david g, the use of "queer" in academia is a vain decree that the negative connotations do not apply. I'm sorry but when you use it you're calling people names.
Andy Mangels, I don't have a horse in this race. I thought you were extremely hostile. As for the general notion that interviewing people is necessary? It was Kirk and Spock that led to the creation of "slash." Interviewing backstage people would shed zero light.
In general, the importance of intentions is overrated. The genre, i.e., what kind of story was meant to be told, tells us the most important thing about intentions. Indeed, deliberate ambiguity, which intends nothing, is a popular stratagem, but renders interviews moot. Lastly, interviews have two difficulties. First, does the interviewee actually know? Second, why would the interviewee tell us the truth?
Christopher, ST-One, LaBarre, Pauln6 et al. seem to forget that heterosexuality is always a big issue, so much so that anything other than blatant heterosexuality is by default an issue. A character without a love life is either a minor character, or one that is meant to be seen as emotionally stunted.
Dumbledore's gayness was alluded to in the Rowling books when a journalist insinuated Dumbledore had a different interest in Harry than alleged, and when Harry met an old lover of Dumbledore's, of sufficient standing to qualify as chief mourner at Dumbledore's funeral.
The Wrath of Khan is not Ahab and Moby Dick in any rational sense, inasmuch as Kirk is a person. Anyone can feel free to explain why Khan is the only character whose chest is on display, pretty much constantly. He really is dressed funny.
Andy Mangels, I don't have a horse in this race. I thought you were extremely hostile. As for the general notion that interviewing people is necessary? It was Kirk and Spock that led to the creation of "slash." Interviewing backstage people would shed zero light.
In general, the importance of intentions is overrated. The genre, i.e., what kind of story was meant to be told, tells us the most important thing about intentions. Indeed, deliberate ambiguity, which intends nothing, is a popular stratagem, but renders interviews moot. Lastly, interviews have two difficulties. First, does the interviewee actually know? Second, why would the interviewee tell us the truth?
Christopher, ST-One, LaBarre, Pauln6 et al. seem to forget that heterosexuality is always a big issue, so much so that anything other than blatant heterosexuality is by default an issue. A character without a love life is either a minor character, or one that is meant to be seen as emotionally stunted.
Dumbledore's gayness was alluded to in the Rowling books when a journalist insinuated Dumbledore had a different interest in Harry than alleged, and when Harry met an old lover of Dumbledore's, of sufficient standing to qualify as chief mourner at Dumbledore's funeral.
The Wrath of Khan is not Ahab and Moby Dick in any rational sense, inasmuch as Kirk is a person. Anyone can feel free to explain why Khan is the only character whose chest is on display, pretty much constantly. He really is dressed funny.