Re: CAPTAIN AMERICA-shooting July 2010:Casting, Rumors, Pics till rele
Interesting...I'll have to inform my cousins lol.
Interesting...I'll have to inform my cousins lol.
Producers chose the Northern Quarter to recreate New York because of its towering buildings and pre-war architecture.
..."We suggested the area to Marvel as its wide streets, towering buildings and pre-war architecture will make the perfect 1940s New York."
Yeah, but since most of the movie is already being shot in England, it's easier to shoot the American scenes there as well.Producers chose the Northern Quarter to recreate New York because of its towering buildings and pre-war architecture.
..."We suggested the area to Marvel as its wide streets, towering buildings and pre-war architecture will make the perfect 1940s New York."
That's bizarre. There's plenty of pre-war NY architecture in... New York!
- Shooting a rally scene today & saw the 1940's cap costume. It's ermmmm... Suprising? I think it will change throughout the flick.
- Basically costume looked shit! Tights etc ala Adam West era Batman. However, found out for def that it improves loads!
- Apparently he starts out in a rubbish suit (on purpose) and then it gets upgraded to a badass one. Phew! I feared the worst!
- Can I add that Chris Evans seems like a super nice guy. He was joking with us and chatting in between takes. Kept up morale.
The teaser was WW2 footage… typ*i*cal stuff: planes bomb*ing, anti-aircraft guns fir*ing, sol*diers march*ing, super*im*posed over what is obvi*ously a very slow reveal of the red, white and blue shield. Roosevelt’s Day of Infamy speech plays over this footage as text appeared on the screen:
Our courage and strength led us into bat*tle, sto*ries emerged of heroes … but one story has never been told.
Bam, the full cir*cu*lar shield. Is shown, then fades to black as text appears: Every army starts with one man.
Cap*tain America’s sil*hou*ette, shield on the arm, stand*ing in near pro*file. To black.
“Next sum*mer meet the world’s first avenger.”
Chris Evans turn*ing around in cos*tume, very much like the designs we’ve seen over the last month or so. No wings on head, but very much a prac*ti*cal army suit.
The title hit and then the zinger (you know the zinger… every trailer has one… you think it’s over and then BAM some*thing else) was of Evans launch*ing the shield right at camera.
Johnston said a while ago that the first suit would be a fairly literal rendition of the comics costume, as I recall, to show what it would look like, then they would move on to something designed for the field.That the first costume is meant to be seen as silly.
Johnston said a while ago that the first suit would be a fairly literal rendition of the comics costume, as I recall, to show what it would look likeThat the first costume is meant to be seen as silly.
Johnston said a while ago that the first suit would be a fairly literal rendition of the comics costume, as I recall, to show what it would look likeThat the first costume is meant to be seen as silly.
sounds like what they did with Robin's costume in Batman Returns (I think that was the one).
Sad that a costume based on the flag, a costume that has remained basically unchanged in 70 years, is basically being used as a clown suit.
In real life, that's what it probably would become. The movie version and the Ultimate version are closer to reality.
And none of your outdated "I don't want it to be reality" nonsense. They're doing this for the mainstream audiences you are not a part of.
Is that a new wrinkle? I don't recall the Skull even knowing about the Cube until the modern day.For the most part Cap has been based in reality when it came to WWII adventures. Except for the Red Skull searching for the Cosmic Cube.
But then, that's partially from the comics and partially from Indiana Jones.
Indiana Jones came off as realistic-feeling despite the Godly influence. And he didn't need a rubber comic book costume either.
Joss Whedon's role as script doctor on "Captain America: The First Avenger" technically marks his first dip into the Marvel Universe’s ever-expanding catalog of films, but it makes sense that as writer and director of "The Avengers" the filmmaker should also have his eye on the celluloid origin of the super team’s famous Captain.
In a brief interview with Earth's Mightiest, Whedon opened up about the process of maintaining consistency between worlds.
"I just got to make some character connections," said Whedon of his work on the "Captain America" screenplay. "The structure of the thing was really tight and I loved it, but there were a couple of opportunities to find his voice a little bit — and some of the other characters — and make the connections so that you understood exactly why he wanted to be who he wanted to be."
Whedon, who has a varied history of script-doctoring on films such as “Speed” and “Waterworld,” may have experienced a more ideal editing process in the comic-based playground of this latest project.
"It's fun in this case," said Whedon, "because, A, they'll actually use the things I wrote, which is rare; and, B, it's a fun puzzle to go in and say, 'Okay, this is what works, this is what needs to be connected, and here are some key moments.' Then the third thing is that it takes place in the '40s, so I got to write '40s dialogue, and that's never not fun!"
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