Well, I've finally made it to the end of the set. I just finished listening to Disc 14, containing the music Jones wrote for the Starfleet Academy and Starfleet Command games, none of which I'd ever heard before. It's not bad, though the restrictions of the format limit it somewhat. Overall I think I found the SC score more interesting. It was very repetitively structured -- a "Menu Screen," "Mission Start," "Faster," "Mission Failure," and "Mission Success" for each of Federation, Klingon, Romulan, Gorn, "Lyran," and "Hydran," about 5 minutes of music for each race. The pacing would've been better if each set of five cues had been on a single track, with shorter gaps between them, so that each one could be treated as a suite of variations on its theme, a sort of mini-symphony. But it was interesting to hear the different leitmotifs Jones established for each of them. The UFP and Klingon themes were basically Goldsmith pastiches filtered through Jones's style; in particular, aside from the melody, his Klingon material sounded a lot like his TNG Klingon music. His Romulan motif was very different and John-Williamsy. And the leitmotifs for the other races were intriguing, reminding me of '60s TV music (including Williams's music for Irwin Allen shows). He gave the Gorn a ponderous theme that sounded like something out of a '50s or '60s dinosaur movie, while the felinoid Lyrans' theme has a "jungle drums" quality, and the exotic, tripedal Hydrans have a more ethereal, flowing, weird sound to their theme. Nice work.
But sticking in all the really brief tags and transitions from the games as bonus tracks at the end is kind of an anticlimactic way to conclude the set. It kinda makes it go out with a whimper rather than a bang.
Now I just need to figure out where to keep the big sheaf of liner notes I printed out. I don't have a place for them on my CD shelf, and they'd kind of get lost in the clutter of my Trek shelves.