Yes, VOY had flaws in execution and premise. There was plenty of blame to go around between UPN execs and the writers.
But I still loved it. I loved the characters, loved how it was different from TNG and DS9 (which I also like very much).
And yes, the Maquis were probably a poor choice. It made sense that they chose to have human "villians", because of the expense and annoyance of dressing so many crew as aliens every week. But at that point, when Voyager launched, the Maquis didn't harbor much hatred for Starfleet; I think that only came after the Sisko/Eddington showdown. There was little motivation for the Maquis -- many of whom were former Starfleet officers, evidently -- to *create* conflict when their fellow Starfleet crew are the only reliably friendly (and UFP citizens) people around.
I admit many episodes were silly, the episodic formula of having a pristine ship with almost always unlimited fuel and energy every week was probably *very* hard for DS9 fans to follow. It helped that I first watched VOY, then DS9, then TNG. I don't know if I'd appreciate VOY if I had been "spoiled" by DS9's amazing drama and realism.
But VOY was kind of a "feel-good" show. It was pretty light-hearted/comical (eg, "Virtuoso"), which set it apart from the other Treks series.
I have almost no idea what Farscape or nuBSG are about, but I'm glad they're around for folks who want more realism etc. And given the fact that Paramount pressed Berman and Piller (and Taylor) to create yet another Trek one year after TNG retired, a mere two seasons into DS9, and right in between two TNG feature films, I imagine they were hard-pressed to come up with the most well-thought out premise. I thought the creators made it clear they really wanted to hold off for several more years before attempting to design an entirely new, unique Trek series.
This is old, but about acting-captain Tuvok selecting an XO: why not Harry Kim? He is one of the senior officers (unlike Joe Carey), runs Ops, is an optimistic guy who could "rally the troops", would follow Tuvok's lead, knows Starfleet regulations well, and would be an ideal candidate for Tuvok to mentor and mold into an XO. Plus he was adept at a variety of things and often ran the night shift. Unfortunately, the writers decided to keep him a perpetual green ensign, as though there's some limit to how many lieutenants can be aboard a ship. With all the crew losses, I'd think there'd be room for a promotion. I think Janeway's excuse of not being able to promote everyone lest she end up with a ship full of lt. commanders was unreasonable for Kim.
Nonetheless, I think VOY is a lot of fun for escapist entertainment. DS9 fits the need for exciting/unparalleled drama, quasi-serialization, superb character development, and darker/edgier themes, and TNG fills the niche of watching the beloved the flagship, perform diplomacy, examine modern-day issues via analogy, explore, map, and moralize about about a most optimistic view of 24th century humanity. VOY played it safe, apparently at UPN's behest, but its lovable cast of characters makes it worth it to me.
But I still loved it. I loved the characters, loved how it was different from TNG and DS9 (which I also like very much).
And yes, the Maquis were probably a poor choice. It made sense that they chose to have human "villians", because of the expense and annoyance of dressing so many crew as aliens every week. But at that point, when Voyager launched, the Maquis didn't harbor much hatred for Starfleet; I think that only came after the Sisko/Eddington showdown. There was little motivation for the Maquis -- many of whom were former Starfleet officers, evidently -- to *create* conflict when their fellow Starfleet crew are the only reliably friendly (and UFP citizens) people around.
I admit many episodes were silly, the episodic formula of having a pristine ship with almost always unlimited fuel and energy every week was probably *very* hard for DS9 fans to follow. It helped that I first watched VOY, then DS9, then TNG. I don't know if I'd appreciate VOY if I had been "spoiled" by DS9's amazing drama and realism.
But VOY was kind of a "feel-good" show. It was pretty light-hearted/comical (eg, "Virtuoso"), which set it apart from the other Treks series.
I have almost no idea what Farscape or nuBSG are about, but I'm glad they're around for folks who want more realism etc. And given the fact that Paramount pressed Berman and Piller (and Taylor) to create yet another Trek one year after TNG retired, a mere two seasons into DS9, and right in between two TNG feature films, I imagine they were hard-pressed to come up with the most well-thought out premise. I thought the creators made it clear they really wanted to hold off for several more years before attempting to design an entirely new, unique Trek series.
This is old, but about acting-captain Tuvok selecting an XO: why not Harry Kim? He is one of the senior officers (unlike Joe Carey), runs Ops, is an optimistic guy who could "rally the troops", would follow Tuvok's lead, knows Starfleet regulations well, and would be an ideal candidate for Tuvok to mentor and mold into an XO. Plus he was adept at a variety of things and often ran the night shift. Unfortunately, the writers decided to keep him a perpetual green ensign, as though there's some limit to how many lieutenants can be aboard a ship. With all the crew losses, I'd think there'd be room for a promotion. I think Janeway's excuse of not being able to promote everyone lest she end up with a ship full of lt. commanders was unreasonable for Kim.
Nonetheless, I think VOY is a lot of fun for escapist entertainment. DS9 fits the need for exciting/unparalleled drama, quasi-serialization, superb character development, and darker/edgier themes, and TNG fills the niche of watching the beloved the flagship, perform diplomacy, examine modern-day issues via analogy, explore, map, and moralize about about a most optimistic view of 24th century humanity. VOY played it safe, apparently at UPN's behest, but its lovable cast of characters makes it worth it to me.