^I think the moral is that we're all a bit mad.
I don't know about 'mad'

...but do have to wonder if this 'habit' is one that attracts some of us who are generally pretty creative people - writers, artists, etc. Even if on an amateur level.
Because it's more than just the need to get to sleep that drives this - at least for me. In fact, it's one of my almost necessary creative outlets, I think. Sometimes, I play a particular scene 2 or 3 (or more) times in my head as I'm lying there, tweaking it to make it better each time, make it flow better, make it a better setup for the ending I want. I am
very particular about my dialog - if a character 'says' something that sounds lame, I reboot the conversation and try again.
But why the need for perfection? I have no idea. I mean, it's not like anyone but me is ever going to 'see' this thing.
But I'm driven to perfect the thing, nonetheless - tweaking the dialog, the flow of the conversation between characters. Even the 'set' - what room a conversation takes place in - must be right. Because you know, there IS a right room for every conversation! And man, do I have an extensive - and exceptionally awesome - backlot! Everything from the beach camp in LOST to a fabulous winery in the Napa Valley to a Nob Hill mansion (I love the San Francisco area, btw), to a plane crash in bush Alaska, to a 90's grunge club in Seattle to that beautiful country home in
Remains of the Day, to a house on Minbar (Babylon 5) to the castle and neighboring gardens in Himeji, Japan. (
http://en.wikipedia.org/wiki/Himeji_Castle ). I guess it really helps to have traveled alot, huh? But yep...I've got an awesome backlot all right!
It's craziness. But very comforting craziness, I guess.
Interesting that some of you guys have these fairly simple running, skipping, jumping stories. I'm actually a runner IRL, and I don't have those. No....my stories look alot more like Merchant-Ivory Productions than anything else. My stories are WAY big budget.
