having said that, I love most of this fun, exciting movie. It's just that a few scenes here and there needed a rewrite.
ST IV: Blindly asked a cop where a nuclear wessle was at without taking into consideration that America was smack in the middle of the Cold War.
Now this is legit and follows the pattern that Chekov must suffer in the movies.Also got chased, arrested, escaped, fell off of a ship, got arrested again, nearly died
Err, Chekov was clearly making a cheeky, lighthearted joke to show Kirk that he was okay. He was definitely smiling.and claimed to be an Admiral in a delusional state when he came to
I think this is one of the least of Chekov's worries in the film. For example, the writers gave him two pretty racist, absent-minded lines ("Guess who's coming to dinner" and "inalienable human rights").ST VI: Forgot about unauthorized phasers.
ST III: He was lucky... this time
For example, the writers gave him two pretty racist, absent-minded lines ("Guess who's coming to dinner" and "inalienable human rights").
How's that out of character? We're talking about Pavel "Close Enough to Smell Them" Chekov here.For example, the writers gave him two pretty racist, absent-minded lines ("Guess who's coming to dinner" and "inalienable human rights").
For all we know, Klingons did slaughter his brother Pjotr...
Timo Saloniemi
I don't think he meant to offend, but it shows how the centrality of humans is still very much in the institution, as if humans had a hegemonic power over the rest of the Federation.
I wouldn't hold it against the guy, simply because most of the crew made their own social faux pas's for not knowing cultural context (Spock's swearing, Kirk with Gillian, Scotty and McCoy with the plexiglass engineer, etc). While Chekov is singled out to suffer in the other movies, I don't think this counts.
Err, Chekov was clearly making a cheeky, lighthearted joke to show Kirk that he was okay. He was definitely smiling.
What does it refer to? Does it have some specific cultural significance to Americans, say? Is it a quote from a sitcom or something?the first line is problematic to begin with (which is why Nichols didn't want to say it)
Hardly. Only a hardened feminazi would find fault in terms like "mankind" or "fireman", and she'd deserve no pity for it; trying to twist "human" into a derogatorily exclusive expression only casts the Klingons in the role they hold anyway, as bloodlusty offenders who attack with words if they can't bring their disruptors to bear.and the second line was just a quick but poor error in judgement, considering that he said that line to a delegation of non-humans.
Why wouldn't he? The very point of the movie is that everybody in that table has a sound reason to wish painful death for the opposition. Out of the lot, quite possibly only Gorkon and Spock honestly wish for peace. The dialogue could justly reflect this.I don't think he meant to offend
Are they? We don't explicitly know that such a thing would be part of the training of a Starfleet officer and gentleman.They are all well trained diplomats
We don't really get the impression that this would be part of their training, either. Only Kirk has ever shown competence in Earth history, and mainly as refers to the 19th century; he knows very little about the 1930s milieus he visits in "City on the Edge" and "Patterns of Force"....knowing that bit of information on Earth's history would help
Are they? We don't explicitly know that such a thing would be part of the training of a Starfleet officer and gentleman.
We don't really get the impression that this would be part of their training, either. Only Kirk has ever shown competence in Earth history, and mainly as refers to the 19th century; he knows very little about the 1930s milieus he visits in "City on the Edge" and "Patterns of Force".
that was the whole basis of their mission: Discover new planets, explore, and if possible get them to join the Federation if technologically able to.
It's common knowledge to know that a 40 year odd war was going on between Soviet Russia and United States of America. You learn this in school.
Whenever our TOS heroes were actually tasked with bringing a planet to the UFP fold, they did it with the force of arms, or didn't get it done at all... And all of their diplomatic ferry missions ended in bloodbath of some sort or another, speaking ill of their competence in that area. And only Kirk and Spock ever showed any negotiation skills. There's no indication that their navigator or communications officer would have been trained for that job, or that there would have been an advantage to doing so.that was the whole basis of their mission: Discover new planets, explore, and if possible get them to join the Federation if technologically able to.
... What? This is the Cold War - a big part of American and Russian history where we were pointing nukes at each other for nearly 40 years. Both countries on a thin line that could have snapped thus causing WWIII. It is a major lesson in History courses here in American High Schools and I'm sure it plays a big part of Russian history over there. Considering Chekov is the "master of all things in Russian history" wouldn't you think he'd have some idea about the Cold War?Hmh? How many schools successfully teach about the War of Spanish Succession? It was certainly far more influential in shaping Europe, and took place in the more recent past from the POV of the school. It's more than likely that all our heroes slept through that particular class at school; whether Starfleet Academy wanted to remind them of it later on is up to speculation.
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