And companions really ought to scream again.
Why, what are you planning on doing to her?the only time i wanna hear Amy scream is when she screams my name.
nudge, nudge, wink, wink. saynomore.
Anything she'll let him do, I would imagineWhy, what are you planning on doing to her?the only time i wanna hear Amy scream is when she screams my name.
nudge, nudge, wink, wink. saynomore.
I think a lot of the issues people have with Rory, actually, is that Arthur and Karen don't have as good of screen chemistry as Matt and Karen, so that makes it harder to sell a Rory/Amy romance than to sell an Amy/Doctor attraction.
And Polly. She did more than both of them combined.And companions really ought to scream again.
For the love of God, please no! Susan and Victoria Waterfield alone have fulfilled my lifelong quota of screaming girls/women.
Well, you mention that Pandorica lark and rightly. But it's had no change on the character at all. He's still the useless pipsqueak twat I described above. And the thing is, you'd never get away with the roles reversed - if the woman character was a buffoonish milquetoast and the man was sassy and confident, it'd be immediately condemned. But this is just as sexist. These days it's only really fine to portray men as mostly blundering idiots, and this is an example of it.Yeah, as well as the snivelling "I'm a sad little man who's useless, the hammer fell on my foot when I tried to put up a shelf, I fall over into hedges after half a shandy, the Doctor's got a bigger willy than me, Amy makes me do the washing up while she watches me and shouts about what a shit job I'm doing, I'd kill myself and end my sad life if it wasn't guaranteed that I'd fuck it up and end up paralysed because I'm like all men - compared to sassy women like Amy, I'm a useless cu..." type.
Well, yeah. At least at first. Up through "Vampires of Venice", I'd say. But he did a good job vindicating himself in the finale. I keep coming back to the 2,000 years he spent guarding the Pandorica. That was epic!
Thermocouple. And maybe we both are. But which do you think is more likely ... that Rory will develop as a result of his 2000 year experiences or that he'll continue to be his old lovable, bumbling self? Or am I presenting a false dichotomy and there are more options I'm not listing? Maybe he'll be a conflicted blending of the Rory Amy remembered back into existence and the 2000 year centurian?Well, you mention that Pandorica lark and rightly. But it's had no change on the character at all. He's still the useless pipsqueak twat I described above.Well, yeah. At least at first. Up through "Vampires of Venice", I'd say. But he did a good job vindicating himself in the finale. I keep coming back to the 2,000 years he spent guarding the Pandorica. That was epic!
You sure do read a lot into dropping a hammer.
I've worried the same thing about Rory elsewhere and my cynical side fears we're both right. But we didn't see much of the character in either the Christmas special, or the Comic Relief thing. There's still some hope that he'll carry with him some improvements.
I don't have a problem with a range of caricatures that include this kind of dynamic, but I get the feeling that males and females -- particularly husband/wife couples -- are almost always portrayed as the inept male being kept by the confident female.
One of the things that always fascinates me about Doctor Who is the state of seeing America through British eyes, and what that implies about how Great Britain views the United States.
I'm sorry, but think about what you're writing, guys -- it's absolutely ridiculous! You're saying that that Doctor Who is being sexist in having a male character who's (as you perceive him) weak and not the brightest bulb in the box. And this makes sense because Doctor Who doesn't show any examples of intelligent and brave male characters at all...Well, you mention that Pandorica lark and rightly. But it's had no change on the character at all. He's still the useless pipsqueak twat I described above. And the thing is, you'd never get away with the roles reversed - if the woman character was a buffoonish milquetoast and the man was sassy and confident, it'd be immediately condemned. But this is just as sexist. These days it's only really fine to portray men as mostly blundering idiots, and this is an example of it.Well, yeah. At least at first. Up through "Vampires of Venice", I'd say. But he did a good job vindicating himself in the finale. I keep coming back to the 2,000 years he spent guarding the Pandorica. That was epic!
I've worried the same thing about Rory elsewhere and my cynical side fears we're both right. But we didn't see much of the character in either the Christmas special, or the Comic Relief thing. There's still some hope that he'll carry with him some improvements.
And you're absolutely right about the sexist nature of the way Rory's treated. We get tons of that over here on American TV. It's now a hoary standby of commercials, for example, where the females are portrayed as chic, sexy, smart, and "with it", and the males are shown as dumpy and dumb. I don't have a problem with a range of caricatures that include this kind of dynamic, but I get the feeling that males and females -- particularly husband/wife couples -- are almost always portrayed as the inept male being kept by the confident female.
Thermocouple. And maybe we both are. But which do you think is more likely ... that Rory will develop as a result of his 2000 year experiences or that he'll continue to be his old lovable, bumbling self? Or am I presenting a false dichotomy and there are more options I'm not listing? Maybe he'll be a conflicted blending of the Rory Amy remembered back into existence and the 2000 year centurian?Well, you mention that Pandorica lark and rightly. But it's had no change on the character at all. He's still the useless pipsqueak twat I described above.
You sure do read a lot into dropping a hammer.
Those are all examples of developing relationships, and some of them haven't even gotten to the point where you could call them proper romantic relationships. In those cases you have to have both be equally attractive/capable.Examples from the top of my head where this is not the case (note not always/often married):
Booth and Bones (among other, Bones)
Eric and Tammy Taylor (among others, Friday Night Lights)
Castle and Beckett (Castle)
Adama and Roslin (BSG)
Mal and Inara (Firefly)
I know the problem you refer to, but there is tv outside of sitcoms, you know.![]()
There's also a perception that Rory isn't what a woman would want -- my guess is that most people making that presumption are men. Personally, I find the character attractive. Also, Rory's personality, by the fact that Amy loves him, tells us a lot we wouldn't otherwise know about Amy -- he's good for character development.Those are all examples of developing relationships, and some of them haven't even gotten to the point where you could call them proper romantic relationships. In those cases you have to have both be equally attractive/capable.Examples from the top of my head where this is not the case (note not always/often married):
Booth and Bones (among other, Bones)
Eric and Tammy Taylor (among others, Friday Night Lights)
Castle and Beckett (Castle)
Adama and Roslin (BSG)
Mal and Inara (Firefly)
I know the problem you refer to, but there is tv outside of sitcoms, you know.![]()
The trope being argued is the strongsmartsavvy woman and her dumbslovenlyclumsyetc husband/boyfriend. Sitcoms are usually the worst, commercials nearly as bad but more easily excused because of their 30-second nature.
I think this is mostly due to men not knowing how to write flawed women characters very well, so nearly every woman on TV, most notably in comedy, is pretty much a maternal fantasy figure and well out of the league of her funny, goodhearted but otherwise useless husband or boyfriend character that the show focuses on because he is much more interesting.
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