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If you could remake any show...

Lost in Space
Gone is the campy hah hah. We are instead treated to an intense drama of survival every week.
Thanks to the reimaged more gritty BSG this might be workable. Small cast and a small ship should help keep costs down. A definite five year story arc. They never get home and its not ever mentioned as a possibility.
 
I'm not sure I could cope with a gritty depiction of Will's realtionship with Doctor Smith...
 
Knight Rider would be my choice. The 2008 movie had the right idea. Michael's descendant (gender doesn't matter to me) gets a new generation KITT and fights crime for FLAG (in some incarnation or another). A more far reaching arc can be tossed in but I would focus on season long story arcs/threats than some weird conspiracy with KARR that has little pay off.

The tone of the show would be akin to "Alias", which had great action/excitement but also a sense of humor about itself. It shouldn't go all cheesy, but should remember its source material.
 
I'm on a superhero kick right now, and so, based on people's suggestions of redoing "Heroes", I thought I'd take a stab at applying my creativity to coming up with some ideas for rebooting the series. I really like the 'comic book feel/mentality' of the series, and would simultaneously expand and refine it. I'd start doing this by using the series premiere to introduce all of the major characters (both 'main' and 'recurring') and set up the overall 'story arc' for the series. I'd then use the subsequent episodes to focus on each of the individual main characters, so that the audience had a chance to learn firsthand about their histories and would be able to track how said histories - as well as the characters' current exploits - factored in to the overall narrative for the series as introduced in the premiere. I'd also 'focus' the character roster so that the main characters were all the titular 'heroes', with non super-powered characters remaining 'recurring'.

Season 1 Cast (in alphabetical order by last name)
Noah Gray-Cabey
Santiago Cabrera
Greg Grunberg
Ali Larter
Masi Oka
Hayden Panettiere
Adrian Pasdar
Zachary Quinto
Leonard Roberts
Milo Ventimiglia

Season 2 Cast
David Anders
Kristen Bell
Noah Gray-Cabey
Santiago Cabrera
Dana Davis
Greg Grunberg
Ali Larter
Masi Oka
Hayden Panettiere
Adrian Pasdar
Zachary Quinto
Dania Ramirez
Leonard Roberts
Milo Ventimiglia

Season 3 Cast
David Anders
Kristen Bell
Noah Gray-Cabey
Santiago Cabrera
Dana Davis
Greg Grunberg
Ali Larter
Masi Oka
Hayden Panettiere
Adrian Pasdar
Zachary Quinto
Dania Ramirez
Leonard Roberts
Cristine Rose
Milo Ventimiglia

Season 4 Cast

David Anders
Kristen Bell
Deanne Bray
Noah Gray-Cabey
Santiago Cabrera
Dana Davis
Greg Grunberg
Robert Knepper
Ali Larter
Masi Oka
Hayden Panettiere
Adrian Pasdar
Zachary Quinto
Dania Ramirez
Leonard Roberts
Cristine Rose
Milo Ventimiglia

Edited Note: I didn't find out that there have only been four seasons of "Heroes" until after I'd already posted, and haven't been able to get back here to fix things until now.
 
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"Max Headroom" (1987) (TV series)
Update the show to high definition and have less post-apocalyptic backlot exterior sets.


FYI the original Max Headroom: The Complete Series
with Matt Frewer is finally out on DVD on August 10.
with bonus material, including roundtables and interviews with cast members
all 14 episodes, Run Time: 660 minutes
re-transferring the episodes from the original elements to provide the highest picture quality.
hopefully that means the original camera negative from the 35mm cut negative like TOS-R, & ER releases.
 
Here's how I'd redo Heroes:

1. The hero guys would wear colorful jumpsuits.

2. The hero girls would dress in skintight spandex. ("Ogle the cheerleader, save the world...")

3. All the bad guys would dress like Neo and Trinity in the Matrix.

4. With those things done, hopefully, this idiotic concept of "doing a superhero story without the trappings of comic books" will die [samkinison]A HORRIBLE SCREAMING DEATH!! THE POINT OF SUPERHERO STORIES ARE THE COMIC BOOK TRAPPINGS, YOU MORONS!!! THAT'S WHAT COMIC BOOK FANS WANT!!! OH! OHOHOOOOOOOOHHHH![/samkinison]
 
4. With those things done, hopefully, this idiotic concept of "doing a superhero story without the trappings of comic books" will die [samkinison]A HORRIBLE SCREAMING DEATH!! THE POINT OF SUPERHERO STORIES ARE THE COMIC BOOK TRAPPINGS, YOU MORONS!!! THAT'S WHAT COMIC BOOK FANS WANT!!! OH! OHOHOOOOOOOOHHHH![/samkinison]


Except that this "idiotic concept" seems to work where mainstream audiences are concerned. SMALLVILLE and HEROES, for all their faults, both draw larger audiences than the average costumed superhero show, which typically get cancelled after a season or two.

You're right that "comic book fans" want the trappings. But that's what comic books are for. TV shows aren't made just for the hardcore fans. They're made for general audiences.
 
4. With those things done, hopefully, this idiotic concept of "doing a superhero story without the trappings of comic books" will die [samkinison]A HORRIBLE SCREAMING DEATH!! THE POINT OF SUPERHERO STORIES ARE THE COMIC BOOK TRAPPINGS, YOU MORONS!!! THAT'S WHAT COMIC BOOK FANS WANT!!! OH! OHOHOOOOOOOOHHHH![/samkinison]


Except that this "idiotic concept" seems to work where mainstream audiences are concerned. SMALLVILLE and HEROES, for all their faults, both draw larger audiences than the average costumed superhero show.

Right, until the diehard mainstream fans start ditching in droves after three or four seasons (or in Heroes case, the second season), bitching and moaning about the show being the same old thing with no imagination. Both Smallville and Heroes have outlived their own natural lifespans, and wouldn't have done so without fawning teenage girls ogling Tom Welling and horny old men ogling the cheerleader. Eventually, both groups are going to find something new to ogle, so I say to put off that eventuality, put Tom in the red and blue jammies and put the cheerleader in a body suit...you know, how comic books often maintain an audience.
 
4. With those things done, hopefully, this idiotic concept of "doing a superhero story without the trappings of comic books" will die [samkinison]A HORRIBLE SCREAMING DEATH!! THE POINT OF SUPERHERO STORIES ARE THE COMIC BOOK TRAPPINGS, YOU MORONS!!! THAT'S WHAT COMIC BOOK FANS WANT!!! OH! OHOHOOOOOOOOHHHH![/samkinison]


Except that this "idiotic concept" seems to work where mainstream audiences are concerned. SMALLVILLE and HEROES, for all their faults, both draw larger audiences than the average costumed superhero show.

Right, until the diehard mainstream fans start ditching in droves after three or four seasons (or in Heroes case, the second season), bitching and moaning about the show being the same old thing with no imagination. Both Smallville and Heroes have outlived their own natural lifespans, and wouldn't have done so without fawning teenage girls ogling Tom Welling and horny old men ogling the cheerleader. Eventually, both groups are going to find something new to ogle, so I say to put off that eventuality, put Tom in the red and blue jammies and put the cheerleader in a body suit...you know, how comic books often maintain an audience.

Maybe. But it doesn't matter if fans bitch and moan as long as the rest of the world keeps watching. SMALLVILLE is heading into its tenth year--which is way longer than than the George Reeves version, LOIS AND CLARK, the Adam West BATMAN, THE FLASH, THE TICK, BIRDS OF PREY, or any other superhero tv show.

And even HEROES has survived for four years, possibly five.

Even if all those "fawning teenage girls" go away tomorrow, SMALLVILLE has already lasted longer than BUFFY, ANGEL, and every single STAR TREK series. And don't underestimate the teenage girl audience. Their eyeballs count just as much as ours do.

If I was a tv exec, I would consider that a winning formula.
 
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I'm back with more thoughts on rebooting "Heroes".

When I initially composed my ideas/thoughts on rebooting the series, I didn't realize that there have only been four seasons of it thus far. Finding this out caused me to slightly rethink my initial ideas, and also gave me an alternate idea to those I posted above, which is to take all of the 'hero' characters who've been introduced thus far and incorporate them into the series from the very beginning, which would allow you to expand on the idea of doing 'focus' eps for each character, and, in turn, stretch out the narrative and make it even more of a 'comic book for television' (a concept that I think is a really neat idea in principle).

Regardless of the approach used, though, one thing that I would definitely do - and that I didn't mention earlier - would be to further increase the 'comic book for television' feel by referring to the episodes as "issues and seasons as "volumes"; I know that the existing series uses the latter concept, but I would do so both internally and externally.
 
That's a good idea.
Would you have each season be driven by a Big Bad villian like Buffy?

No. Instead, "The Company" would be the overall antagonist(s) for the entirety of the series, with each 'volume' of the series introducing individual antagonist characters who would be featured in every single 'issue' of the volume to which they and their story were central. For example, Noah Bennett would be the primary 'featured' antagonist for Volume 1, and his actions throughout the volume would impact directly on the lives, exploits, and actions of the main characters and on other recurring characters (like Mohinder) as well. They would also have far-reaching consequences that would spill into subsequent 'volumes', further enhancing the 'comic book for television' feel of the series. I'd also do away with the abilities of certain characters associated with "The Company" so that each of its members were and remained completely human and were thus placed in further contrast to the titular 'heroes' of the series. There would be alliances formed between "The Company" and some of the villanous 'heroes', but the core membership of the group would remain comprised solely of non-powered characters.
 
So the Company would a bunch of people who come to learn about the super-powered "heroes" and saw them as both potential threats and resources? Would they be like a shadow conspiracy who are pulling the strings from behind the scenes? Or some kind of independent government agency?
 
I'd remake "MillenniuM", but I'd keep Lance Henricksen.

Speaking of, I'm absolutely gobsmacked that he just turned 70 today!:eek:

SMALLVILLE is heading into its tenth year--which is way longer than than the George Reeves version, LOIS AND CLARK, the Adam West BATMAN, THE FLASH, THE TICK, BIRDS OF PREY, or any other superhero tv show.

And even HEROES has survived for four years, possibly five.

Even if all those "fawning teenage girls" go away tomorrow, SMALLVILLE has already lasted longer than BUFFY, ANGEL, and every single STAR TREK series.

Well, I suspect that part of the reason why Smallville has lasted so long is because of the relatively low ratings standards of the WB/CW. It certainly has never had to maintain the kind of major network presence of The Flash, The Tick, Lois & Clark, or the Adam West Batman series. And didn't The Adventures of Superman only end when it did because George Reeves committed suicide?

Furthermore, I think Buffy could have lasted as long as Smallville had Sarah Michelle Gellar not wanted to leave the series. And Star Trek: The Next Generation could have gone 9 or 10 seasons had Rick Berman not wanted to do Next Generation movies.

Furthermore, Stargate SG-1, a very fanboy driven series, lasted 10 seasons, which is probably what Smallville will last.
 
They'd be more or less what I understand them to be from the original series - people who are trying to track, study, and/or otherwise deal with the 'heroes' for their own reasons.
 
Well, I suspect that part of the reason why Smallville has lasted so long is because of the relatively low ratings standards of the WB/CW. It certainly has never had to maintain the kind of major network presence of The Flash, The Tick, Lois & Clark, or the Adam West Batman series. And didn't The Adventures of Superman only end when it did because George Reeves committed suicide?

The other reason is also because all that most mundanes want out of heroes is people that are fucked up like them. God forbid if a producer decided to do the original version of teenage Clark Kent as seen in Superman: The Movie, Superman: The Animated Series, or as seen in the flashback sequence of the teenage Clark Kent in Superman Returns-it would be considered 'unrealistic' and 'corny' because Clark Kent isn't a whiny emo-boy (this despite the fact that John Haymes Newton and Gerrard Christopher were able to play the original Clark for four seasons on Superboy, and also despite the fact that this version was quite popular!) It's why all of the characters on BSG are the way they are as opposed to the original versions of their characters-everybody these days want a little bit more 'oomph' in their personalities. The problem with this is, sometimes it works, and sometimes it doesn't. And it really hasn't worked with the Smallville version of Clark Kent, either. But, that's want people, particularly the viewers of the WB/CW, want to see. So, that's what we all get (we also can't get people in costume on TV for the same reason, despite seeing people in costume on the big screen!:rolleyes:)

As it is, I'll never waste my time watching Heroes or Smallville-
the former I've already come across in comic book form as Psi-Force, the latter as The Tomorrow People. There's no real reason for me to watch either show, unless both get remade as per the topic the OP posted.
 
I like this idea, but I think it would be more interesting if the Enterprise were originally a research vessel with the military forced upon it. I can see a scientific organization like UESPA running short of funding more easily than the military (unfortunately), and I think there would be more tension if the military were the ones nosing in on UESPA's project. But your interpretation is equally valid, and probably a little less of a cliche than mine. :techman:

In my fanfic, the military are rearming after an expensive war, hence the shortage of cash. Plus humanity hasn't developed to the more efficient system we are used to in Trek. There's still a lot of waste and inefficiency.

Still, your idea has a lot of merit, and could yield some interesting situations. Perhaps you should write a fanfic!:)

No Vulcan wears a catsuit. However, to keep the lads watching, the civilian chief scientific advisor does. She's brilliant, beautiful, buxom, and mad as a box of frogs.


Hey, that's my girlfriend you're talking about!

She's not mad ... just mildly eccentric. ;)

Right. My fictional Mary Sue now has her own real life stalker. Have you built a shrine to her yet, Duncan?
 
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