The DE is definitely the best version (so far).
That's your opinion. I hate it. All the new FX and the new cut are ruining it for me. I think the SLV is the best version out there. It has lot of character moments that the TC is missing.
The DE is definitely the best version (so far).
Yeah, I'd agree that I'd love to see a hybrid version. They produced about 5 versions of Blade Runner so why not?
Yeah, I'd agree that I'd love to see a hybrid version. They produced about 5 versions of Blade Runner so why not?
There's certainly multiple versions, but most of them are from when the film was released (the workprint is a very early cut that was sneak previewed, the theatrical cut is self-evident, and the international cut is the version that was released in theatres outside of North America).
The only new versions are The Director's Cut (1992) and The Final Cut (2007), which was only made because Ridley Scott wasn't actually involved in the "Director's Cut."
I don't see a new version of STAR TREK: THE MOTION PICTURE emerging anytime soon, especially since Robert Wise put his stamp of approval on The Director's Edition (2001).
<Fanwank Comment> I think they should re-master the movie to include some of the TNG and DS9 characters. Maybe they could re-cast Patrick Stewart as Lt. Ilia? They could also create a hybrid Constitution/Galaxy class starship, both welded together? </Fanwank Comment>
I think the movie is just fine as it was originally paced and presented.
Just getting back to the OP comment. I agree. The vger scenes were silly long. I've yet to see any version where it isn't. I understand they wanted to show the enormity of this ship, but it was really pointless.
Really? That seems like a rather generalized blanket statement to me. Sure, movies are faster now a days, and shorter. But that doesn't mean people can't appreciate older movies.
Personally I like TMP. It's a great story, and other then one or two dated science concepts (falling into a black hole and emerging somewhere else) I think the script itself hold up rather well.
As for the filming itself, it's really just the V'Ger approach that throws it off to me. It's a very well done scene, and the score is great and all. Plus I realize that it's as long as it is to show how freakishly HUGE the V'Ger ship is. I simply think (and this is only my opinion, I speak for no one else's) that it could have done just as well being half as long. Sitting there staring at the view screen for that long broke up the flow of the movie as bad as leaving it out entirely would from my perspective.
For me the length of the flyover did more then give it's size but we also got to see it up close and see something exotic. The novel explains some of what we were seeing was a result of incredible technology, not just for the size but for the structure. Same with the inside.
For me the length of the flyover did more then give it's size but we also got to see it up close and see something exotic. The novel explains some of what we were seeing was a result of incredible technology, not just for the size but for the structure. Same with the inside.
As a boy, I saw it the Friday night of December 7th 1979 with friends and the biggest awe of the film both then and now is the on screen appearance of the refit Constitution Class 1701. It did deliver a sense of the operations on board and the awesome size of a starship.![]()
I just watched TMP start to finish for the first time in a bunch of years. I must say, that was not how I remember it. I always thought it was somewhere around OK, but frankly, I see now that that was one hell of a movie.
My mom would have been in her mid forties if she were still with us, and she thought TMP was slow. She, like myself, did still like it, but she could acknowledge when she didn't like something about it.I just watched TMP start to finish for the first time in a bunch of years. I must say, that was not how I remember it. I always thought it was somewhere around OK, but frankly, I see now that that was one hell of a movie.
Thank you for joining us!
It's kinda like the "All the odd numbered films suck" theory(here's a hint:Only a couple DO!). It's just become one of those tropes ST fans like to parrot to sound cool and hip.
THAT aint true, either.
I usually find those people complaining about TMP being "the most boringest" are usually like Plinkett says - aged around thirteen with the attention spans of mosquitoes.
It's an epic, wonderful film and like none of the other TREK films. I am very glad it exists. Most thinking adults really like it.
I usually find those people complaining about TMP being "the most boringest" are usually like Plinkett says - aged around thirteen with the attention spans of mosquitoes.
It's an epic, wonderful film and like none of the other TREK films. I am very glad it exists. Most thinking adults really like it.
For me the length of the flyover did more then give it's size but we also got to see it up close and see something exotic. The novel explains some of what we were seeing was a result of incredible technology, not just for the size but for the structure. Same with the inside.
As a boy, I saw it the Friday night of December 7th 1979 with friends and the biggest awe of the film both then and now is the on screen appearance of the refit Constitution Class 1701. It did deliver a sense of the operations on board and the awesome size of a starship.![]()
For me the length of the flyover did more then give it's size but we also got to see it up close and see something exotic. The novel explains some of what we were seeing was a result of incredible technology, not just for the size but for the structure. Same with the inside.
As a boy, I saw it the Friday night of December 7th 1979 with friends and the biggest awe of the film both then and now is the on screen appearance of the refit Constitution Class 1701. It did deliver a sense of the operations on board and the awesome size of a starship.![]()
Dude, you took the words right outta my mouth! I felt the same way seeing for the first time in 1979 (December 23, in my case - the film didn't debut in Cleveland until two weeks later, for some unknown reason). And I felt the same way again this eveing, watching the theatrical version on BD (right at the moment, I'm at the scene where they discover what V'Ger really is). As much as I love the DE and they way that the newer FX matched with the original material, this movie never looked so crisp and sharp. As noted on one online review I read, the colors no longer seem muted, but far more vibrant than I recall from either the theater, VHS or the DE.
I'm having a fuckin' nerdgasm over here. This is still my favorite Trek movie, despite it's minor faults. And it's nice to find there's others who appreciate it the same way I do.
^
For me, it was the way that I thought Star Trek should've looked like to begin with, had GR & Co. had the money back in the 60s. It was a realistic, serious approach to a concept that I was already in love with.
We use essential cookies to make this site work, and optional cookies to enhance your experience.