Speak for yourself. I happen to like sex.^ I heard that Monves interfered on a lot of things, including to sex up the show (dumb),

Speak for yourself. I happen to like sex.^ I heard that Monves interfered on a lot of things, including to sex up the show (dumb),
The feeling I got was that we were seeing multiple different Danials, from more that one possible future.I knew they didn't have any sort of plan by the contradictory nonsense Daniels kept coming out with - like hinting that there's no Earth in the 31st century, then freaking out when Earth, his base of operations, is destroyed in "Shockwave".
Speak for yourself. I happen to like sex.![]()
The feeling I got was that we were seeing multiple different Danials, from more that one possible future.I knew they didn't have any sort of plan by the contradictory nonsense Daniels kept coming out with - like hinting that there's no Earth in the 31st century, then freaking out when Earth, his base of operations, is destroyed in "Shockwave".
It wasn't one guy.
![]()
And really, do you think B&B getting sacked would have done anything to improve the quality of the show?
Just ask Manny Cotto![]()
Sexing something up and sex are two different things.
Unless you're from Essex.![]()
There are many ways to write story. The everything nailed down and set up from day one is not the only or even the best way.I was surfing Memory Alpha just now, when I came across this phrase:
Seriously, what the hell? They came up with this elabourate idea about the Temporal Cold War being manipulated by a shadowy figure from the future and never actually considered his identity or motivations?
Wrong. Berman and Braga had both stated that they were toying with several possibilities for the identity of FG.
But surely if you have a villain there, you should know who they are instead of toying with ideas...
Or you keep your options open, in case a writer comes up with a better idea. It makes the story more organic and less Babylon 5.
but enterprise wasn't organic, one of its main problems was lack of focus on the TWC that made it feel awkward at times
One of its main problems was that the network wanted another version of TNG.
That's probably the best TCW-related comment ever made.Good eggs and the ability to suck a giant starship back in time to an alternate WWII?
Awesome. He could walk through walls and come back from the dead, too.
He was, of course, taught how to do all of this by Captain Robau.
There are many ways to write story. The everything nailed down and set up from day one is not the only or even the best way.Wrong. Berman and Braga had both stated that they were toying with several possibilities for the identity of FG.
But surely if you have a villain there, you should know who they are instead of toying with ideas...
There are many ways to write story. The everything nailed down and set up from day one is not the only or even the best way.But surely if you have a villain there, you should know who they are instead of toying with ideas...
If you're the Lost writers and really adept at figuring out stuff on the fly, and making it all look like you had it planned all along, sure, go ahead and wing it. But for the majority of writers that I've paid any attention to, that philosophy results in a train wreck. It requires an unusual combo of imagination and self-discipline.
No offense to the Lost writers ( I was a big fan of the show), but the various big bads of the show ( the Others, Ben, Widmore, Jacob's Brother ect) had an obvious pulled out of thin air feel to them. The advantage they had over some shows is the flashback format that allowed them to plug in various "new" characters into the backstory of the show. The time travel aspect of Enterprise could have been played to a similar advantage had they wanted to seriously pursue the Future Guy storyline. Leaving it open allowed them to plug in a new character or an old one in the role of master villain. Frankly, I think FG was just a bit of "lip service" to keep the suits happy.There are many ways to write story. The everything nailed down and set up from day one is not the only or even the best way.But surely if you have a villain there, you should know who they are instead of toying with ideas...
If you're the Lost writers and really adept at figuring out stuff on the fly, and making it all look like you had it planned all along, sure, go ahead and wing it. But for the majority of writers that I've paid any attention to, that philosophy results in a train wreck. It requires an unusual combo of imagination and self-discipline.
True, but I was talking about how the show was set up, not the quality of its writing. Worse shows than Enterprise have lasted longer and better shows have gotten the axe sooner. I was kind of burned out on the arc/myth based format when ENT started and I was glad to see a more episodic based show at the time. (which is why I'm not a big fan of Season 3)^ Its low ratings and cancellation might disagree with you about that last bit.![]()
We use essential cookies to make this site work, and optional cookies to enhance your experience.